Antonio's Revenge

Antonio's Revenge PDF Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719057038
Category : Drama
Languages : en
Pages : 196

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Book Description
This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.

Antonio's Revenge

Antonio's Revenge PDF Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719057038
Category : Drama
Languages : en
Pages : 196

Get Book

Book Description
This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.

Five Revenge Tragedies

Five Revenge Tragedies PDF Author: Thomas Kyd
Publisher: Penguin UK
ISBN: 0141960469
Category : Drama
Languages : en
Pages : 826

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Book Description
As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.

Antonio and Mellida & Antonio's Revenge 1602

Antonio and Mellida & Antonio's Revenge 1602 PDF Author: John Marston
Publisher:
ISBN: 9789354182839
Category :
Languages : en
Pages : 174

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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Revenge of the Scorpion King (Underworlds #3)

Revenge of the Scorpion King (Underworlds #3) PDF Author: Tony Abbott
Publisher: Scholastic Inc.
ISBN: 0545473004
Category : Juvenile Fiction
Languages : en
Pages : 82

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Book Description
An action-packed, mythological chapter book series from Tony Abbott! The underworlds are rising -- and no one is safe.Loki is waging war, and Pinewood Bluffs is about to become his battlefield. Owen, Dana, Jon, and Sydney know they have to stop him. They'll do whatever it takes.But when they stow away in Loki's sledge and emerge in a new, mysterious underworld they know nothing about, things get complicated. The Babylonian underworld is dark as night and full of vicious monsters, including the dreaded Scorpion King. Will Owen and his friends ever make it back to Pinewood Bluffs?

Revenge Tragedy and the Drama of Commemoration in Reforming England

Revenge Tragedy and the Drama of Commemoration in Reforming England PDF Author: Thomas Rist
Publisher: Routledge
ISBN: 1351903373
Category : Literary Criticism
Languages : en
Pages : 191

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Book Description
Considering major works by Kyd, Shakespeare, Middleton and Webster among others, this book transforms current understanding of early modern revenge tragedy. Examing the genre in light of historical revisions to England's Reformations, and with appropriate regard to the social history of the dead, it shows revenge tragedy is not an anti-Catholic and Reformist genre, but one rooted in, and in dialogue with, traditional Catholic culture. Arguing its tragedies are bound to the age's funerary performances, it provides a new view of the contemporary theatre and especially its role in the religious upheavals of the period.

Hamlet and the Acting of Revenge

Hamlet and the Acting of Revenge PDF Author: Peter Mercer
Publisher: University of Iowa Press
ISBN: 9780877451716
Category : Drama
Languages : en
Pages : 288

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Book Description


Antonio's Revenge

Antonio's Revenge PDF Author: John Marston
Publisher: Lincoln, U. of Nebraska P
ISBN:
Category : English drama
Languages : en
Pages : 124

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Book Description
This play is a sequel to the romantic comedy Antonio and Mellida. Unlike its predecessor, however, Antonio's Revenge is a revenge tragedy. Antonio and Mellida ended with a scene in which the two lovers were reconciled, with the villain, Mellida's father, Duke Piero, apparently repenting his attempts to keep them apart. Antonio's Revenge begins where the previous play ended. It is revealed that Piero has not really reformed: he still hates Antonio, and is determined to prevent his daughter's marriage to him. Piero murders and imprisons various characters, driving Mellida herself to die of grief, before Antonio teams up with other wronged individuals to carry out a revenge on the wicked Duke, which they do through a masque in the play's last act.

The Plays of John Marston ...: Preface. Introduction. Antonio and Mellida. Antonios revenge. The malcontent. Explanatory notes

The Plays of John Marston ...: Preface. Introduction. Antonio and Mellida. Antonios revenge. The malcontent. Explanatory notes PDF Author: John Marston
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 296

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Book Description


Antonio and Mellida

Antonio and Mellida PDF Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages : 188

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Book Description


Revenge Tragedy and Classical Philosophy on the Early Modern Stage

Revenge Tragedy and Classical Philosophy on the Early Modern Stage PDF Author: Crosbie Christopher Crosbie
Publisher: Edinburgh University Press
ISBN: 1474440290
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England