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Author: Professor Gray Read
Publisher: Ashgate Publishing, Ltd.
ISBN: 147241134X
Category : Architecture
Languages : en
Pages : 409
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Book Description
How do buildings act with people and among people in the performances of life? This collection of essays reveals a deep alliance between architecture and the performing arts, uncovering its roots in ancient stories, and tracing a continuous tradition of thought that emerges in contemporary practice. With fresh insight, the authors ask how buildings perform with people as partners, rather than how they look as formal compositions. They focus on actions: the door that offers the possibility of making a dramatic entrance, the window that frames a scene, and the city street that is transformed in carnival. The essays also consider the design process as a performance improvised among many players and offer examples of recent practice that integrates theater and dance. This collection advances architectural theory, history, and criticism by proposing the lens of performance as a way to engage the multiple roles that buildings can play, without reducing them to functional categories. By casting architecture as spatial action rather than as static form, these essays open a promising avenue for future investigation. For architects, the essays propose integrating performance into design through playful explorations that can reveal intense relationships between people and place, and among people in place. Such practices develop an architectural imagination that intuitively asks, 'How might people play out their stories in this place?' and 'How might this place spark new stories?' Questions such as these reside in the heart of all of the essays presented here. Together, they open a position in the intersection between everyday life and staged performance to rethink the role of architectural design.
Author: Professor Gray Read
Publisher: Ashgate Publishing, Ltd.
ISBN: 147241134X
Category : Architecture
Languages : en
Pages : 409
Get Book Here
Book Description
How do buildings act with people and among people in the performances of life? This collection of essays reveals a deep alliance between architecture and the performing arts, uncovering its roots in ancient stories, and tracing a continuous tradition of thought that emerges in contemporary practice. With fresh insight, the authors ask how buildings perform with people as partners, rather than how they look as formal compositions. They focus on actions: the door that offers the possibility of making a dramatic entrance, the window that frames a scene, and the city street that is transformed in carnival. The essays also consider the design process as a performance improvised among many players and offer examples of recent practice that integrates theater and dance. This collection advances architectural theory, history, and criticism by proposing the lens of performance as a way to engage the multiple roles that buildings can play, without reducing them to functional categories. By casting architecture as spatial action rather than as static form, these essays open a promising avenue for future investigation. For architects, the essays propose integrating performance into design through playful explorations that can reveal intense relationships between people and place, and among people in place. Such practices develop an architectural imagination that intuitively asks, 'How might people play out their stories in this place?' and 'How might this place spark new stories?' Questions such as these reside in the heart of all of the essays presented here. Together, they open a position in the intersection between everyday life and staged performance to rethink the role of architectural design.
Author: Ian Appleton
Publisher: Routledge
ISBN: 1136424121
Category : Architecture
Languages : en
Pages : 296
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Book Description
This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building. Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client’s proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons. THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES.
Author: Carlos M. Teixeira
Publisher: Artifice Incorporated
ISBN: 9781907317781
Category : Architecture
Languages : en
Pages : 384
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Book Description
"Entre" is the Portuguese word for "in-between". Yet it conjures up in the Romance language, connotations that far exceed its English equivalent. Indeed the "in-between" is physical, spatial, temporal: a more abstract and far reaching notion, that holds the true essence of the work explored in this book. In retaining the Portuguese term in this new English edition, Entre signals both Vazio S/A's indebtedness to Brazilian culture and also attempts to maintain intact this original notion, for which, strikingly, there seems to be no satisfactory English translation.
Author: Mark Mistur
Publisher: Oro Editions
ISBN: 9780578072401
Category : Architectural acoustics
Languages : en
Pages : 0
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Book Description
EMPAC is a building like no other. The Curtis R. Priem Experimental Media and Performing Center (EMPAC) is an extraordinary instrument for artists and researchers alike. With its concert hall, a theater and experimental black box studios, EMPAC bridges the ever-expanding potential of digital technology with the most refined details for acoustics, visual production and performing arts. EMPAC is designed, without compromise, for technology and the human experience, ranging from performances and new productions in time-based arts to the creation and navigation of large-scale immersive environments by researchers and engineers. On the campus of the oldest technological university in the U.S., the vision of EMPAC synthesizes a grand architectural gesture with the complex requirements of a true interdisciplinary enterprise for the 21st century. By using a series of essays, drawings, images and team insights, Professor Mark Mistur takes us through the collaborative process of a world-class team – led by Grimshaw Architects, Kirkegaard Associates, Fisher Dachs Associates, Buro Happold engineers and the Architect of Record Davis Brody Bond Aedas with the owner’s team of Rensselaer Polytechnic Institute under its President Dr. Shirley Ann Jackson – from concept to completion. Dr. Shirley Ann Jackson’s forward describes a vision for a 21st century research university and EMPAC as one instrument to enhance the culture of a polytechnic institute and to provoke innovation. An essay from EMPAC director Johannes Goebel focuses on the human dimension and the senses and the frontier of time-based arts. Essays by Sir Nicholas Grimshaw, acoustician R. Lawrence Kirkegaard, theater design consultant Joshua Dachs and Grimshaw Architects’ partner involved in the project from beginning to end William Horgan, each examine the question of performance- based design integration and tell the stories of innovations that resulted from their various important points of view. The building and the book do more than promise results. Being in operation for two years at the conclusion of writing the Architecture of EMPAC, the book concludes with appendix complete with the events it has been home to, the artists who have been in residence and the new productions to date, parts of which are captured and included in a DVD.
