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Author: Tilo Voltz
Publisher: GRIN Verlag
ISBN: 3640238419
Category : Language Arts & Disciplines
Languages : en
Pages : 42
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Leipzig (Institut für Anglistik), course: Motivation and Arbitrariness in the English Language, 9 entries in the bibliography, language: English, abstract: The following essay wants to draw attention to the relation between motivation and ar-bitrariness within complex linguistic signs. Modern linguistics tries to establish motivation within the language system and by this often seems to negotiate arbitrariness. Bolinger claimed in 1980: "Arbitrary and conventional is a fitting description of distinctive sounds, less so of words, even less of sentences, and beyond that scarcely fits at all" (Fischer & Nänny, 1999, p. xxi). Dirven and Verspoor proclaim that "most of the complex forms of lan-guage...are...not arbitrary, but transparent or motivated" (Dirven & Verspoor, p. 21). Motivation is used to construct convincing explanations for sometimes mystified phe-nomena in a language. Motivated by C.S. Peirce's sign system, linguistic signs are recently moved from a box signed 'symbol' into a box signed 'icon'. Language by this is meant to be a more or less predictable act, which is based on translucent regularities and ordering princi-ples. Structural similarities are the basis of motivation, which examines and proclaims ordeing principles in all spheres of the language: phonology, morphology, lexicon and semantics Motivation even obstructs the syntax of a language. Three main ideas underlie the principle of motivation: (i) sequential ordering, (ii) quan-tity and (iii) proximity. Simplified, the ideas can be summarized as follows: (i) arrangement of linguistic elements according to temporal events, like he opened the door and came in or veni, vidi, vici; (ii) the amount of meaning is reflected in the amount of linguistic form, like I go - I went - I had gone or a car - a green car - a green convertible; (iii) conceptual distance is reflected
Author: Tilo Voltz
Publisher: GRIN Verlag
ISBN: 3640238419
Category : Language Arts & Disciplines
Languages : en
Pages : 42
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Leipzig (Institut für Anglistik), course: Motivation and Arbitrariness in the English Language, 9 entries in the bibliography, language: English, abstract: The following essay wants to draw attention to the relation between motivation and ar-bitrariness within complex linguistic signs. Modern linguistics tries to establish motivation within the language system and by this often seems to negotiate arbitrariness. Bolinger claimed in 1980: "Arbitrary and conventional is a fitting description of distinctive sounds, less so of words, even less of sentences, and beyond that scarcely fits at all" (Fischer & Nänny, 1999, p. xxi). Dirven and Verspoor proclaim that "most of the complex forms of lan-guage...are...not arbitrary, but transparent or motivated" (Dirven & Verspoor, p. 21). Motivation is used to construct convincing explanations for sometimes mystified phe-nomena in a language. Motivated by C.S. Peirce's sign system, linguistic signs are recently moved from a box signed 'symbol' into a box signed 'icon'. Language by this is meant to be a more or less predictable act, which is based on translucent regularities and ordering princi-ples. Structural similarities are the basis of motivation, which examines and proclaims ordeing principles in all spheres of the language: phonology, morphology, lexicon and semantics Motivation even obstructs the syntax of a language. Three main ideas underlie the principle of motivation: (i) sequential ordering, (ii) quan-tity and (iii) proximity. Simplified, the ideas can be summarized as follows: (i) arrangement of linguistic elements according to temporal events, like he opened the door and came in or veni, vidi, vici; (ii) the amount of meaning is reflected in the amount of linguistic form, like I go - I went - I had gone or a car - a green car - a green convertible; (iii) conceptual distance is reflected
Author: Tilo Voltz
Publisher: GRIN Verlag
ISBN: 3640236386
Category : Literary Criticism
Languages : en
Pages : 18
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Leipzig (Institut für Anglistik), course: Motivation and Arbitrariness in the English Language, language: English, abstract: The following essay wants to draw attention to the relation between motivation and ar-bitrariness within complex linguistic signs. Modern linguistics tries to establish motivation within the language system and by this often seems to negotiate arbitrariness. Bolinger claimed in 1980: “Arbitrary and conventional is a fitting description of distinctive sounds, less so of words, even less of sentences, and beyond that scarcely fits at all“ (Fischer & Nänny, 1999, p. xxi). Dirven and Verspoor proclaim that “most of the complex forms of lan-guage...are...not arbitrary, but transparent or motivated“ (Dirven & Verspoor, p. 21). Motivation is used to construct convincing explanations for sometimes mystified phe-nomena in a language. Motivated by C.S. Peirce’s sign system, linguistic signs are