Anglo-Saxon Art to A.D. 900 PDF Download
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Author: T.D. Kendrick
Publisher: Taylor & Francis
ISBN: 100092081X
Category : History
Languages : en
Pages : 361
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Book Description
Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Author: T.D. Kendrick
Publisher: Taylor & Francis
ISBN: 100092081X
Category : History
Languages : en
Pages : 361
Get Book Here
Book Description
Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Author: Marion Archibald
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
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Book Description
Author: Thomas Downing Kendrick
Publisher:
ISBN: 9781003416203
Category : HISTORY
Languages : en
Pages : 0
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Book Description
Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Author: David Mackenzie Wilson
Publisher: Overlook Books
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 234
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Book Description
Author: Catherine E. Karkov
Publisher: State University of New York Press
ISBN: 0791486141
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
Author: Wilfrid Bonser
Publisher: Univ of California Press
ISBN:
Category : Great Britain
Languages : en
Pages : 620
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Book Description
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
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Book Description
Author: Derek Pearsall
Publisher: Routledge
ISBN: 042957603X
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.
Author: Thomas Downing Kendrick
Publisher:
ISBN:
Category :
Languages : en
Pages : 227
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Book Description
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322
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Book Description
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
