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Author: Matthew J. Christensen
Publisher: Boydell & Brewer
ISBN: 1847013872
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Providing a survey of Anglophone African detective fiction, from the late 1940s to the present day, this study traces its history both as a literary form and a mode of critical exploration of the fraught sovereignties of the African state and its citizens. Since the late 1940s, African writers including Cyprian Ekwensi, Arthur Maimane, Adaora Lily Ulasi, Hilary Ng'weno, Unity Dow, Parker Bilal, and Angela Makholwa have published over 200 murder mysteries, police procedurals, spy thrillers, and other fictional narratives of investigation and discovery in English-language newspapers, magazines, and novels. Distributed widely across the continent's diverse cultural and political geographies, these texts share aesthetic characteristics and thematic preoccupations that reflect transnational networks of production, circulation, and influence. Anglophone African Detective Fiction, 1940-2020 surveys this literary history and examines how African writers have repeatedly harnessed the detective story to interrogate postcolonial realities of selfhood and the state. It argues that African writers have turned the detective story into a highly productive, while at the same time suspense-filled and entertaining, mode of social and political critique, first of colonialism and the independence era and latterly of neoliberal governance. Offering an overview of paradigmatic texts, from Ghana to Kenya and Sudan to South Africa, the book traces the contours of the history of Anglophone African detective fiction that is at once a cultural history of a uniquely African assessment of the ongoing problematics of sovereignty and decolonization.
Author: Matthew J. Christensen
Publisher: Boydell & Brewer
ISBN: 1847013872
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
Providing a survey of Anglophone African detective fiction, from the late 1940s to the present day, this study traces its history both as a literary form and a mode of critical exploration of the fraught sovereignties of the African state and its citizens. Since the late 1940s, African writers including Cyprian Ekwensi, Arthur Maimane, Adaora Lily Ulasi, Hilary Ng'weno, Unity Dow, Parker Bilal, and Angela Makholwa have published over 200 murder mysteries, police procedurals, spy thrillers, and other fictional narratives of investigation and discovery in English-language newspapers, magazines, and novels. Distributed widely across the continent's diverse cultural and political geographies, these texts share aesthetic characteristics and thematic preoccupations that reflect transnational networks of production, circulation, and influence. Anglophone African Detective Fiction, 1940-2020 surveys this literary history and examines how African writers have repeatedly harnessed the detective story to interrogate postcolonial realities of selfhood and the state. It argues that African writers have turned the detective story into a highly productive, while at the same time suspense-filled and entertaining, mode of social and political critique, first of colonialism and the independence era and latterly of neoliberal governance. Offering an overview of paradigmatic texts, from Ghana to Kenya and Sudan to South Africa, the book traces the contours of the history of Anglophone African detective fiction that is at once a cultural history of a uniquely African assessment of the ongoing problematics of sovereignty and decolonization.
Author: Catherine Ross Nickerson
Publisher: Cambridge University Press
ISBN: 0521136067
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.
Author: Martin Priestman
Publisher: Cambridge University Press
ISBN: 1107494508
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.
Author: Madhu Krishnan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
"From the 'imaginative geographies' of conquest identified by Edward Said to the very real and material institution of territorial borders, regions and geographical amalgamations, the control, administration and integration of space are known to have played a central and essential role in the creation of contemporary 'Africa'. Space continues to be a site of conflict, from separatist struggles to the distribution of resources to the continued absorption of African territories into the uneven geographies of global capitalism. In this book, Madhu Krishnan examines the ways in which the anxieties and conflicts engendered by these phenomena are registered in a broad set of literary texts from British and French West Africa. By placing these novels in dialogue with a range of archival material such as territorial planning documents, legislative papers, records of liberation movements and development projects, this book reveals the submerged articulations between spatial planning and literary expression, generating new readings of canonical West African texts as well as analyses of otherwise under-researched material"--Publisher's description.