recently moved from a box signed ‘symbol’ into a box signed ‘icon’. Language by this is meant to be a more or less predictable act, which is based on translucent regularities and ordering princi-ples. Structural similarities are the basis of motivation, which examines and proclaims ordeing principles in all spheres of the language: phonology, morphology, lexicon and semantics Motivation even obstructs the syntax of a language. Three main ideas underlie the principle of motivation: (i) sequential ordering, (ii) quan-tity and (iii) proximity. Simplified, the ideas can be summarized as follows: (i) arrangement of linguistic elements according to temporal events, like he opened the door and came in or veni, vidi, vici; (ii) the amount of meaning is reflected in the amount of linguistic form , like I go – I went – I had gone or a car – a green car – a green convertible; (iii) conceptual distance is reflected in formal distance, like I made her leave – I wanted her to leave – I wished she would leave. Essential to all three principles of iconicity is the kind of motivation they supply. What can be identified by sequential ordering, quantity and proximity is the formal and conceptual structure of a linguistic sign. Metaphorically speaking, motivation provides the bones (formal structure) and the muscles (conceptual structure) to complex linguistic sign. What motiva-tion can neither answer nor negotiate is the question of element’s arbitrariness, and why a certain concept is conventionally linked to a representing sound pattern. Moreover, it is the arbitrary character of simplex forms, which enables the understanding of complex signs. The aim of this paper is to raise an awareness for the inseparable connection of arbi-trariness and motivation in the analysis of complex signs. This aim will be achieved in three steps. First, the distinction between simplex and complex sign is focused, followed by a short introduction of the linguistic sign and a simplified understanding of language. Beyond, two important possibilities of analyzing linguistic signs and language are proposed: a sign inter-nal and a sign related analysis. In a second step, arbitrariness and motivation are correlated to the two processes of analyzing a language. In a last step, the thesis will be exemplified.
Author: Erica C. Garcia
Publisher: John Benjamins Publishing
ISBN: 9027215707
Category : Language Arts & Disciplines
Languages : en
Pages : 353
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Book Description
This detailed study challenges the claim that syntax is arbitrary and autonomous, as well as the assumption that Spanish clitic clusters constitute grammaticalized units. Diverse--apparently unrelated--restrictions on clitic clustering in both simplex VP's and Accusative cum Infinitive structures are shown to be cognitively motivated, given the meaning of the individual clitics, and the compositional/interpretative routines those meanings motivate. The analysis accounts, in coherent and principled fashion, for the absolute non-occurrence of some clusters, and the interpretation-dependent acceptability of all remaining clitic combinations: cluster acceptability depends on the ease with which the given clitic combination can be processed to yield a congruent message; there is no point in combining clitics whose meanings preclude speedy processing of the cluster. The monograph goes beyond previous work on Spanish clitics in its wealth of data, the range of syntactic phenomena discussed, and its analytic scope.
Author: Chiyo Nishida
Publisher: John Benjamins Publishing
ISBN: 9027293392
Category : Language Arts & Disciplines
Languages : en
Pages : 306
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Book Description
This is the first of two volumes emanating from the Linguistic Symposium on Romance Languages held at the University of Texas at Austin in February 2005. It features the keynote address delivered by Denis Bouchard on exaptation and linguistic explanation, as well as seventeen contributions by emerging and internationally recognized scholars of Spanish, French, Italian, as well as Rumanian. While the emphasis bears on formal analyses, the coverage is remarkably broad, as topics range from morphology, syntax, semantics, pragmatics and language acquisition. Each article seeks to represent a new perspective on these topics and a variety of frameworks and concepts are exploited: distributive morphology, entailment theory, grammaticalization, information structure, left-periphery, polarity lattice, spatial individuation, thematic hierarchy, etc. This volume will challenge anyone interested in current issues in theoretical Romance Linguistics.
Author: Keith Allan
Publisher: Cambridge University Press
ISBN: 1139457608
Category : Language Arts & Disciplines
Languages : en
Pages : 254
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Book Description
Many words and expressions are viewed as 'taboo', such as those used to describe sex, our bodies and their functions, and those used to insult other people. This 2006 book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are 'sweet-talking', 'straight-talking' or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.
