Author: Druid Wilson
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 648
Book Description
Geologic Names of North America
Author: Druid Wilson
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 648
Book Description
Mercury
Author: James Wilson Pennington
Publisher:
ISBN:
Category : Mercury
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Mercury
Languages : en
Pages : 116
Book Description
The Archaeological Bulletin
Author: Allen Jesse Reynolds
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 606
Book Description
Hawaii National Park, Hawaii
Author: United States. National Park Service
Publisher:
ISBN:
Category : Hawaii Volcanoes National Park (Hawaii)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Hawaii Volcanoes National Park (Hawaii)
Languages : en
Pages : 44
Book Description
Ground-water Geology of Bexar County, Texas
Author: Ted Arnow
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 74
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
I Got Magic in My Bow
Author: Keoki Cooper-Anderson
Publisher:
ISBN: 9781732990845
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781732990845
Category :
Languages : en
Pages :
Book Description
Fresh from the Farm 6pk
Author: Rigby
Publisher:
ISBN: 9781418914219
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781418914219
Category :
Languages : en
Pages : 0
Book Description