Angénieux and Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Angénieux and Cinema PDF full book. Access full book title Angénieux and Cinema by Édith Bertrand. Download full books in PDF and EPUB format.
Author: Édith Bertrand
Publisher: Silvana Editoriale
ISBN: 9788836638598
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
This book looks at the history of the Angénieux zoom lens, long fabled in Hollywood, responsible for NASA's documentation of the first moon landing in 1969 and, more recently, heavily deployed in Game of Thrones. The company's story begins in 1935 and continues to the present.
Author: Édith Bertrand
Publisher: Silvana Editoriale
ISBN: 9788836638598
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
This book looks at the history of the Angénieux zoom lens, long fabled in Hollywood, responsible for NASA's documentation of the first moon landing in 1969 and, more recently, heavily deployed in Game of Thrones. The company's story begins in 1935 and continues to the present.
Author: Orson Welles
Publisher: Univ. Press of Mississippi
ISBN: 9781578062096
Category : Biography & Autobiography
Languages : en
Pages : 318
Get Book Here
Book Description
It is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. Book jacket.
Author: Nick Hall
Publisher: Rutgers University Press
ISBN: 0813587239
Category : Art
Languages : en
Pages : 227
Get Book Here
Book Description
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television.
Author: Kurt Lancaster
Publisher: CRC Press
ISBN: 1135040311
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
With the next generation of raw cinema cameras you can finally shoot professionally with uncompressed raw motion pictures—without compromising your image or your budget. In Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras, Lancaster takes you through the birth of these new cameras and includes an exclusive behind-the-scenes look at Digital Bolex. He field tests each camera and discusses the importance of shooting in raw and guides you through the raw color grading process so you can create stunning films. Interviews with professionals who have shot documentaries, shorts, and promotionals with these cameras are featured throughout, allowing you to learn field production techniques under real world conditions. FEATURES: Behind-the-scenes case studies for the next generation of low budget cinema cameras Recommended gear lists to begin your raw shooting experience Full color post workflows that help you realize your boldest cinematic visions A companion website (www.kurtlancaster.com) featuring raw projects covered in the book; video interviews with the creators of the Digital Bolex, Joe Rubinstein and Elle Schneider; and resources for further study of raw cinema
Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 830
Get Book Here
Book Description
Author: Sarah Street
Publisher: Bloomsbury Publishing
ISBN: 1911239589
Category : Performing Arts
Languages : en
Pages : 385
Get Book Here
Book Description
Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration.
Author: Anton Wilson
Publisher: AMERICAN CINEMATOGRAPHER
ISBN: 9780935578263
Category : Education
Languages : en
Pages : 312
Get Book Here
Book Description
Author: Blain Brown
Publisher: Taylor & Francis
ISBN: 1136047387
Category : Performing Arts
Languages : en
Pages : 380
Get Book Here
Book Description
There's more to being a DP than holdng a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography. Cinematography presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production. Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods.
Author: Adam O’Brien
Publisher: Berghahn Books
ISBN: 1785330012
Category : Performing Arts
Languages : en
Pages : 228
Get Book Here
Book Description
In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.
Author: Jonathan B. Vogels
Publisher: SIU Press
ISBN: 0809386011
Category : Performing Arts
Languages : en
Pages : 246
Get Book Here
Book Description
Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no rehearsed footage and no preconceived plots, their revolutionary work eschewed the authoritative voice-over narrator, didactic scripts, and the traditional problem-and-solution format used by the majority of their predecessors in the genre and duly influenced subsequent directors in both fiction and nonfiction film. Their collaboration from 1962 until David’s death in 1987 wrought thirteen major works in which the brothers critiqued the concept of celebrity with unglamorous footage of iconic figures, explored how commercialism hinders communication, and questioned the possibility of seeing anything clearly in a world abounding with both real and constructed images. Jonathan B. Vogels outlines how the Maysles brothers blended a unique amalgam of direct cinema characteristics, a modern humanist aesthetic, and a collaborative working process that included other directors and editors. Looking at the films as both shapers and reflections of American culture, he points out that the works offer insights into a wide range of contemporary topics including materialism, celebrity, modern art, and the American family. In addition to describing the changes in technology that made direct cinema possible, Vogels provides careful, scene-by-scene analyses that allow for a consideration of the Maysles brothers’ films as films, a tactic not frequently employed in nonfiction film studies.
