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Author: Christopher Siwicki
Publisher:
ISBN: 0198848579
Category : Architecture
Languages : en
Pages : 320
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Book Description
Challenging the idea that heritage is a purely modern phenomenon, this volume addresses how historic buildings were treated in Imperial Rome, examining the way in which the ancients restored the monuments they inherited from earlier generations and developing our understanding of the Roman concept of built heritage.
Author: Christopher Siwicki
Publisher:
ISBN: 0198848579
Category : Architecture
Languages : en
Pages : 320
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Book Description
Challenging the idea that heritage is a purely modern phenomenon, this volume addresses how historic buildings were treated in Imperial Rome, examining the way in which the ancients restored the monuments they inherited from earlier generations and developing our understanding of the Roman concept of built heritage.
Author: Inglese, Carlo
Publisher: IGI Global
ISBN: 1522575561
Category : Architecture
Languages : en
Pages : 505
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Book Description
Cultural heritage identifies and preserves past achievements for the benefit of future generations. Examining the extent to which heritage preservation is feasible in an era governed by modernism and globalization is essential for both regional development and cultural conservation. Conservation, Restoration, and Analysis of Architectural and Archaeological Heritage provides innovative insights into digital technologies that have produced important methodological changes in the documentation, analysis, and conservation of cultural heritage. The content within this publication represents the work of digital restoration, inclusive communication, and reality-based representation. It is a vital reference source for software developers, sociologists, policymakers, tourism managers, and academicians seeking coverage on digital technologies and data processing in cultural heritage.
Author: Janet DeLaine
Publisher: Oxford University Press
ISBN: 0192699997
Category : History
Languages : en
Pages : 293
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Book Description
Roman Architecture casts new light not only on many familiar monuments of the city of Rome, but also on less well-known examples from across the Roman empire. Rome and its empire were fundamental to the development of western architecture, and its forms and motifs remain significant elements of our own built environments. Roman Architecture places the varied architecture of ancient Rome, from its humble apartment blocks to its grand public structures, within the broader context of Roman society. It takes as its starting point the writings of the Roman architect Vitruvius, as one voice in a broader contemporary debate about the nature and value of architecture. What did the Romans themselves think architecture was for? What was built, by whom and why? How was architecture represented in text and image? The interplay of type and variation that are the hallmark Roman architecture are here traced back to the human actions and choices from which they originated. Janet DeLaine explores how the desires of patrons for novelty and individuality were met by architects and builders working within the practical constraints of available materials and the moral prescriptions of religious and social norms to create new forms. Ranging from early Rome to the late empire, this volume casts new light on many familiar monuments of the city of Rome, but also on less well-known examples from across the empire. Through an examination of the key types of buildings at the heart of Roman society and their decoration, it reveals the symbolic meaning of architecture in terms of competitive power displays and commemoration, and it explores how architecture helped to define being 'Roman' at different times and in different places of the empire.
Author: Lynne C. Lancaster
Publisher: Cambridge University Press
ISBN: 9781139444347
Category : Architecture
Languages : en
Pages : 466
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Book Description
Concrete Vaulted Construction in Imperial Rome examines methods and techniques that enabled builders to construct some of the most imposing monuments of ancient Rome. Focusing on structurally innovative vaulting and the factors that influenced its advancement, Lynne Lancaster also explores a range of related practices, including lightweight pumice as aggregate, amphoras in vaults, vaulting ribs, metal tie bars, and various techniques of buttressing. She provides the geological background of the local building stones and applies mineralogical analysis to determine material provenance, which in turn suggests trading patterns and land use. Lancaster also examines construction techniques in relation to the social, economic, and political contexts of Rome, in an effort to draw connections between changes in the building industry and the events that shaped Roman society from the early empire to late antiquity. This book was awarded the James R. Wiseman Book Award from the Archaeological Institute of America in 2007.
