Author: Robin Francis Rhodes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
"A symposium held at the Snite Museum of Art, University of Notre Dame, February 24, 2007 ; organized by Robin F. Rhodes and Charles R. Loving."--P. [ii].
The Acquisition and Exhibition of Classical Antiquities
Author: Robin Francis Rhodes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
"A symposium held at the Snite Museum of Art, University of Notre Dame, February 24, 2007 ; organized by Robin F. Rhodes and Charles R. Loving."--P. [ii].
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
"A symposium held at the Snite Museum of Art, University of Notre Dame, February 24, 2007 ; organized by Robin F. Rhodes and Charles R. Loving."--P. [ii].
Antiquities Acquired
Author: Catherine Philippa Bracken
Publisher:
ISBN:
Category : History
Languages : en
Pages : 218
Book Description
This is the extraordinary, often shocking, story of how Greece was despoiled of much of her treasures in the early nineteenth century -- The treasures that are now priceless exhibits in the great museums of the world. Lord Elgin acquired the famous marbles that bear his name, but he was not the only one to take part in a kind of free-for-all, not so far removed from modern vandalism: many amateur and semi-professional collectors were at work, taking what they could get for paltry sums, bribes or nothing at all, blissfully blind to the havoc they wrecked... Miss Bracken has lived for long periods in Greece, visiting sites of its classical civilisation. Her interest in the spoliators was first aroused by the names carved with laborious care on many of the monuments; one example is the column at Delphi inscribed by Lords Aberdeen and Bryon. This is a book that will fill in the often colourful background to Greek treasures in museums and Greece itself.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 218
Book Description
This is the extraordinary, often shocking, story of how Greece was despoiled of much of her treasures in the early nineteenth century -- The treasures that are now priceless exhibits in the great museums of the world. Lord Elgin acquired the famous marbles that bear his name, but he was not the only one to take part in a kind of free-for-all, not so far removed from modern vandalism: many amateur and semi-professional collectors were at work, taking what they could get for paltry sums, bribes or nothing at all, blissfully blind to the havoc they wrecked... Miss Bracken has lived for long periods in Greece, visiting sites of its classical civilisation. Her interest in the spoliators was first aroused by the names carved with laborious care on many of the monuments; one example is the column at Delphi inscribed by Lords Aberdeen and Bryon. This is a book that will fill in the often colourful background to Greek treasures in museums and Greece itself.
Plundered Empire
Author: Michael Greenhalgh
Publisher: BRILL
ISBN: 900440547X
Category : Art
Languages : en
Pages : 696
Book Description
This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.
Publisher: BRILL
ISBN: 900440547X
Category : Art
Languages : en
Pages : 696
Book Description
This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.
Who Owns Antiquity?
Author: James Cuno
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Chasing Aphrodite
Author: Jason Felch
Publisher: HMH
ISBN: 0547538022
Category : Art
Languages : en
Pages : 397
Book Description
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
Publisher: HMH
ISBN: 0547538022
Category : Art
Languages : en
Pages : 397
Book Description
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
Antiquities
Author: Cynthia Ozick
Publisher: Knopf
ISBN: 0593318838
Category : Fiction
Languages : en
Pages : 193
Book Description
From one of our most preeminent writers, a tale that captures the shifting meanings of the past and how our experience colors those meanings In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.
Publisher: Knopf
ISBN: 0593318838
Category : Fiction
Languages : en
Pages : 193
Book Description
From one of our most preeminent writers, a tale that captures the shifting meanings of the past and how our experience colors those meanings In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.
Empires of Antiquities
Author: Billie Melman
Publisher: Oxford University Press
ISBN: 0192558005
Category : Social Science
Languages : en
Pages : 412
Book Description
Empires of Antiquities is a history of the rediscovery of civilizations of the ancient Near East in the imperial order that evolved between the outbreak of the First World War and the 1950s. It explores the ways in which Near Eastern antiquity was redefined and experienced, becoming the subject of new regulation, new modes of knowledge, and international and local politics. A series of globally publicized spectacular archaeological discoveries in Iraq, Egypt, and Palestine, which the book follows, made antiquity visible, palpable and accessible as never before. The new uses of antiquity and its relations to modernity were inseparable from the emergence of the post-war world order, imperial collaboration and collisions, and national aspirations. Empires of Antiquities uniquely combines a history of the internationalization of a new "regime of archaeology" under the oversight of the League of Nations and its web of institutions, a history of British passions for Near Eastern antiquity, on-the-ground colonial mechanisms and nationalist claims on the past. It points to the centrality of the mandate system, particularly mandates classified A, in Mesopotamia/Iraq, Palestine and Transjordan, formerly governed by the Ottoman Empire, and of Egypt, in a new culture of antiquity. Drawing on an unusually wide range of archives in several countries, as well as on visual and material evidence, the book weaves together imperial, international, and local histories of institutions, people, ideas and objects and offers an entirely new interpretation of the history of archaeological discovery and its connections to empires and modernity.
Publisher: Oxford University Press
ISBN: 0192558005
Category : Social Science
Languages : en
Pages : 412
Book Description
Empires of Antiquities is a history of the rediscovery of civilizations of the ancient Near East in the imperial order that evolved between the outbreak of the First World War and the 1950s. It explores the ways in which Near Eastern antiquity was redefined and experienced, becoming the subject of new regulation, new modes of knowledge, and international and local politics. A series of globally publicized spectacular archaeological discoveries in Iraq, Egypt, and Palestine, which the book follows, made antiquity visible, palpable and accessible as never before. The new uses of antiquity and its relations to modernity were inseparable from the emergence of the post-war world order, imperial collaboration and collisions, and national aspirations. Empires of Antiquities uniquely combines a history of the internationalization of a new "regime of archaeology" under the oversight of the League of Nations and its web of institutions, a history of British passions for Near Eastern antiquity, on-the-ground colonial mechanisms and nationalist claims on the past. It points to the centrality of the mandate system, particularly mandates classified A, in Mesopotamia/Iraq, Palestine and Transjordan, formerly governed by the Ottoman Empire, and of Egypt, in a new culture of antiquity. Drawing on an unusually wide range of archives in several countries, as well as on visual and material evidence, the book weaves together imperial, international, and local histories of institutions, people, ideas and objects and offers an entirely new interpretation of the history of archaeological discovery and its connections to empires and modernity.
Acquiring Cultures
Author: Bénédicte Savoy
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110544032
Category : Art
Languages : en
Pages : 441
Book Description
As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110544032
Category : Art
Languages : en
Pages : 441
Book Description
As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.
Return to an Order of the Honourable the House of Commons ... For, Account "of the Income and Expenditure of the British Museum (Special Trust Funds) for the Year Ending ... and Return of the Number of Persons Admitted to Visit the Museum and the British Museum (Natural History) in Each Year from ... Together with a Statement of the Progress Made in the Arrangement and Description of the Collections, and an Account of Objects Added to Them in the Year ..."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 900
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 900
Book Description
Archaeologia, Or, Miscellaneous Tracts Relating to Antiquity
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 572
Book Description