Author: Peter O. Müller
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110394685
Category : Language Arts & Disciplines
Languages : en
Pages : 974
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Book Description
This handbook comprises an in-depth presentation of the state of the art in word-formation. The five volumes contain 207 articles written by leading international scholars. The XVI chapters of the handbook provide the reader, in both general articles and individual studies, with a wide variety of perspectives: word-formation as a linguistic discipline (history of science, theoretical concepts), units and processes in word-formation, rules and restrictions, semantics and pragmatics, foreign word-formation, language planning and purism, historical word-formation, word-formation in language acquisition and aphasia, word-formation and language use, tools in word-formation research. The final chapter comprises 74 portraits of word-formation in the individual languages of Europe and offers an innovative perspective. These portraits afford the first overview of this kind and will prove useful for future typological research. This handbook will provide an essential reference for both advanced students and researchers in word-formation and related fields within linguistics.
Author: Rochelle Lieber
Publisher: OUP Oxford
ISBN: 019165177X
Category : Language Arts & Disciplines
Languages : en
Pages : 768
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Book Description
The Oxford Handbook of Derivational Morphology is intended as a companion volume to The Oxford Handbook of Compounding (OUP 2009) Written by distinguished scholars, its 41 chapters aim to provide a comprehensive and thorough overview of the study of derivational morphology. The handbook begins with an overview and a consideration of definitional matters, distinguishing derivation from inflection on the one hand and compounding on the other. From a formal perspective, the handbook treats affixation (prefixation, suffixation, infixation, circumfixation, etc.), conversion, reduplication, root and pattern and other templatic processes, as well as prosodic and subtractive means of forming new words. From a semantic perspective, it looks at the processes that form various types of adjectives, adverbs, nouns, and verbs, as well as evaluatives and the rarer processes that form function words. The book also surveys derivation in fifteen language families that are widely dispersed in terms of both geographical location and typological characteristics.
Author: R. Tallis
Publisher: Springer
ISBN: 1349276626
Category : Philosophy
Languages : en
Pages : 312
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Book Description
Criticizes attempts to "biologize" consciousness by explaining its origin in evolutionary terms and identifying mental phenomena with brain processes, to "computerize" it by identifying mind with the supposed computational activity of the brain, and to eliminate it by denying the reality of qualia.
Author: Geert Booij
Publisher: OUP Oxford
ISBN: 0191069000
Category : Language Arts & Disciplines
Languages : en
Pages : 354
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Book Description
Geert Booij's popular textbook examines how words are formed, compounded, and inflected in different languages. It shows how, when, and why to use methods of morphological analysis and explains how morphology relates to syntax, phonology, and semantics. The author considers the universal characteristics of morphology and how these are reflected in the workings of mind. The revised edition has been revised and updated throughout; it has a full glossary and a new chapter on the field's most notorious problem: the status of the word. 'The Grammar of Words by Geert Booij covers a broad range of topics from structural questions to psycholinguistic issues and problems of language change. This introduction to morphology is thorough and accessible and, like other works by this renowned author, especially strong at showing the significance of empirical facts for theoretical reasoning.' Ingo Plag, University of Siegen 'A book that is fully comprehensive in its coverage as well as exemplary in its clarity, written by one of the major scholars of contemporary lexical theory.' Sergio Scalise, University of Bologna
Author: John Earl Joseph
Publisher: John Benjamins Publishing
ISBN: 9781556197499
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
The idea that some aspects of language are 'natural', while others are arbitrary, artificial or derived, runs all through modern linguistics, from Chomsky's GB theory and Minimalist program and his concept of E- and I-language, to Greenberg's search for linguistic universals, Pinker's views on regular and irregular morphology and the brain, and the markedness-based constraints of Optimality Theory. This book traces the heritage of this linguistic naturalism back to its locus classicus, Plato's dialogue Cratylus. The first half of the book is a detailed examination of the linguistic arguments in the Cratylus. The second half follows three of the dialogue's naturalistic themes through subsequent linguistic history - natural grammar and conventional words, from Aristotle to Pinker; natural dialect and artificial language, from Varro to Chomsky; and invisible hierarchies, from Jakobson to Optimality Theory - in search of a way forward beyond these seductive yet spurious and limiting dichotomies.
