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Author: Christopher Partridge
Publisher: Sheffield Phoenix Press Limited
ISBN: 9781907534348
Category : Religion
Languages : en
Pages : 150
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Book Description
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and Sergio Fava's discussion of apocalyptic folk.
Author: Christopher Partridge
Publisher: Sheffield Phoenix Press Limited
ISBN: 9781907534348
Category : Religion
Languages : en
Pages : 150
Get Book Here
Book Description
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and Sergio Fava's discussion of apocalyptic folk.
Author: Robert H. Smith
Publisher: Wipf and Stock Publishers
ISBN: 1610978919
Category : Religion
Languages : en
Pages : 113
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Book Description
The year 1998 marked the quincentennial of the publication of Albrecht Dÿrer's illustrated edition of the Apocalypse. Here Robert Smith provides an introduction to and a commentary on the book of Revelation that is keyed to the Dÿrer woodcuts.
Author: Robert Cady Saler
Publisher: Bloomsbury Publishing
ISBN: 0567704483
Category : Religion
Languages : en
Pages : 200
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Book Description
Robert Saler examines the small but influential Death to the World movement in US Eastern Orthodox Christianity. Presenting a case study in theological aesthetics, Saler demonstrates how a relatively small consumer phenomenon within US Eastern Orthodoxy sits at the centre of a variety of larger questions, including: - The relationship between formal ecclesial and para-church structures - The role of the Internet in modern religiosity - Consumer structures and patterns as constitutive of piety - How theology can help us understand art and vice versa Understanding "Death to the World" as an instance of lived religion tied to questions of identity, politics of religious purity, relationships to capitalism, and concerns over conspiracy theory helps us to see how studies of uniquely American Eastern Orthodox identity must address these broader cultural strands.
Author: Christopher Partridge
Publisher: Bloomsbury Publishing
ISBN: 1350286982
Category : Social Science
Languages : en
Pages : 561
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Book Description
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
Author: Robert H. Smith
Publisher: Liturgical Press
ISBN: 9780814627075
Category : Religion
Languages : en
Pages : 116
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Book Description
For those searching for a way to demystify the often puzzling book of Revelation or for those seeking a splendid pathway into the Apocalypse, this commentary is an extraordinary aid to grasping the central visions-and to being grasped by them. Albrecht Durer's woodcuts are incorporated together with an introduction that describes both the Seer of Patmos and the artist of Nuremberg and gives a very brief overview of various ways of reading these texts (fundamentalist, mainline, liberation). It is followed by a commentary on the book of Revelation accompanied by and keyed to the woodcuts.
Author: Stephen D. Moore
Publisher: Bloomsbury Publishing
ISBN: 0567696790
Category : Religion
Languages : en
Pages : 129
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Book Description
This study guide explores the origins and reception history of the Book of Revelation and its continuing fascination for readers from both religious and secular backgrounds. Stephen D. Moore examines the transcultural impact Revelation has had, both within and beyond Christianity, not only on imaginings of when and how the world will end, but also on imaginings of the risen Jesus, heaven and hell, Satan, the Antichrist, and even Mary the mother of Jesus. Moore traces Revelation's remarkable reception through the ages, with special emphasis on its twentieth and twenty-first century appropriations, before resituating the book in its original context of production: Who wrote it, where, when, why, and modelled on what? The study guide culminates with a miniature commentary on the entire text of Revelation, weaving together liberationist, postcolonial, feminist, womanist, queer, and ecological approaches to the book in order to discern what it might mean for contemporary readers and communities concerned with issues of social justice.
Author: Christopher Partridge
Publisher: Oxford University Press, USA
ISBN: 0199751404
Category : Music
Languages : en
Pages : 369
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Book Description
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Author: Andrew Tate
Publisher: Bloomsbury Publishing
ISBN: 147423352X
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels.
Author: Sonia Archer-Capuzzo
Publisher: A-R Editions, Inc.
ISBN: 0895798921
Category : Reference
Languages : en
Pages : 210
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Book Description
Metaldata: A Bibliography of Heavy Metal Resources is the first book-length bibliography of resources about heavy metal. From its beginnings in the late 1960s and early 1970s, heavy metal has emerged as one of the most consistently popular and commercially successful music styles. Over the decades the style has changed and diversified, drawing attention from fans, critics, and scholars alike. Scholars, journalists, and musicians have generated a body of writing, films, and instructional materials that is substantial in quantity, diverse in approach, and intended for many types of audiences, resulting in a wealth of information about heavy metal. Metaldata provides a current and comprehensive bibliographic resource for researchers and fans of metal. This book also serves as a guide for librarians in their collection development decisions. Chapters focus on performers, musical instruction, discographies, metal subgenres, metal in specific places, and research relating metal to the humanities and sciences, and encompass archives, books, articles, videos, websites, and other resources by scholars, journalists, musicians, and fans of this vibrant musical style.
Author: Michael J Gilmour
Publisher: Augsburg Fortress Publishers
ISBN: 1506469353
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
The Bible and theology are contested spaces, battlegrounds where participants guard entrenched beliefs against perceived threats. But literature, observes novelist Salman Rushdie, opens the universe. It expands what we perceive and understand, and ultimately what we are. Writers make our world feel larger and more inclusive. When other forces push in the direction of narrowness, bigotry, tribalism, cultism, and war, fiction encourages understanding, sympathy, and identification with others. Reading the Margins invites readers to immerse themselves in imaginary worlds, and to pursue visions of justice and compassion. Whether stories about poverty, empire, war, or the environment, the writers considered raise moral questions and often, in the process--even unwittingly--deepen our understanding of biblical calls for kindness and mercy. Reading the Margins offers a kind of commentary on biblical ethics. Using Matthew's Beatitudes and sheep and goats parable as an organizing principle, Gilmour argues there is much to learn about Jesus's ""peacemakers"" and call to feed the hungry from aspirational fiction and poetry.
