Announcement of the projected publication of Sammlung exotischer Schmetterlinge PDF Download
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Author: Jacob Hübner
Publisher:
ISBN:
Category :
Languages : de
Pages : 2
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Book Description
Author: Jacob Hübner
Publisher:
ISBN:
Category :
Languages : de
Pages : 2
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Book Description
Author: American Museum of Natural History. Library
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 906
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Book Description
Author: William Jacob Holland
Publisher:
ISBN:
Category : Butterflies
Languages : en
Pages : 650
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Book Description
Author: Oxford University Museum of Natural History
Publisher:
ISBN: 9780500024324
Category : History
Languages : en
Pages : 0
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Book Description
Jones's Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones's seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species. Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones's paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones's references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones's life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones's paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s. With 1600 illustrations in colour In partnership with Oxford University Museum of Natural History
Author: William Henry Edwards
Publisher:
ISBN:
Category : Butterflies
Languages : en
Pages : 580
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Book Description
Author: Jacob Hübner
Publisher:
ISBN:
Category : Lepidoptera
Languages : en
Pages : 468
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Book Description
Author: Thomas Turner
Publisher:
ISBN: 9780692877067
Category : Butterflies
Languages : en
Pages : 512
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Book Description
Jamaican butterflies
Author: Robert Lorenzo Webster
Publisher:
ISBN:
Category : Insects
Languages : en
Pages : 994
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Book Description
Author: M. P. R. van den Broecke
Publisher:
ISBN: 9789061943808
Category : Atlases
Languages : en
Pages : 0
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Book Description
This revised edition contains corrections, extra information to date the charts more correctly, descriptions of the title page and a portrait of Ortelius.
Author: Ursula Frohne
Publisher: Springer
ISBN: 9783211254684
Category : Art
Languages : en
Pages : 0
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Book Description
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — off legitimate research interests against artists’ justi?ed claims for economic grati?cation? And how could new methods of documentation and dissemination, for example on the Internet, contribute to a more liberal access to the (so-far) closed-circuit system of established formulas for the mediation of multi-media artworks, in order to create a wider frame of reference via new visualization techniques? These questions were debated among other issues at an international symposium, held in the spring of 2004 at the University of Art in Bremen. As intentionally re?ected in the adapted title from Dan Graham’s seminal video-feedback installation »Present Continuous Past(s)«, the conference discussions crystallized around three main aspects, namely the relation of the artists’ intention to the faithful presentation and preservation of multi-media artworks for possible future re-presentations, the speci?c reception conditions that these works require as much in their gallery displays as under the conditions of post-exhibition documentation (particularly in anticipation of future presentations), and ?nally – as implicitly re?ected in all of these aspects – the philosophical dimensions of media art’s historicity. Media art’s ›becoming-of-age‹ has generally caused more concern and has led to more useful strategic initiatives within the museum context than in the academic ?eld of art history.
