ANSI/IEEE Std 315A-1986 PDF Download
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Languages : en
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ISBN: 9780738141909
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Languages : en
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Author: Institute of Electrical and Electronics Engineers
Publisher:
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Category : Electrical engineering
Languages : en
Pages : 88
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Languages : en
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Publisher: U.S. Government Printing Office
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Category : Technology & Engineering
Languages : en
Pages : 212
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Author:
Publisher: Jeffrey Frank Jones
ISBN:
Category :
Languages : en
Pages : 200
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Chapter 1 BLUEPRINTS When you have read and understood this chapter, you should be able to answer the following learning objectives: Describe blueprints and how they are produced. Identify the information contained in blueprints. Explain the proper filing of blueprints. Blueprints (prints) are copies of mechanical or other types of technical drawings. The term blueprint reading, means interpreting ideas expressed by others on drawings, whether or not the drawings are actually blueprints. Drawing or sketching is the universal language used by engineers, technicians, and skilled craftsmen. Drawings need to convey all the necessary information to the person who will make or assemble the object in the drawing. Blueprints show the construction details of parts, machines, ships, aircraft, buildings, bridges, roads, and so forth. BLUEPRINT PRODUCTION Original drawings are drawn, or traced, directly on translucent tracing paper or cloth, using black waterproof India ink, a pencil, or computer aided drafting (CAD) systems. The original drawing is a tracing or “master copy.” These copies are rarely, if ever, sent to a shop or site. Instead, copies of the tracings are given to persons or offices where needed. Tracings that are properly handled and stored will last indefinitely. The term blueprint is used loosely to describe copies of original drawings or tracings. One of the first processes developed to duplicate tracings produced white lines on a blue background; hence the term blueprint. Today, however, other methods produce prints of different colors. The colors may be brown, black, gray, or maroon. The differences are in the types of paper and developing processes used. A patented paper identified as BW paper produces prints with black lines on a white background. The diazo, or ammonia process, produces prints with either black, blue, or maroon lines on a white background. Another type of duplicating process rarely used to reproduce working drawings is the photostatic process in which a large camera reduces or enlarges a tracing or drawing. The photostat has white lines on a dark background. Businesses use this process to incorporate reduced-size drawings into reports or records. The standards and procedures prescribed for military drawings and blueprints are stated in military standards (MIL-STD) and American National Standards Institute (ANSI) standards. The Department of Defense Index of Specifications and Standards lists these standards; it is issued on 31 July of each year. The following list contains common MIL-STD and ANSI standards, listed by number and title, that concern engineering drawings and blueprints.
Author: DIANE Publishing Company
Publisher: DIANE Publishing
ISBN: 0788108204
Category :
Languages : en
Pages : 205
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A collection of the most pertinent rules pertaining to patent drawings, since drawings form an integral part of a patent application. Appendices include: drawing symbols, examples of correct & incorrect drawings, simulation showing inking of linesÓ, plus much more.Encompasses the objective of worldwide harmonization. Over 100 drawings.
Author: Dennis Dorn
Publisher: SIU Press
ISBN: 0809387735
Category : Performing Arts
Languages : en
Pages : 385
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In this newly revised second edition, veteran stage designers and technical directors Dennis Dorn and Mark Shanda introduce industry-standard drafting and designing practices with step-by-step discussions, illustrations, worksheets, and problems to help students develop and refine drafting and other related skills needed for entertainment set production work. By incorporating the foundational principles of both hand- and computer-drafting approaches throughout the entire book, the authors illustrate how to create clear and detailed drawings that advance the production process. Early chapters focus on the basics of geometric constructions, orthographic techniques, soft-line sketching applications, lettering, and dimensioning. Later chapters discuss real-life applications of production drawing and ancillary skills such as time and material estimation and shop-drawing nomenclature. Two chapters detail a series of design and shop drawings required to mount a specific design project, providing a guided path through both phases of the design/construction process. Most chapters conclude with one or more worksheets or problems that provide readers with an opportunity to test their understanding of the material presented. The authors' discussion of universal CAD principles throughout the manuscript provides a valuable foundation that can be used in any computer-based design, regardless of the software. Dorn and Shanda treat the computer as another drawing tool, like the pencil or T-square, but one that can help a knowledgeable drafter potentially increase personal productivity and accuracy when compared to traditional hand-drafting techniques. Drafting for the Theatre, second edition assembles in one book all the principal types of drawings, techniques, and conventional wisdom necessary for the production of scenic drafting, design, and shop drawings. It is richly illustrated with numerous production examples and is fully indexed to assist students and technicians in finding important information. It is structured to support a college-level course in drafting, but will also serve as a handy reference for the working theatre professional.
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Languages : en
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Author:
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ISBN:
Category : United States
Languages : en
Pages : 832
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