Author:
Publisher:
ISBN: 9788490543177
Category :
Languages : en
Pages : 280
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Book Description
Author: Jennifer Taylor
Publisher: Melbourne ; Toronto : Oxford University Press
ISBN:
Category : Architecture
Languages : en
Pages : 184
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Book Description
The linking text and comments by Miss Taylor provide the background and framework for the ase studies by Andrew himself. This exciting contemporary architect desribes thirten of his most important projects in a series of studies whih tell the inside story of the commission, how problems were solved, and the ultimate solution.
Author: Hugh Hardy
Publisher: John Wiley & Sons
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
Hugh Hardy covers the essentials of designing performing arts facilities, including need-to-know information about design renovation, & technical aspects such as lighting, acoustics & materials.
Author: Cathy Turner
Publisher: Springer
ISBN: 1137317140
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Dramaturgy and Architecture approaches modern and postmodern theatre's contribution to the way we think about the buildings and spaces we inhabit. It discusses in detail ways in which theatre and performance have critiqued and intervened in everyday spaces, modelled our dreams or fears and made proposals for the future.
Author: Marcia Feuerstein
Publisher: Routledge
ISBN: 1317179196
Category : Architecture
Languages : en
Pages : 308
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Book Description
How do buildings act with people and among people in the performances of life? This collection of essays reveals a deep alliance between architecture and the performing arts, uncovering its roots in ancient stories, and tracing a continuous tradition of thought that emerges in contemporary practice. With fresh insight, the authors ask how buildings perform with people as partners, rather than how they look as formal compositions. They focus on actions: the door that offers the possibility of making a dramatic entrance, the window that frames a scene, and the city street that is transformed in carnival. The essays also consider the design process as a performance improvised among many players and offer examples of recent practice that integrates theater and dance. This collection advances architectural theory, history, and criticism by proposing the lens of performance as a way to engage the multiple roles that buildings can play, without reducing them to functional categories. By casting architecture as spatial action rather than as static form, these essays open a promising avenue for future investigation. For architects, the essays propose integrating performance into design through playful explorations that can reveal intense relationships between people and place, and among people in place. Such practices develop an architectural imagination that intuitively asks, 'How might people play out their stories in this place?' and 'How might this place spark new stories?' Questions such as these reside in the heart of all of the essays presented here. Together, they open a position in the intersection between everyday life and staged performance to rethink the role of architectural design.
Author: Andrew Filmer
Publisher: Bloomsbury Publishing
ISBN: 1474247997
Category : Drama
Languages : en
Pages : 251
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Book Description
Performing Architectures offers a coherent introduction to the fields of performance and contemporary architecture, exploring the significance of architecture for performance theory and theatre and performance practice. It maps the diverse relations that exist between these disciplines and demonstrates how their aims, concerns and practices overlap through shared interests in space, action and event. Through a wide range of international examples and contributions from scholars and practitioners, it offers readers an analytical survey of current practices and equips them with the tools for analyzing site-specific and immersive theatre and performance. The essays in this volume, contributed by leading theorists and practitioners from both disciplines, focus on three key sites of encounter: * Projects: examines recent trends in architecture for performance; * Practices: looks at cross-currents in artistic practice, including spatial dramaturgies, performance architectonics and performative architectures; and * Pedagogies: considers the uses of performance in architectural education and architecture in teaching performance. The volume provides an essential introduction to the ways in which performance and architecture, as socio-spatial processes and as things made or constructed, operate as generating, shaping and steering forces in understanding and performing the other.
