Author: Michael Alexander
Publisher: Univ of California Press
ISBN: 9780520015043
Category : Poetry
Languages : en
Pages : 224

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Author: Richard Hamer
Publisher: Faber & Faber
ISBN: 0571262589
Category : Poetry
Languages : en
Pages : 224

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Book Description
A Choice of Anglo-Saxon Verse contains the Old English texts of all the major short poems, such as 'The Battle of Maldon', 'The Dream of the Rood', 'The Wanderer' and 'The Seafarer', as well as a generous representation of the many important fragments, riddles and gnomic verses that survive from the seventh to the twelfth centuries, with facing-page verse translations. These poems are the well-spring of the English poetic tradition, and this anthology provides a unique window into the mind and culture of the Anglo-Saxons. The volume is an essential companion to Faber's edition of Beowulf, translated by Seamus Heaney.

Author: S.A.J. Bradley
Publisher: Weidenfeld & Nicolson
ISBN: 1780223854
Category : Poetry
Languages : en
Pages : 425

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Book Description
Anglo-saxon poetry was circulated orally in a preliterate society, and gathered at last into books over some six centuries before the Norman Conquest ended English independence. Against the odds some of these books survive today. This anthology of prose translations covers most of the surviving poetry, revealing a tradition which is outstanding among early medieval literatures for its sophisticated exploration of the human condition in a mutable, finite, but wonderfully diverse and meaning-filled world.

Author: Greg Delanty
Publisher: W. W. Norton & Company
ISBN: 0393079015
Category : Literary Criticism
Languages : en
Pages : 576

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Book Description
The dazzling variety of Anglo-Saxon poetry brought to life by an all-star cast of contemporary poets in an authoritative bilingual edition. Encompassing a wide range of voices-from weary sailors to forlorn wives, from heroic saints to drunken louts, from farmers hoping to improve their fields to sermonizers looking to save your soul—the 123 poems collected in The Word Exchange complement the portrait of medieval England that emerges from Beowulf, the most famous Anglo-Saxon poem of all. Offered here are tales of battle, travel, and adventure, but also songs of heartache and longing, pearls of lusty innuendo and clear-eyed stoicism, charms and spells for everyday use, and seven "hoards" of delightfully puzzling riddles. Featuring all-new translations by seventy-four of our most celebrated poets—including Seamus Heaney, Robert Pinsky, Billy Collins, Eavan Boland, Paul Muldoon, Robert Hass, Gary Soto, Jane Hirshfield, David Ferry, Molly Peacock, Yusef Komunyakaa, Richard Wilbur, and many others—The Word Exchange is a landmark work of translation, as fascinating and multivocal as the original literature it translates.

Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 0

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Author: Lewis E. Nicholson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 422

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Book Description
This volume of previously unpublished essays on Anglo-Saxon poetry has been created in honor of John C. McGalliard on the occasion of his retirement from the University of Iowa after a distinguished career as a scholar-teacher of medieval literatures. As a critical anthology designed to respond to all of the major and most of the minor poems in the Anglo-Saxon canon, this collection will prove valuable to every class in Anglo-Saxon, whether introductory or advanced. The twenty-five essays take up individual problems concerned with the interpretation of specific poems. In offering their solutions to these problems the contributors evince their great love of poetry and their impressive knowledge of Anglo-Saxon scholarship. The contributors, who include Robert P. Greed, Charles Donahue, Norman E. Eliason, John Gardner, Margaret Goldsmith, Stanley Greenfield, Alvin A. Lee, Burton Raffle, Fred C. Robinson, Alain Renoir, and Robert Stevick, are prominent among the world-wide community of Anglo-Saxonists, and represent the entire range of critical approaches to Old English Literature. Their lively willingness to accept specific titular assignments is a tribute to the man who inspired this project. Among them are practicing poets, novelists, and translators - a reflection of the genuine humanism and erudition of Professor McGalliard. It is the editors' hope that the ongoing usefulness of this book whose attractive critical unity springs from the self-limited nature of the Anglo-Saxon poetic corpus, will constitute an added honorific dimension. The editors are both former students of John C. McGalliard. Lewis E, Nicholson is Associate Professor of English at the University of Notre Dame. He has published essays on Anglo-Saxon poetry and is editor of An Anthology of Beowulf Criticism. Delores Warwick Frese is Assistant Professor of English at the University of Notre Dame. In addition to scholarly articles she has published two novels as well as poems and short stories.

