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Author: Kas Saghafi
Publisher: Fordham Univ Press
ISBN: 0823231623
Category : Art
Languages : en
Pages : 224
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Book Description
How does Derrida write of and on the other? Apparitions examines exemplary instances of the relation to the other-the relation of Moses to God, Derrida's friendship with Jean-Luc Nancy, Derrida's relation to a recentlydeparted actress caught on video-to demonstrate how Derrida forces us to reconceive who or what the other may be. For Derrida, the singularity of the other includes not only the formal or logical sense of alterity, the otherness of the human other, but also the otherness of the nonliving, the no longer living, or the not yet alive.Addressing Derrida's readings of Husserl, Levinas, Barthes, Blanchot, and Nancy, this book explores the apparitions of the other by attending to the mode of appearing, the phenomenality and visibility of the other.The book also demonstrates that video and photography display an intimate relation to spectrality, as well as a structural relation to the absolute singularity of the other
Author: Kas Saghafi
Publisher: Fordham Univ Press
ISBN: 0823231623
Category : Art
Languages : en
Pages : 224
Get Book Here
Book Description
How does Derrida write of and on the other? Apparitions examines exemplary instances of the relation to the other-the relation of Moses to God, Derrida's friendship with Jean-Luc Nancy, Derrida's relation to a recentlydeparted actress caught on video-to demonstrate how Derrida forces us to reconceive who or what the other may be. For Derrida, the singularity of the other includes not only the formal or logical sense of alterity, the otherness of the human other, but also the otherness of the nonliving, the no longer living, or the not yet alive.Addressing Derrida's readings of Husserl, Levinas, Barthes, Blanchot, and Nancy, this book explores the apparitions of the other by attending to the mode of appearing, the phenomenality and visibility of the other.The book also demonstrates that video and photography display an intimate relation to spectrality, as well as a structural relation to the absolute singularity of the other
Author: Jacques Derrida
Publisher: Routledge
ISBN: 1136758607
Category : Philosophy
Languages : en
Pages : 281
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Book Description
Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.
Author: K. A. S. SAGHAFI
Publisher:
ISBN: 9781438478203
Category :
Languages : en
Pages :
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Book Description
Author: Kas Saghafi
Publisher:
ISBN: 9780823290901
Category : ART
Languages : en
Pages : 200
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Book Description
The chapters of this book revolve around the notion of the other in Jacques Derrida's work. How does Derrida write of and on the other? Arguing that Derrida offers the most attentive and responsible thinking about "the undeniable experience of the alterity of the other," Apparitions--of Derrida's Other examines exemplary instances of the relation to the other--the relation of Moses to God, Derrida's friendship with Jean-Luc Nancy, Derrida's relation to a recently departed actress caught on video, among others--to demonstrate how Derrida forces us to reconceive who or what the other may be. For Derrida, the singularity of the other, always written in the lower case, includes not only the formal or logical sense of alterity, the otherness of the human other, but also the otherness of the nonliving, the no longer living, or the not yet alive. The book explores welcoming and hospitality, salutation and greeting, "approaching," and mourning as constitutive facets of the relation to these others. Addressing Derrida's readings of Husserl, Levinas, Barthes, Blanchot, and Nancy, among other thinkers, and ranging across a number of disciplines, including art, literature, philosophy, and religion, this book explores the apparitions of the other by attending to the mode of appearing or coming on the scene, the phenomenality and visibility of the other. Analyzing some of Derrida's essays on the visual arts, the book also demonstrates that video and photography display an intimate relation to "spectrality," as well as a structural relation to the absolute singularity of the other.
Author:
Publisher: BRILL
ISBN: 9004341617
Category : Literary Criticism
Languages : en
Pages : 555
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Book Description
In the Name of Friendship: Deguy, Derrida and "Salut" centres on the relationship between poet Michel Deguy and philosopher Jacques Derrida. Translations of two essays, "Of Contemporaneity" by Deguy and "How to Name" by Derrida, allow Christopher Elson and Garry Sherbert to develop the implications of this singular intellectual friendship. In these thinkers’ efforts to reinvent secular forms of the sacred, such as the singularity of the name, and especially poetic naming, Deguy, by adopting a Derridean programme of the impossible, and Derrida, by developing Deguy's ethics of naming through the word "salut," situate themselves at the forefront of contemporary debates over politics and religion alongside figures like Alain Badiou and Jean-Luc Marion, John Caputo and Martin Hagglund.
Author: Timothy Holland
Publisher: Oxford University Press
ISBN: 0197694381
Category : Art
Languages : en
Pages : 281
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Book Description
Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida's Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derrida's self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida's approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derrida's Cinema contributes to the ongoing close analyses of the philosopher's work while also providing a rigorous introduction to deconstruction. Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derrida's oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynch's cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derrida's cinema-not only the absence and presence of film in Derrida's professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.
Author: Zeynep Direk
Publisher: John Wiley & Sons
ISBN: 1118607295
Category : Philosophy
Languages : en
Pages : 659
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Book Description
A Companion to Derrida is the most comprehensive single volume reference work on the thought of Jacques Derrida. Leading scholars present a summary of his most important accomplishments across a broad range of subjects, and offer new assessments of these achievements. The most comprehensive single volume reference work on the thought of Jacques Derrida, with contributions from highly prominent Derrida scholars Unique focus on three major philosophical themes of metaphysics and epistemology; ethics, religion, and politics; and art and literature Introduces the reader to the positions Derrida took in various areas of philosophy, as well as clarifying how derrideans interpret them in the present Contributions present not only a summary of Derrida’s most important accomplishments in relation to a wide range of disciplines, but also a new assessment of these accomplishments Offers a greater understanding of how Derrida’s work has fared since his death
Author: Vanessa Lemm
Publisher: Fordham University Press
ISBN: 0823262898
Category : Philosophy
Languages : en
Pages : 422
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Book Description
Throughout his writing career Nietzsche advocated the affirmation of earthly life as a way to counteract nihilism and asceticism. This volume takes stock of the complexities and wide-ranging perspectives that Nietzsche brings to bear on the problem of life’s becoming on Earth by engaging various interpretative paradigms reaching from existentialist to Darwinist readings of Nietzsche. In an age in which the biological sciences claim to have unlocked the deepest secrets and codes of life, the essays in this volume propose a more skeptical view. Life is both what is closest and what is furthest from us, because life experiments through us as much as we experiment with it, because life keeps our thinking and our habits always moving, in a state of recurring nomadism. Nietzsche’s philosophy is perhaps the clearest expression of the antinomy contained in the idea of “studying” life and in the Socratic ideal of an “examined” life and remains a deep source of wisdom about living.
Author: William S. Allen
Publisher: Fordham Univ Press
ISBN: 0823269302
Category : Philosophy
Languages : en
Pages : 349
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Book Description
Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity. In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.
Author: Kas Saghafi
Publisher: State University of New York Press
ISBN: 1438478224
Category : Philosophy
Languages : en
Pages : 212
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Book Description
In this book, Kas Saghafi argues that the notion of "the end the world" in Derrida's late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida's work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida's thought along these lines with similar concerns of Jean-Luc Nancy's. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a "spectro-poetics" devoted to and assigned to the other's singularity.
