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Author:
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Category :
Languages : en
Pages : 692
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Author:
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ISBN:
Category :
Languages : en
Pages : 692
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Author: American Historical Association
Publisher:
ISBN:
Category : Historiography
Languages : en
Pages : 1390
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Author:
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ISBN:
Category : Drama
Languages : en
Pages : 734
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Author: Charles Hubbard Sergei
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 412
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Author: New England Society in the City of New York
Publisher:
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Category : New Englanders
Languages : en
Pages : 540
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Author:
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Category : New England
Languages : en
Pages : 612
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Beginning in 1924, Proceedings are incorporated into the Apr. no.
Author: New England Society in the City of New York
Publisher:
ISBN:
Category : New England
Languages : en
Pages : 112
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Author: Jürgen Heideking
Publisher: Berghahn Books
ISBN: 178238989X
Category : History
Languages : en
Pages : 316
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Book Description
Arising out of the context of the re-configuration of Europe, new perspectives are applied by the authors of this volume to the process of nation-building in the United States. By focusing on a variety of public celebrations and festivities from the Revolution to the early twentieth century, the formative period of American national identity, the authors reveal the complex interrelationships between collective identities on the local, regional, and national level which, over time, shaped the peculiar character of American nationalism. This volume combines vivid descriptions of various public celebrations with a sophisticated methodological and theoretical approach.
Author: Julia B. Rosenbaum
Publisher: Cornell University Press
ISBN: 9780801444708
Category : Art
Languages : en
Pages : 228
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In the late nineteenth and early twentieth centuries depictions of New England flooded the American art scene. Childe Hassam, Willard Metcalf, Theodore Robinson, and Julian Weir, and other well-known artists produced images of quaint villages, agricultural labor, scenic rural churches, and the distinctive New England landscape. Julia B. Rosenbaum asks why and how a range of artists--including Impressionist and Modernist painters and sculptors--and exhibitors fashioned this particular vision of New England in their work. Against the backdrop of industrialization, immigration, and persistent post-Civil War sectionalism, many Americans yearned for national unity and identity. As Rosenbaum finds, New England emerged as symbolic of cultural and spiritual achievement and democratic values that served as an example for the nation. By addressing the struggles for national unity, the book offers a new interpretation of turn-of-the-century American art. Ultimately, Visions of Belonging demonstrates how the local became so important to the national; how art was crucial to the formation of national identity; and how internal nation building takes place within the realm of culture, as well as politics. And even as later artists, such as Georgia O'Keeffe, challenged New England's cultural hegemony, the appeal of linking regional identity to national ideals continued in distinctive ways.Beautifully illustrated with color plates and almost sixty halftones, Visions of Belonging explores the interplay between art objects and the shaping of loyalties and identities in a formative phase of American culture. It will appeal not only to art historians but also to anyone with an interest in nineteenth-century studies, the Gilded Age and Progressive Era, American studies, New England history and culture, and American cultural and intellectual history.
Author:
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ISBN:
Category : Drama
Languages : en
Pages : 1138
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