Author: Anna Trapnel
Publisher:
ISBN:
Category :
Languages : en
Pages : 84

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Book Description

Author: Anna Trapnel
Publisher:
ISBN: 9780866987264
Category :
Languages : en
Pages :

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Book Description

Author: Anna Trapnel
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : History
Languages : en
Pages : 184

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Book Description

Author: Anita Pacheco
Publisher: Wiley-Blackwell
ISBN: 9780631217022
Category : Literary Criticism
Languages : en
Pages : 412

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Book Description
This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture

Author: Pertti Anttonen
Publisher: BoD - Books on Demand
ISBN: 9518580073
Category : Reference
Languages : en
Pages : 178

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Book Description
A new interdisciplinary interest has risen to study interconnections between oral tradition and book culture. In addition to the use and dissemination of printed books, newspapers etc., book culture denotes manuscript media and the circulation of written documents of oral tradition in and through the archive, into published collections. Book culture also intertwines the process of framing and defining oral genres with literary interests and ideologies. The present volume is highly relevant to anyone interested in oral cultures and their relationship to the culture of writing and publishing. The questions discussed include the following: How have printing and book publishing set terms for oral tradition scholarship? How have the practices of reading affected the circulation of oral traditions? Which books and publishing projects have played a key role in this and how? How have the written representations of oral traditions, as well as the roles of editors and publishers, introduced authorship to materials customarily regarded as anonymous and collective?

Author: Curtis W. Freeman
Publisher:
ISBN: 9781602583184
Category : Baptist women
Languages : en
Pages : 0

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Book Description
Writings by Katherine Chidley, Elizabeth Poole, Katherine Sutton, Anna Trapnel, Jane Turner, Anne Wentworth, and Sarah Wight.

Author: Ronald K. Rittgers
Publisher: BRILL
ISBN: 9004393188
Category : Religion
Languages : en
Pages : 473

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Book Description
Edited by Ronald K. Rittgers and Vincent Evener, Protestants and Mysticism in Reformation Europe offers an expansive view of the Protestant reception of medieval mysticism, from the beginnings of the Reformation through the mid-seventeenth century. Providing a foundation and impetus for future research, the chapters in this handbook cover diverse figures from across the Protestant traditions (Lutheran, Reformed, Radical), summarizing existing research, analysing relevant sources, and proposing new directions for study. Each chapter is authored by a leading scholar in the field. Collectively, Protestants and Mysticism in Reformation Europe calls for a comprehensive reassessment of the relationship of Protestantism to its medieval past, to Roman Catholicism, and to the enduring mystical element of Christianity.

Author: Marcus Nevitt
Publisher: Routledge
ISBN: 1351872176
Category : Literary Criticism
Languages : en
Pages : 411

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Book Description
Offering an analysis of the ways in which groups of non-aristocratic women circumvented a number of interdictions against female participation in the pamphlet culture of revolutionary England, this book is primarily a study of female agency. Despite the fact that pamphlets, or cheap unbound books, have recently been located among the most inclusive or democratic aspects of the social life of early modern England, this study provides a more gender-sensitive picture. Marcus Nevitt argues instead that throughout the revolutionary decades pamphlet culture was actually constructed around the public silence and exclusion of women. In support of his thesis, he discusses more familiar seventeenth-century authors such as John Milton, John Selden and Thomas Edwards in relation to the less canonical but equally forceful writings of Katherine Chidley, Elizabeth Poole, Mary Pope, 'Parliament Joan' and a large number of Quaker women. This is the first sustained study of the relationship between female agency and cheap print throughout the revolutionary decades 1640 to 1660. It adds to the study of gender in the field of the English Revolution by engaging with recent work in the history of the book, stressing the materiality of texts and the means and physical processes by which women's writing emerged through the printing press and networks of publication and dissemination. It will stimulate welcome debate about the nature and limits of discursive freedom in the early modern period, and for women in particular.

Author: Ann C. Christensen
Publisher: U of Nebraska Press
ISBN: 0803296657
Category : Drama
Languages : en
Pages : 352

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Book Description
This analysis of five exemplary domestic plays--the anonymous Arden of Faversham and A Warning for Fair Women (1590s), Thomas Heywood's A Woman Killed with Kindness (1607), Thomas Middleton's Women Beware Women (ca. 1613), and Walter Mountfort's The Launching of the Mary, or The Seaman's Honest Wife (1632)--offers a new approach to the emerging ideology of the private and public, or what Ann C. Christensen terms "the tragedy of the separate spheres." Feminist scholarship has identified the fruitful gaps between theories and practices of household government in early modern Europe, while work on the global Renaissance attends to commercial expansion, cross-cultural encounters, and colonial settlements. Separation Scenes brings these critical concerns together to expose the intimate and disruptive relationships between the domestic culture and business culture of early modern England. Separation Scenes argues that domestic plays make the absence of husbands for business the subject of tragedy by focusing not on where men traveled but on whom and what they left behind. Elements that critics have rightly associated with domestic tragedy--adultery, sensational murders, and the lavishly articulated operations of domestic life--define this world, which, Christensen argues, was equally shaped by the absence of husbands. Her interpretations of these domestic plays invite us to historicize and further complicate the seemingly universal binary between a feminine "private sphere" and a masculine "public sphere." Separation Scenes demonstrates how domestic drama played an active, dynamic, and critical role in deliberating the costs of commercial travel as it disrupted domestic conduct and prompted realignments within the home.

Author: Laura Lunger Knoppers
Publisher: OUP Oxford
ISBN: 0191669423
Category : Literary Criticism
Languages : en
Pages : 744

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Book Description
This Handbook offers a comprehensive introduction and thirty-seven new essays by an international team of literary critics and historians on the writings generated by the tumultuous events of mid-seventeenth-century England. Unprecedented events-civil war, regicide, the abolition of monarchy, proscription of episcopacy, constitutional experiment, and finally the return of monarchy-led to an unprecedented outpouring of texts, including new and transformed literary genres and techniques. The Handbook provides up-to-date scholarship on current issues as well as historical information, textual analysis, and bibliographical tools to help readers understand and appreciate the bold and indeed revolutionary character of writing in mid-seventeenth-century England. The volume is innovative in its attention to the literary and aesthetic aspects of a wide range of political and religious writing, as well as in its demonstration of how literary texts register the political pressures of their time. Opening with essential contextual chapters on religion, politics, society, and culture, the largely chronological subsequent chapters analyse particular voices, texts, and genres as they respond to revolutionary events. Attention is given to aesthetic qualities, as well as to bold political and religious ideas, in such writers as James Harrington, Marchamont Nedham, Thomas Hobbes, Gerrard Winstanley, John Lilburne, and Abiezer Coppe. At the same time, the revolutionary political context sheds new light on such well-known literary writers as John Milton, Andrew Marvell, Robert Herrick, Henry Vaughan, William Davenant, John Dryden, Lucy Hutchinson, Margaret Cavendish, and John Bunyan. Overall, the volume provides an indispensable guide to the innovative and exciting texts of the English Revolution and reevaluates its long-term cultural impact.