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Author: Jennifer Williams
Publisher: Taylor & Francis
ISBN: 1040120024
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy. This volume investigates three case studies of how leading East Berlin stages excavated fragmentary materials from Weimar dramatist Bertolt Brecht’s oeuvre and repurposed them for their post‐fascist society: Uta Birnbaum’s 1967 Man Equals Man at the Berliner Ensemble, Joachim Herz’s 1977 Rise and Fall of the City of Mahagonny at the Komische Oper, and Heiner Muller’s own productions of his trailblazing plays. In each instance, reused theatrical artifacts dialectically expressed the contradictions inherent in East German political legitimacy, at once amplifying and critiquing it. Illuminated by original archival research and translations of letters and artistic ephemera published in English for the first time, and engaging with alternative East German feminist epistemologies, this book’s critical investigation of culture and political legitimacy in the shadow of Germany’s fascist past resonates beyond the Iron Curtain into the twenty‐first century. Its final chapter examines how performative artifacts influence the process of political legitimation in more recent history, ranging from Checkpoint Charlie tourism to the January 6, 2021 US insurrection. This study will be of great interest to students and scholars in theater and performance studies, art history, musicology, German studies, anthropology, and political science.
Author: Jennifer Williams
Publisher: Taylor & Francis
ISBN: 1040120024
Category : Performing Arts
Languages : en
Pages : 206
Get Book Here
Book Description
This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy. This volume investigates three case studies of how leading East Berlin stages excavated fragmentary materials from Weimar dramatist Bertolt Brecht’s oeuvre and repurposed them for their post‐fascist society: Uta Birnbaum’s 1967 Man Equals Man at the Berliner Ensemble, Joachim Herz’s 1977 Rise and Fall of the City of Mahagonny at the Komische Oper, and Heiner Muller’s own productions of his trailblazing plays. In each instance, reused theatrical artifacts dialectically expressed the contradictions inherent in East German political legitimacy, at once amplifying and critiquing it. Illuminated by original archival research and translations of letters and artistic ephemera published in English for the first time, and engaging with alternative East German feminist epistemologies, this book’s critical investigation of culture and political legitimacy in the shadow of Germany’s fascist past resonates beyond the Iron Curtain into the twenty‐first century. Its final chapter examines how performative artifacts influence the process of political legitimation in more recent history, ranging from Checkpoint Charlie tourism to the January 6, 2021 US insurrection. This study will be of great interest to students and scholars in theater and performance studies, art history, musicology, German studies, anthropology, and political science.
Author: Fredric Jameson
Publisher: Cornell University Press
ISBN: 0801471575
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions. The Political Unconscious is a masterly introduction to both the method and the practice of Marxist criticism. Defining a mode of criticism and applying it successfully to individual works, it bridges the gap between theoretical speculation and textual analysis.
Author: Elías José Palti
Publisher: Columbia University Press
ISBN: 023154247X
Category : History
Languages : en
Pages : 175
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Book Description
In the past few decades, much political-philosophical reflection has been dedicated to the realm of "the political." Many of the key figures in contemporary political theory—Jacques Rancière, Alain Badiou, Reinhart Koselleck, Giorgio Agamben, Ernesto Laclau, and Slavoj i ek, among others—have dedicated themselves to explaining power relations, but in many cases they take the concept of the political for granted, as if it were a given, an eternal essence. In An Archaeology of the Political, Elías José Palti argues that the dimension of reality known as the political is not a natural, transhistorical entity. Instead, he claims that the horizon of the political arose in the context of a series of changes that affirmed the power of absolute monarchies in seventeenth-century Europe and was successively reconfigured from this period up to the present. Palti traces this series of redefinitions accompanying alterations in regimes of power, thus describing a genealogy of the concept of the political. Perhaps most important, An Archaeology of the Political brings to theoretical discussions a sound historical perspective, illuminating the complex influences of both theology and secularization on our understanding of the political in the contemporary world.
