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Author: Dr Robert Wellington
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472460332
Category : Art
Languages : en
Pages : 279
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Book Description
This revisionary study provides a new interpretation of objects and images commissioned by Louis XIV (1638–1715) to document his reign for posterity. Robert Wellington uncovers a numismatic sensibility throughout the iconography of Louis XIV. He looks beyond the standard political reading of the works of art made to document the Sun King’s history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand siècle.
Author: Dr Robert Wellington
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472460332
Category : Art
Languages : en
Pages : 279
Get Book Here
Book Description
This revisionary study provides a new interpretation of objects and images commissioned by Louis XIV (1638–1715) to document his reign for posterity. Robert Wellington uncovers a numismatic sensibility throughout the iconography of Louis XIV. He looks beyond the standard political reading of the works of art made to document the Sun King’s history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand siècle.
Author: Robert Wellington
Publisher: Routledge
ISBN: 1351576399
Category : Art
Languages : en
Pages : 292
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Book Description
Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.
Author: Hall Bjørnstad
Publisher: University of Chicago Press
ISBN: 022680383X
Category : History
Languages : en
Pages : 247
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Book Description
Introduction. The problem with absolutism ; Beyond mere propaganda ; Approaching absolutism differently: royal glory and royal exemplarity ; The dream of absolutism -- The grammar of absolutism. The dream of a book like no other ; Taking Louis XIV's Mémoires seriously ; Absolutism, explained to a child: "The first and most important part of our entire politics" ; The utility of "These Mémoires" ; The paradoxes of absolutist exemplarity ; Conclusion: "So many ghastly examples" -- Mirrors of absolutism. Introduction: Our body in this space ; An age of mirrors ; A gallery celebrating greatness ; Making the king see what he felt ; A mirror for one ; In lieu of conclusion: Mirrors for a future without a past -- Absolutist absurdities. Exhibit A: The royal historiographer and the unparalleled greatness of Louis XIV ; Exhibit B: Absolutism from the cabinet of fairies to the cabinet of the king ; Conclusion: Seven theses on the dream of absolutism.
Author: Meredith Martin
Publisher: Getty Publications
ISBN: 1606067311
Category : Art
Languages : en
Pages : 258
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Book Description
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Author: Mark Ledbury
Publisher: Bloomsbury Publishing USA
ISBN: 150135776X
Category : Architecture
Languages : en
Pages : 320
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Book Description
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.
Author: Astrid Swenson
Publisher: Cambridge University Press
ISBN: 0521117623
Category : History
Languages : en
Pages : 433
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Book Description
A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
Author: John Arnold
Publisher: Oxford Paperbacks
ISBN: 019285352X
Category : History
Languages : en
Pages : 152
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Book Description
Starting with an examination of how historians work, this "Very Short Introduction" aims to explore history in a general, pithy, and accessible manner, rather than to delve into specific periods.
Author: Tessa Murdoch
Publisher:
ISBN: 9780571163380
Category : Art
Languages : en
Pages : 240
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Book Description
Boughton House in Northamptonshire is a house of contrasts. Its magnificent, and at the same time, formal exterior in the French style gives little hint of the rambling Tudor manor house embedded within. Involvement with the law and politics at the highest level generated the wealth of its founders and builders, but enlightened artistic patronage and a strong aesthetic sense have been characteristic of many generations of the Dukes of Montagu and of Buccleuch since the 17th century. This book looks at the house and its furnishings.
Author: Nicholas Dew
Publisher: Oxford University Press, USA
ISBN: 0199234841
Category : History
Languages : en
Pages : 318
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Book Description
Before the Enlightenment, and before the imperialism of the later eighteenth century, how did European readers find out about the varied cultures of Asia? Orientalism in Louis XIV's France presents a history of Oriental studies in seventeenth-century France, mapping the place within the intellectual culture of the period that was given to studies of Arabic, Persian, Turkish, and Chinese texts, as well as writings on Mughal India. The Orientalist writers studied here produced books that would become sources used throughout the eighteenth century. Nicholas Dew places these scholars in their own context as members of the "republic of letters" in the age of the scientific revolution and the early Enlightenment.
Author: Rosemary Hill
Publisher: Penguin UK
ISBN: 0141947411
Category : History
Languages : en
Pages : 365
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Book Description
From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany. The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.