Author: John North Hopkins
Publisher: Yale University Press
ISBN: 0300270038
Category : Architecture
Languages : en
Pages : 249
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Book Description
An expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome's ever-changing political boundaries Roman art and architecture is typically understood as being bound in some ways to a political event or as a series of aesthetic choices and experiences stemming from a center in Rome itself. Moving beyond the misleading catchall label "Roman," John North Hopkins aims to untangle the many peoples whose diverse cultures and traditions contributed to Rome's visual culture over a four-hundred-year time span across the first millennium BCE. Hopkins carefully reconsiders some of the period's most iconic works by way of the many practices and peoples bound up with them. Some of these include the extraordinary and complex effort to build the Temple of Jupiter; the creative actions and diverse encounters tied to luxury objects like the Ficoroni Cista; and the important meanings held by sacred temple sculpture and votive offerings through their making and subsequent practices of devotion. A key purpose of this book is to question an idea of Rome that has focused on elite production and the textual record; Hopkins instead calls attention to the lesser-known--often silenced--actors who were integral players. The result is a deep understanding of a diverse and historically rich Italic and Mediterranean world, as well as the myriad cultures, communities, and individuals who would have made and experienced art within and around the changing political boundaries of Rome.
Author: Steven Rutledge
Publisher: Oxford University Press
ISBN: 0199573239
Category : Antiques & Collectibles
Languages : en
Pages : 421
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Book Description
Ancient Rome as a Museum considers how cultural objects from the Roman Empire came to reflect, construct, and challenge Roman perceptions of power and identity. Rutledge argues that Roman cultural values are indicated in part by what sort of materials Romans deemed worthy of display and how they chose to display, view, and preserve them.
Author: Ahmed M. Bassioni
Publisher: Archaeopress Publishing Ltd
ISBN: 1803272406
Category : Social Science
Languages : en
Pages : 184
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Book Description
This study discusses the evolution of the Corinthian capital in Antiquity and how this centred around Alexandria rather than Mainland Greece. It tackles the rise of the Corinthian capital in Classical Greece and its adaptation on in Hellenistic Alexandria.
Author:
Publisher: Anaphora Literary Press
ISBN: 1681145723
Category : Drama
Languages : en
Pages : 252
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Book Description
The first English self-labeled “tragicomedy” about Octavia’s failed attempts to win back her inconstant husband, Antony, from his Egyptian lover, Cleopatra, and to prevent her brother, Octavius, from waging retaliatory war on Antony and Cleopatra. This volume presents overwhelming evidence for the re-attribution of the “Samuell Brandon”-bylined The Virtuous Octavia (1598) to Gabriel Harvey. The introduction raises questions about potential attribution leads and revealing relevant sources, which are answered with the evidence in the “Primary Sources” section that includes: three letters exchanged between William Byrd and Harvey while both were teaching at Cambridge, the “Octavia to Anthony” poetic epistle from the Arundel Harington Manuscript, and fragments from Plutarch’s “Mark Antony” chapter. The “Exordium” includes sections that present revealing clues in seemingly mundane details, such as this play’s typesetting. Another introductory section explains how Gerard Langbaine created the first “Brandon” biography solely based on the evidence presented in the Virtuous play, and without any evidence to support that “Brandon” was indeed a real author, and not merely a fictitious pseudonym. The imaginative process Langbaine used to manufacture “Brandon’s” biography is used to explain how scholars have communally arrived at the erroneous current attributions for the texts of the British Renaissance. A section on Harvey’s literary style explains how the texts Harvey ghostwrote differ from the patterns seen in the other Workshop ghostwriters’ texts. Another section presents visual examples of Harvey’s handwriting in his signed annotations on Domenichi’s Facetie, on “J. Harvey’s” A Discursive Problem Concerning Prophesies, and on Nicolai Machiavelli Princeps, and matches these to the handwriting styles currently assigned to two bylines Harvey ghostwrote under: “Edmund Spenser’s” poem on a copy of Sabinus’ Poëmata and “Elizabeth I’s” letter in Italian to Don Ferdinando de Medici, Grand-Duke of Tuscany. Another section explains how the two dedications to “the virtuous… Mary Thynne” and “the virtuous Lady Lucia Audley” are subversive clues that explain Virtuous Octavia as Harvey’s rebuttal to Percy’s at first anonymous and later “Shakespeare”-bylined Romeo and Juliet (1597). Romeo’s plot has long been suspected to be grounded in the contemporary story of Mary Thynne’s marriage to a member of a rival family, as well as the subsequent violence and litigations over this star-crossed-marriage between Mary’s mother, Lady Audley, and other members of their two clans. And a section on imitation-clusters explains that Virtuous Octavia falls into several sub-genre clusters that turn into an original formula when they are mixed together. These clusters include imitations and translations of the French