Author: Carli Coetzee
Publisher: Boydell & Brewer
ISBN: 1847012213
Category : History
Languages : en
Pages : 192
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Book Description
In this book the author argues that a younger generation of South Africans is developing important and innovative ways of understanding South African pasts, and that challenge the narratives that have over the last decades been informed by notions of forgiveness and reconciliation. The author uses the image of history-rich blood to explore these approaches to intergenerational memory. Blood under the skin is a carrier of embodied and gendered histories and using this image, the chapters revisit older archives, as well as analyse contemporary South African cultural and literary forms. The emphasis on blood challenges the privileged status skin has had as explanatory category in thinking about identity, and instead emphasises intergenerational transfer and continuity. The argument is that a younger generation is disputing and debating the terms through which to understand contemporary South Africa, as well as for interpreting the legacies of the past that remain under the visible layer of skin. The chapters each concern blood: Mandela's prison cell as laboratory for producing bloodless freedom; the kinship relations created and resisted in accounts of Eugene de Kock in prison; Ruth First's concern with information leaks in her accounts of her time in prison; the first human-to-human heart transplant and its relation to racialised attempts to salvage white identity; the #Fallist moment; Abantu book festival; and activist scholarship and creative art works that use blood as trope for thinking about change and continuity. Carli Coetzee is Editor of the Journal of African Cultural Studies. Her publications include: Accented Futures: Language Activism and the Ending of Apartheid (Wits University Press, 2013) and the edited collection Afropolitanism: Reboot (Routledge, 2017). She co-edited The Handbook of African Literature (Routledge, 2019) with Moradewun Adejunmobi and Negotiating the Past: The Making of Memory in South Africa(Oxford University Press, 1998) with Sarah Nuttall. Southern Africa (South Africa, Namibia, Lesotho, Zimbabwe and Swaziland): Wits University Press
Author: Robert L. Caserio
Publisher: Cambridge University Press
ISBN: 1139828339
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.
Author: Grace A. Musila
Publisher: Boydell & Brewer
ISBN: 1847011276
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Re-examines this unresolved murder in Kenya and the underlying role of rumour, the media and inter-state relations on how the death has been reported and investigated. Julie Ann Ward was a British tourist and wildlife photographer who went missing in Kenya's Maasai Mara Game Reserve in 1988 and was eventually found to have been murdered. Her death and the protracted search for her killers, stillat large, were hotly contested in the media. Many theories emerged as to how and why she died, generating three trials, several "true crime" books, and much speculation and rumour. At the core of Musila's study are thefollowing questions: why would this young woman's death be the subject of such strong contestations of ideas and multiple truths? And what does this reveal about cultural productions of truth and knowledge in Kenya and Britain, particularly in the light of the responses to her disappearance of the Kenyan police, the British Foreign Office, and the British High Commission in Nairobi. Building on existing scholarship on African history, narrative, gender and postcolonial studies, the author reveals how the Julie Ward murder and its attendant discourses offer insights into the journeys of ideas, and how these traverse the porous boundaries of the relationship between Kenya and Britain, and, by extension, Africa and the Global North. Grace A. Musila is a lecturer in the English Department of Stellenbosch University, South Africa
Author: Shola Adenekan
Publisher: Boydell & Brewer
ISBN: 1847012388
Category : Language Arts & Disciplines
Languages : en
Pages : 218
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Book Description
The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs. Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell thestory of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers. SHOLA ADENEKAN is an Assistant Professor of Literary and Cultural Analysis at the University of Amsterdam, the Netherlands, and also the publisher of Thenewblackmagazine.com. He was previously a Researcher and Tutor in African Literatures and Cultures at the University of Bremen, Germany, and a postdoctoral researcher at the University of Bayreuth, Germany.
Author: Terri Ochiagha
Publisher: Boydell & Brewer Ltd
ISBN: 1847011098
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
WINNER OF THE ASAUK FAGE & OLIVER PRIZE 2016 The author meticulously contextualises the experiences of Achebe and his peers as students at Government College Umuahia and argues for a re-assessment of this influential group of Nigerian writers in relation to the literary culture fostered by the school and its tutors. This is the first in-depth scholarly study of the literary awakening of the young intellectuals who became known as Nigeria's "first-generation" writers in the post-colonial period. Terri Ochiagha's research focuses on Chinua Achebe, Elechi Amadi, Chike Momah, Christopher Okigbo and Chukwuemeka Ike, and also discusses the experiences of Gabriel Okara, Ken Saro-Wiwa and I.C. Aniebo, in the context of their education in the 1930s, 1940s and 1950s at Government College, Umuahia. The author provides fresh perspectives on Postcolonial and World literary processes, colonial education in British Africa, literary representations of colonialism and Chinua Achebe's seminal position in African literature. She demonstrates how each of the writers used this very particular education to shape their own visions of the world in which they operated and examines the implications that this had for African literature as a whole. Supplementary material is available online of some of the original sources. See: http: //boybrew.co/9781847011091_2 Terri Ochiagha holds one of the prestigious British Academy Newton International Fellowships (2014-16) hosted by the School of English, University of Sussex. She was previously a Senior Associate Member of St Antony's College, University of Oxford.
Author: Maria Christou
Publisher: Cambridge University Press
ISBN: 1108416829
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
'You are what you eat' is an adage taken seriously as this book uncovers connections between the alimentary and ontological.
