Annual Review of Jazz Studies 14 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Annual Review of Jazz Studies 14 PDF full book. Access full book title Annual Review of Jazz Studies 14 by Evan Spring. Download full books in PDF and EPUB format.
Author: Evan Spring
Publisher: Scarecrow Press
ISBN: 0810869195
Category : Music
Languages : en
Pages : 232
Get Book Here
Book Description
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics," applying recent developments in cultural theory as well as the formal tools of traditional music theory. Brian Priestley's exploration of the ties between Charlie Parker and popular music challenges the canonical depiction of Parker as a lone revolutionary genius, instead underscoring the saxophonist's ties to the popular music of his time. Finally, John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet, an unsung hero of the Swing Era. The book reviews cover a cross-section of the burgeoning jazz literature, and Vincent Pelote has again compiled a list of books received at the Institute of Jazz Studies.
Author: Evan Spring
Publisher: Scarecrow Press
ISBN: 0810869195
Category : Music
Languages : en
Pages : 232
Get Book Here
Book Description
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics," applying recent developments in cultural theory as well as the formal tools of traditional music theory. Brian Priestley's exploration of the ties between Charlie Parker and popular music challenges the canonical depiction of Parker as a lone revolutionary genius, instead underscoring the saxophonist's ties to the popular music of his time. Finally, John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet, an unsung hero of the Swing Era. The book reviews cover a cross-section of the burgeoning jazz literature, and Vincent Pelote has again compiled a list of books received at the Institute of Jazz Studies.
Author:
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 186
Get Book Here
Book Description
Author: Edward Berger
Publisher: Scarecrow Press
ISBN: 9780810850057
Category : Music
Languages : en
Pages : 270
Get Book Here
Book Description
This twelfth volume of the Annual Review celebrates the fiftieth anniversary of the Institute of Jazz Studies and features articles covering subjects which have not been engaged in past issues of the Review. Gil Evans, Django Reinhardt, Lucky Thompson, and Paul Bley each receive much deserved critical attention in this issue. This issue also includes a photo gallery illustrating some of the prominant locations and people of the Institute's history, both in New York and at its present home at Rutgers in Newark, New Jersey.
Author: James Stuart Patrick
Publisher:
ISBN: 9780878559060
Category : Jazz
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Edward Berger
Publisher: Rowman & Littlefield
ISBN: 9780810822962
Category : Music
Languages : en
Pages : 228
Get Book Here
Book Description
Features Thelonious Monk, McCoy Tyner, Count Basie, and John Coltrane.
Author: Charles Nanry
Publisher:
ISBN: 9780878559107
Category :
Languages : en
Pages : 224
Get Book Here
Book Description
Author: Edward Berger
Publisher:
ISBN: 9780810824782
Category : Jazz
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Edward Berger
Publisher: Annual Review of Jazz Studies
ISBN: 9780810827271
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
ARTICLES: WALTERS, Charles H - Anatomy of a cover: The story of Duke Ellington's appearance on the cover of Time Magazine; GABBARD, Krin - The jazz canon and its consequences; BAUER, William R - Billie Holiday and Betty Carter: Emotion and style in the jazz vocal line; DOWNS, Clive G - An annotated bibliography of notated Charlie Christian solos; FINKELMAN, Jonathan - Charlie Christian, bebop and the recordings at Minton's; BOGGS, Vernon W - Latin jazz, Afro-Cuban jazz or just plain ol' jazz; A Mitchell Seidel photo gallery; BLOCK, Steven - Organised sound: pitch- class relations in the music of Ornette Coleman; JOHNSON, Bonnie L - Words and music by Arthur Taylor; HAYWOOD, Mark S - Melodic notation in jazz transcription; Book reviews.
Author: Joel Dinerstein
Publisher: University of Chicago Press
ISBN: 0226152650
Category : History
Languages : en
Pages : 550
Get Book Here
Book Description
Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool. This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.
Author: Henry Martin
Publisher: Annual Review of Jazz Studies
ISBN: 9780810849730
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
The range of work represented in this book spans Jazz in the 1920s to the 1960s. Pedagogical section covers ear training, technique for using a CD player for transcription, and a method for exploring the outer boundaries of tonality in improvisation.