Author: Daniel Donoghue
Publisher: University of Pennsylvania Press
ISBN: 0812294882
Category : Literary Criticism
Languages : en
Pages : 245

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Book Description
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.

Author: S. A. J. Bradley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 594

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Author: Antonina Harbus
Publisher: DS Brewer
ISBN: 1843843250
Category : Literary Collections
Languages : en
Pages : 224

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Book Description
Offers an entirely new way of interpreting and examining Anglo-Saxon texts, via theories derived from cognitive studies. A major, thoughtful study, applying new and serious interpretative and critical perspectives to a central range of Old English poetry. Professor John Hines, Cardiff University Cognitive approaches to literature offernew and exciting ways of interpreting literature and mentalities, by bringing ideas and methodologies from Cognitive Science into the analysis of literature and culture. While these approaches are of particular value in relation to understanding the texts of remote societies, they have to date made very little impact on Anglo-Saxon Studies. This book therefore acts as a pioneer, mapping out the new field, explaining its relevance to Old English Literary Studies, and demonstrating in practice its application to a range of key vernacular poetic texts, including Beowulf, The Wanderer, and poems from the Exeter Book. Adapting key ideas from three related fields - Cognitive Literary/Cultural Studies, Cognitive Poetics, and Conceptual Metaphor Theory - in conjunction with more familiar models, derived from Literary Analysis, Stylistics, and Historical Linguistics, allows several new ways of thinking about Old English literature to emerge. It permits a systematic means of examining and accounting for the conceptual structures that underpin Anglo-Saxon poetics, as well as fuller explorations, at the level of mental processing, of the workings of literary language in context. The result is a set of approaches to interpreting Anglo-Saxon textuality, through detailed studies of the concepts, mental schemas, and associative logic implied in and triggeredby the evocative language and meaning structures of surviving works. ANTONINA HARBUS is Professor in the Department of English at Macquarie University, Sydney, Australia.

Author:
Publisher: University of Pennsylvania Press
ISBN: 0812293215
Category : Literary Collections
Languages : en
Pages : 1248

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Book Description
From the riddling song of a bawdy onion that moves between kitchen and bedroom to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, from the heart-rending lament of a lone castaway to the embodied speech of the cross upon which Christ was crucified, from the anxiety of Eve, who carries "a sumptuous secret in her hands / And a tempting truth hidden in her heart," to the trust of Noah who builds "a sea-floater, a wave-walking / Ocean-home with rooms for all creatures," the world of the Anglo-Saxon poets is a place of harshness, beauty, and wonder. Now for the first time, the entire Old English poetic corpus—including poems and fragments discovered only within the past fifty years—is rendered into modern strong-stress, alliterative verse in a masterful translation by Craig Williamson. Accompanied by an introduction by noted medievalist Tom Shippey on the literary scope and vision of these timeless poems and Williamson's own introductions to the individual works and his essay on translating Old English poetry, the texts transport us back to the medieval scriptorium or ancient mead-hall, to share a herdsman's recounting of the story of the world's creation or a people's sorrow at the death of a beloved king, to be present at the clash of battle or to puzzle over the sacred and profane answers to riddles posed over a thousand years ago. This is poetry as stunning in its vitality as it is true to its sources. Were Williamson's idiom not so modern, we might think that the Anglo-Saxon poets had taken up the lyre again and begun to sing once more.