Author: Sean Homer
Publisher: Routledge
ISBN: 1136679766
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Fredric Jameson has been described as "probably the most important cultural critic writing in English today" and he is widely acknowledged as the foremost proponent for the tradition of critical theory known as Western Marxism.Yet his work has not been given the systematic review like other contemporary thinkers like Fooucault and Derrida. Fredric Jameson: Marxism, Hermeneutics, Postmodernism is a thoroughly up-to-date, detailed review and analysis of the work of this influential intellectual. Covering Jameson's work and thought from his early projects of form and history to his more recent engagements with postmodernism and cultural politics, this synthesis offers a balanced assessment of his ideas, their development and their continuing influence.
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1789602998
Category : Literary Criticism
Languages : en
Pages : 688
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Book Description
In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful? Archaeologies of the Future, Jameson's most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age. The relationship between utopia and science fiction is explored through the representations of otherness . alien life and alien worlds . and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson's essential essays, including "The Desire Called Utopia," conclude with an examination of the opposing positions on utopia and an assessment of its political value today.
Author: Ian Bapty
Publisher: Routledge
ISBN: 131761660X
Category : Social Science
Languages : en
Pages : 323
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Book Description
Most practising archaeologists have preferred to leave the deep theories of what lies behind their methods and perceptions on one side. Now archaeologists have faced up to the difficult task of making (or not making) the connections between the past, interpretation and the present. The writers of this volumes address the problems of archaeology, sometimes warily and sometimes with enthusiasm. The connections are not easy to accomplish: a great deal of theory seems of little relevance to the everyday practice of archaeology, and much of post-structuralism refers exclusively back to itself rather than to the more specific concerns of a historical discipline. But where the junction between post-structuralism and archaeology can be made, the results are innovative and enriching. Originally published in 1990.
Author: Rita Banerjee
Publisher: Bloomsbury Publishing
ISBN: 9356408211
Category : Literary Collections
Languages : en
Pages : 235
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Book Description
Shakespeare and the Political: Elizabethan Politics and Asian Exigencies is a collection of essays which show how selected Shakespearean plays and later adaptations engage with the political situations of the Elizabethan period as well as contemporary Asian societies. The various interpretations of the original plays focus on the institutions of family and honour, patriarchy, kingship and dynasty, and the emergent ideologies of the nation and cosmopolitanism, adopting a variety of approaches like historicism, presentism, psychoanalysis, feminism and close reading. The volume also looks at Shakespearean adaptations in Asia – Taiwanese, Japanese, Chinese and Indian. Using Douglas Lanier's concept of the 'rhizomatic' approach, it seeks to examine how Asian Shakespearean adaptations, films and stage performances, appropriate and reproduce originals often 'unfaithfully' in different social and temporal contexts to produce independent works of art.
Author: Aaron D. Conley
Publisher: Fortress Press
ISBN: 1451472005
Category : Religion
Languages : en
Pages : 195
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Book Description
Conley calls into question the outdated historical methodologies in use in Christian social ethics and outlines the consequences stemming from them. By adopting the postmodern post-structuralist position of historian Elizabeth Clark, Conley calls ethicists to learn to read for the gaps, silences, and aporias existent in historical texts as well as in the histories represented by them. The book calls ethicists to a critical self-reflexive historiography. This self-criticism allows the ability to construct new histories and formulate new ethical norms for the world in which we now live.
Author: Jeffrey A. Bell
Publisher: Edinburgh University Press
ISBN: 0748636102
Category : History
Languages : en
Pages : 249
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Book Description
This book aims to open up Deleuze's relevance to those working in history, the history of ideas, science studies, evolutionary psychology, history of philosophy and interdisciplinary projects inflected by historical problems.
Author: Christopher J. Wright
Publisher: Lexington Books
ISBN: 9780739111666
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
The first book to explore the premise of "Survivor as society," this work serves as both an analysis of a popular television program and a highly-readable primer for those new to critical theory."--BOOK JACKET.