dramatist Robert Garnier; adaptations of historical plotlines from Plutarch’s Lives; and imitations of Seneca’s tragedies. One of the latter tragedies by Seneca is also called Octavia, and it is about Emperor Nero’s wife of this same name, which had been translated into English by “T. N.” back in 1581. There are also explanation for the seemingly deliberately misdated historical details, such as the mixed references to events that involved M. Marcellus (270-208 BC; 5-time Consul) and G. Marcellus (88-40 BC; 1-time Consul; first husband of Octavia). And sections summarize Virtuous Octavia’s critical reception, give ideas to directors on approaches to its staging, and present an extensive synopsis of its narrative. This verse tragicomedy begins after the Treaty of Tarentum has been signed, renewing the power-split of Roman territories between three Emperors: Octavia’s brother Octavius is awarded the West, Octavia’s husband Antony is awarded the East, and Lepidus receives Africa. Octavia receives news that Antony is living with Cleopatra. When Octavia attempts to bring military reinforcements and to speak with Antony to convince him to return to her, Antony refuses to allow her to come near him. The news of this infidelity enrages Octavius, who decides it is an affront on his own honor, and uses it as a pretext to wage war against Antony, despite Octavia’s continuing petitions for peace and reconcilement. Civil and foreign wars are raging in the background, but most of the play focuses on Octavia’s philosophical and emotional struggle to comprehend why Antony has chosen to sin, and how she is stoically determined to remain constant and virtuous. In a brief mention in the resolution, Cleopatra causes Antony’s tragic death by tricking him into believing she has killed herself, before indeed killing herself. In the forefront of this conclusion, Octavia explains why she continues to be committed to virtuous conduct, despite all that has happened, and to take care of Antony’s children, even when she has to do so outside of Antony’s house (from which he has forcefully evicted her). Acronyms and Figures Exordium Plot and Staging Primary Sources Letters Between Byrd and Harvey “Octavia to Anthony”: Poem from “Daniel’s” Arundel Harington Manuscript Fragments About Octavia from “Thomas North’s” Translation of Plutarch’s “The Life of Mark Antony” Text Terms, References, Questions, Exercises
Author: Jukka Jokilehto
Publisher: Routledge
ISBN: 1136398503
Category : Antiques & Collectibles
Languages : en
Pages : 369
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Book Description
A History of Architectural Conservation expands knowledge about the conservation of ancient monuments, works of art and historic buildings. It includes the origins of the interest in conservation within the European context, and the development of the concepts from Antiquity and the Renaissance to the present day. Jokilehto illustrates how this development has influenced international collaboration in the protection and conservation of cultural heritage, and how it has formed the principal concepts and approach to conservation and restoration in today's multi-cultural society. This book is based on archival research of original documents and the study of key restoration examples in countries that have influenced the international conservation movement. Accessible and of great interest to students and the general public it includes conservation trends in Europe, the USA, India, Iran and Japan.
Author: Javier Martínez Jiménez
Publisher: Oxbow Books
ISBN: 1789258170
Category : Social Science
Languages : en
Pages : 383
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Book Description
The Greco-Roman world is identified in the modern mind by its cities. This includes both specific places such as Athens and Rome, but also an instantly recognizable style of urbanism wrought in marble and lived in by teeming tunic-clad crowds. Selective and misleading this vision may be, but it speaks to the continuing importance these ancient cities have had in the centuries that followed and the extent to which they define the period in subsequent memory. Although there is much that is mysterious about them, the cities of the Roman Mediterranean are, for the most part, historically known. That the names and pasts of these cities remain known to us is the product of an extraordinary process of remembering and forgetting stretching back to antiquity that took place throughout the former Roman world. This volume tackles this subject of the survival and transformation of the ancient city through memory, drawing upon the methodological and theoretical lenses of memory studies and resilience theory to view the way the Greco-Roman city lived and vanished for the generations that separate the present from antiquity. This book analyzes the different ways in which urban communities of the post-Antique world have tried to understand and relate to the ancient city on their own terms, examining it as a process of forgetting as well as remembering. Many aspects of the ancient city were let go as time passed, but those elements that survived, that were actively remembered, have shaped the many understandings of what it was. In order to do so, this volume assembles specialists in multiple fields to bring their perspectives to bear on the subject through eleven case studies that range from late Antiquity to the mid-twentieth century, and from the Iberian Peninsula to Iran. Through the examination of archaeological remains, changing urban layouts and chronicles, travel guides and pamphlets, they track how the ancient city was made useful or consigned to oblivion.
