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Author: Anita Kunz
Publisher: Fantagraphics Books
ISBN: 1683964462
Category : Comics & Graphic Novels
Languages : en
Pages : 143
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Book Description
What would the same paintings everyone is so familiar with look like drawn by Renée Françoise Magritte, Fiona Bacon, Davina Hockney, Leona Da Vinci, Gertrude Klimt, Henrietta Matisse, Francesca Goya, Paola Picasso, Fernanda Victoria Eugenia Delacroix, Wilhelmina Ottilia Dix, and over 50 other artists (let us not forget Vincenza Van Gogh)? Another History is your chance to find out. Included, on each page opposite the painting, is a single paragraph biography of each woman artist. Another History of Art is a brilliantly satirical, and, yes, feminist, counterfactual history of art conceived, written, and painted by one of our most accomplished contemporary artists.
Author: Anita Kunz
Publisher: Fantagraphics Books
ISBN: 1683964462
Category : Comics & Graphic Novels
Languages : en
Pages : 143
Get Book Here
Book Description
What would the same paintings everyone is so familiar with look like drawn by Renée Françoise Magritte, Fiona Bacon, Davina Hockney, Leona Da Vinci, Gertrude Klimt, Henrietta Matisse, Francesca Goya, Paola Picasso, Fernanda Victoria Eugenia Delacroix, Wilhelmina Ottilia Dix, and over 50 other artists (let us not forget Vincenza Van Gogh)? Another History is your chance to find out. Included, on each page opposite the painting, is a single paragraph biography of each woman artist. Another History of Art is a brilliantly satirical, and, yes, feminist, counterfactual history of art conceived, written, and painted by one of our most accomplished contemporary artists.
Author: Miwon Kwon
Publisher: MIT Press
ISBN: 9780262612029
Category : Architecture
Languages : en
Pages : 236
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Book Description
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Author: Dana Arnold
Publisher: OUP Oxford
ISBN: 0191577596
Category : Art
Languages : en
Pages : 166
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Book Description
This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art History using artefacts such as the altarpiece, the portrait, or pornography, to explore social and cultural issues such as consumption, taste, religion, and politics. Importantly, this book explains how the traditional emphasis on periods and styles originates in western art production and can obscure other critical approaches, as well as art from non western cultures. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Jefferson Hack
Publisher: Steidl
ISBN: 9783865218605
Category : Art
Languages : en
Pages : 0
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Book Description
The final in a series of three collectable books rediscovering the archives of AnOther Magazine, one of the world's most influential fashion magazines. Another Art Book looks back on the ambitious artistic projects commissioned exclusively for the magazine's pages since 2001, bringing together some of the most iconic names in modern art including Jake & Dinos Chapman, Yayoi Kusama, Hans Peter Feldmann, Yoshitomo Nara, Ernesto Caivano, Keith Tyson, Urs Fischer and Damien Hirst. Opening an early copy of AnOther Magazine, readers were immediately confronted with ten pages filled with nothing but art - be it Jake and Dinos Chapman's twisted vision of the Holy Land Experience, a hypnotic sea of dots penned by Yoyoi Kusama, or Damien Hirst's bloody skulls and severed heads shot by David Bailey (deemed so shocking the pages were sealed with glue). AnOther Magazine thereby subverted the expectations of readers accustomed to finding a bank of advertising at the front of magazines. Over the years the format has evolved, but AnOther Magazine's unique connection with the art word continues. In 2007 Dress Art paired fifteen artists including Jeff Koons, Annie Morris and John Isaacs with fifteen designers from Stella McCartney to Dolce & Gabbana, and challenged them to create fifteen unique dresses. The results brought together the fields of fashion and art as never before - worlds which have since become inextricably linked.
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 364
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Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Author: Annie Montgomery Labatt
Publisher: Trinity University Press
ISBN: 1595348794
Category : Art
Languages : en
Pages : 537
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Book Description
Why is something a masterpiece? Art History 101 . . . Without the Exams is about revisiting famous works of art that we may have studied in an art history class or seen in a textbook. Each discussion delves into one great masterpiece and asks the questions that help us understand how it has shaped history. What is the piece about? How did the original owner look at this piece? Where was it originally placed? Why is it in this museum now? How did it get famous? From the sixth-century mosaics of Ravenna and the painted bulls of Altamira, Spain, dated 12,500 BCE, to an incense burner from twelfth-century Seljuk Iran, frescoes from a Late Byzantine funerary chapel, and masterworks by Botticelli, Caravaggio, Monet, and Sargent, this book shows readers how to look closely. It welcomes us to the joy of art history—but without the papers, notes, and exams.
Author: Clifford Wallach
Publisher: Schiffer Publishing
ISBN: 9780764331763
Category : Art
Languages : en
Pages : 0
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Book Description
Discover the romance of tramp art, folk art made made from discarded wooden cigar boxes, layer upon layer, one notch at a time, by untrained artists using simple tools and recycled materials. Tramp art crafters representing over 40 nationalities carved tramp art in America. It was also practiced throughout the world wherever cigars were smoked. These artists transformed the discarded boxes into pieces of utility and wonder. Never before has the subject been studied in such depth. Over 600 color photographs document 100s of items, ranging from picture frames and mirrors, to boxes, bureaus, and fantasy pieces. The designs and colors reflect a naive sensibility and aesthetic that is at once charming and beautiful. Here is a rich assemblage of the history of the art form and a thorough the study of the artists' lives and work. Misguided romantic mythologies long associated with tramp art are dispelled to leave an accurate picture of these noble notchers. A foreword by award-winning author and art historian Barbara Goldsmith sets the stage, and the pages that follow both celebrate the art and deepen our understanding of its roots and practitioners. This book will be treasured by folk art lovers everywhere.
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Book Description
Author: H. W. Janson
Publisher: Multy
ISBN: 9780810934450
Category : Art
Languages : en
Pages : 1000
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Book Description
The definitive survey of Western art is now available in a deluxe, one-volume slipcased edition, bound in rich cloth and stamped in gold foil. 1,243 illustrations, 736 in color. 111 line drawings. 12 maps.
Author: Nicolas Lampert
Publisher: The New Press
ISBN: 1595589317
Category : Art
Languages : en
Pages : 386
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Book Description
Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People's Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. A People's Art History of the United States introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them. Stylishly illustrated with over two hundred images, this book is nothing less than an alternative education for anyone interested in the powerful role that art plays in our society.
