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Author: Anya Peterson Royce
Publisher: Rowman Altamira
ISBN: 0759115656
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
Author: Anya Peterson Royce
Publisher: Rowman Altamira
ISBN: 0759115656
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
Author: Gretchen Bakke
Publisher: Taylor & Francis
ISBN: 1040281664
Category : Social Science
Languages : en
Pages : 501
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Book Description
A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art.Introducing students to the basics as well as the latest scholarship, the book features:- 45 chapters which combine classic texts from anthropologists such as Pierre Bourdieu, Claude Lévi-Strauss, Margaret Mead, Bronislaw Malinowski, Alfred Gell, Franz Boas, and Mary Douglas with recent scholarship by George Marcus, Tim Ingold, Roger Sansi, Christopher Pinney, Georgina Born, and others- Both theoretical and ethnographic readings, with coverage ranging from Bali, Papua New Guinea, Egypt, sub-Saharan Africa, Eastern Europe, and Australia to the United States- Introductory materials, ethnographic exercises, further reading ideas, and alternative suggestions for navigating the content based on medium, geography, theory, or ethnographyDesigned for classroom use, Anthropology of the Arts is invaluable for teaching and learning. Engaging and accessible, it is essential reading for students in anthropology of art, anthropology of design, anthropology of performance, and related courses.
Author: Richard Schechner
Publisher: University of Pennsylvania Press
ISBN: 0812200926
Category : Drama
Languages : en
Pages : 357
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Book Description
In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world. Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.
Author: Eugenio Barba
Publisher: Taylor & Francis
ISBN: 1135176353
Category : Art
Languages : en
Pages : 321
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Anya Peterson Royce
Publisher: Rowman Altamira
ISBN: 9780759102248
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
Author: Alex Flynn
Publisher: Springer
ISBN: 1137350601
Category : Social Science
Languages : en
Pages : 375
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Book Description
The contributors explore diverse contexts of performance to discuss peoples' own reflections on political subjectivities, governance and development. The volume refocuses anthropological engagement with ethics, aesthetics, and politics to examine the transformative potential of political performance, both for individuals and wider collectives.
Author: Arnd Schneider
Publisher: Routledge
ISBN: 1000189473
Category : Social Science
Languages : en
Pages : 258
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Book Description
Anthropology and Art Practice takes an innovative look at new experimental work informed by the newly-reconfigured relationship between the arts and anthropology. This practice-based and visual work can be characterised as 'art-ethnography'. In engaging with the concerns of both fields, this cutting-edge study tackles current issues such as the role of the artist in collaborative work, and the political uses of documentary. The book focuses on key works from artists and anthropologists that engage with 'art-ethnography' and investigates the processes and strategies behind their creation and exhibition.The book highlights the work of a new generation of practitioners in this hybrid field, such as Anthony Luvera, Kathryn Ramey, Brad Butler and Karen Mirza, Kate Hennessy and Jennifer Deger, who work in a diverse range of media - including film, photography, sound and performance. Anthropology and Art Practice suggests a series of radical challenges to assumptions made on both sides of the art/anthropology divide and is intended to inspire further dialogue and provide essential reading for a wide range of students and practitioners.
Author: Victor Witter Turner
Publisher: Paj Publication
ISBN: 9781555540012
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
One of the outstanding books in educational studies. --American Educaitonal Studies Association.
Author: A. David Napier
Publisher: Univ of California Press
ISBN: 0520309278
Category : Social Science
Languages : en
Pages : 341
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Book Description
In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and Western postmodernism are among the artistic domains Napier considers, while the symbolic terrain ranges from Balinese cosmography to body symbolism in biomedicine.
Author: Cassis Kilian
Publisher: Anthropological Studies of Creativity and Perception
ISBN: 9780367720339
Category : Acting
Languages : en
Pages : 0
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Book Description
Cover -- Endorsement Page -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Foreword -- Preface and Acknowledgments -- Prologue -- Theory and theatre -- Re-enacting -- Memorising -- Observing -- Knowing -- Representing -- Listening -- Analysing -- Collaborating -- From acting to anthropology -- Note -- Chapter 1: Researching films we live by : Tribute to Dieudonné Niangouna -- Que sera, sera -- Research paradigms and perception -- Collaborative research -- Film scenes as metaphors -- Changes of research paradigms -- Notes -- Chapter 2: Researching sensory memories : Tribute to Walter Lott -- Learning sense memory -- The chair relaxation exercise: a reduction of activities in the prefrontal cortex -- The coffee-cup exercise: a discovery of the implicit neural circuitry -- The bad news exercise: using the stimulus and response procedure -- Teaching sense memory -- Adapting sense memory exercises to academic contexts -- Multisensorial training -- A la recherche du temps perdu -- Feedback -- Sense memory in seminars -- Application areas: sense memory in anthropological research -- Introspection versus observation -- Notes -- Chapter 3: Researching Being Present: Tribute to a Siberian tiger -- An education of attention guided by a Siberian tiger -- Abstaining from thinking ahead -- Altered states of consciousness -- What 'higher' cognitive functions hinder -- Beyond species boundaries -- Mimesis beyond culture -- Acting: neuroscience-anthropology -- Knowledge of the world: being-in-the-world -- Notes -- Chapter 4: Researching urban rhythms: Tribute to Emil Abossolo Mbo -- Methodological problems of rhythmanalysis -- Submission to rhythms imposed by others -- Cosmopolitan skills -- North-South power relations and epistemological hierarchies -- Notes.
