Androgyny in Modern Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Androgyny in Modern Literature PDF full book. Access full book title Androgyny in Modern Literature by T. Hargreaves. Download full books in PDF and EPUB format.
Author: T. Hargreaves
Publisher: Springer
ISBN: 0230510574
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
Androgyny in Modern Literature engages with the ways in which the trope of androgyny has shifted during the late nineteenth and twentieth-centuries. Alchemical, platonic, sexological, psychological and decadent representations of androgyny have provided writers with an icon which has been appropriated in diverse ways. This fascinating new study traces different revisions of the psycho-sexual, embodied, cultural and feminist fantasies and repudiations of this unstable but enduring trope across a broad range of writers from the fin de siècle to the present.
Author: T. Hargreaves
Publisher: Springer
ISBN: 0230510574
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
Androgyny in Modern Literature engages with the ways in which the trope of androgyny has shifted during the late nineteenth and twentieth-centuries. Alchemical, platonic, sexological, psychological and decadent representations of androgyny have provided writers with an icon which has been appropriated in diverse ways. This fascinating new study traces different revisions of the psycho-sexual, embodied, cultural and feminist fantasies and repudiations of this unstable but enduring trope across a broad range of writers from the fin de siècle to the present.
Author: June Singer
Publisher: Nicolas-Hays, Inc.
ISBN: 0892546476
Category : Psychology
Languages : en
Pages : 273
Get Book Here
Book Description
Full of psychological and spiritual insights that speak to today's sexual confusion. Singer shows how a person can at once embrace complementary and contradictory attitudes toward sex and gender. Finally, she proposes a range of choices by which people can identify themselves, secure that the masculine/feminine interaction within each individual is not only normal, but the dynamic factor in their wholeness.
Author: Lisa Rado
Publisher: University of Virginia Press
ISBN: 9780813919805
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
In the late nineteenth century, as changing cultural representations of gender roles and categories made differences between men and women increasingly difficult to define, theorists such as Havelock Ellis, Richard von Krafft-Ebing, and Sigmund Freud began to postulate a third, androgynous sex. For many modern artists, this challenge to familiar hierarchies of gender represented a crisis in artistic authority. Faced with the failure of the romantic muse and other two-sex tropes for the imagination, James Joyce, H. D., William Faulkner, Virginia Woolf, and other modernist writers of both sexes became attracted to a culturally specific notion of an androgynous imagination. In The Modern Androgyne Imagination, Lisa Rado explores the dynamic process through which these writers filled the imaginative space left by the departed muse. For Joyce, the androgynous imagination meant experimenting with the idea of a "new womanly man." H. D. personified her "overmind" as the androgynous Ray Bart. Faulkner supplanted the muse with the hermaphrodite. And Woolf became a kind of psychic transsexual. Although they selected these particular tropes for different reasons, literary men and women shared the desire to embody perceived strengths of both sexes and to transcend sexual and artistic limitation altogether. However, courting this androgynous imagination was a risky act. It often evoked the dynamics, even the specific vocabulary, of the sublime, which Rado characterizes as a perilous confrontation with and attempted identification between self and the transcendent other--that powerful, androgynous creative mind--through which they hoped to generate authority and find inspiration. This empowerment toward which Joyce, H. D., Faulkner, and Woolf gesture in texts such as Ulysses, HERmione, The Sound and the Fury, and Orlando is rarely achieved. Joyce and Faulkner were unable to silence their fears of feminization and the female body, while H. D. and Woolf remained troubled by the threat of ego incorporation and self-erasure that the androgynous model of the imagination portends. Still, their pursuit of new imaginative tropes yields important insights into the work of these writers and of literary modernism.
Author: Jennifer C. Vaught
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754662945
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
Offering new readings of works by Shakespeare, Spenser, and their contemporaries, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
Author: Carolyn G. Heilbrun
Publisher: W. W. Norton
ISBN: 9780393310627
Category : Literary Criticism
Languages : en
Pages : 228
Get Book Here
Book Description
"A frank, passionate plea for us to move away from sexual polarization and the prison of gender toward a world in which individual roles and modes of personal behavior can be freely chosen. . . . An interesting, lively and valuable general introduction to a new way of perceiving our Western cultural tradition, with emphasis upon English literature." --Joyce Carol Oates, New York Times Book Review
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119652642
Category : Literary Criticism
Languages : en
Pages : 2453
Get Book Here
Book Description
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author: Brian W. Shaffer
Publisher: John Wiley & Sons
ISBN: 1405192445
Category : Literary Criticism
Languages : en
Pages : 1581
Get Book Here
Book Description
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Author: Virginia Woolf
Publisher: Modernista
ISBN: 9180949509
Category : Literary Collections
Languages : en
Pages : 111
Get Book Here
Book Description
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Author: Patrick Mauriès
Publisher: National Geographic Books
ISBN: 0500519358
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
The first visually led exploration of androgyny—from representations in antiquity to its current prevalence in the fashion world and beyond In January 2011, Jean Paul Gaultier’s haute couture runway show ended with the image of a willowy blonde bride in a diaphanous gown. The bride was a man, and one of the first models to walk for both men’s and women’s collections. The event marked the start of a trend. “This ad is gender neutral,” proclaimed a 2016 poster for the fashion brand Diesel; “I resist definitions,” announced a Calvin Klein ad in the same year, while a Louis Vuitton shoot featured Jaden Smith wearing a skirt. The art of Edward Burne-Jones and Gustave Moreau, the writings of Oscar Wilde, and the mystic Joséphin Péladan prove that the turn of the previous century was as compelled by androgyny as this one. From the late nineteenth to the early twenty-first century, the genders have blended: from Berlin in the 1920s to Hollywood of the 1930s with Garbo and Dietrich; from the 1940s Bright Young Things to the androgynous pop stars of the 1970s, and beyond. Patrick Mauries presents a cultural history of androgyny—accompanied by a striking selection of more than 120 images, from nineteenth-century painting to contemporary fashion photography—drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories.
Author: Marco Wan
Publisher: Routledge
ISBN: 1134843879
Category : Law
Languages : en
Pages : 298
Get Book Here
Book Description
How do lawyers, judges and jurors read novels? And what is at stake when literature and law confront each other in the courtroom? Nineteenth-century England and France are remembered for their active legal prosecution of literature, and this book examines the ways in which five novels were interpreted in the courtroom: Gustave Flaubert’s Madame Bovary, Paul Bonnetain’s Charlot s’amuse, Henry Vizetelly’s English translation of Émile Zola’s La Terre, Oscar Wilde’s The Picture of Dorian Gray and Radclyffe Hall’s The Well of Loneliness. It argues that each of these novels attracted legal censure because they presented figures of sexual dissidence – the androgyne, the onanist or masturbator, the patricide, the homosexual and the lesbian – that called into question an increasingly fragile normative, middleclass masculinity. Offering close readings of the novels themselves, and of legal material from the proceedings, such as the trial transcripts and judicial opinions, the book addresses both the doctrinal dimensions of Victorian obscenity and censorship, as well as the reading practices at work in the courtroom. It situates the cases in their historical context, and highlights how each trial constitutes a scene of reading – an encounter between literature and the law – through which different forms of masculinity were shaped, bolstered or challenged.
