Andrew Crawfurd's Collection of Ballads and Songs Volume 1

Andrew Crawfurd's Collection of Ballads and Songs Volume 1 PDF Author: A. Crawfurd
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Andrew Crawfurd's Collection of Ballads and Songs Volume 1

Andrew Crawfurd's Collection of Ballads and Songs Volume 1 PDF Author: A. Crawfurd
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Andrew Crawfurd's Collection of Ballads and Songs

Andrew Crawfurd's Collection of Ballads and Songs PDF Author: Andrew Crawfurd
Publisher:
ISBN:
Category :
Languages : en
Pages : 244

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Andrew Crawfurd's Collection of Ballads and Songs

Andrew Crawfurd's Collection of Ballads and Songs PDF Author: Andrew Crawfurd
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 312

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Published by Boydell & Brewer Inc.

Andrew Crawfurd's Collection of Ballads and Songs

Andrew Crawfurd's Collection of Ballads and Songs PDF Author: E. B. Lyle
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 336

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Andrew Crawfurd's collection of ballads and songs, ed

Andrew Crawfurd's collection of ballads and songs, ed PDF Author:
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages :

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The Practice of Folklore

The Practice of Folklore PDF Author: Simon J. Bronner
Publisher: Univ. Press of Mississippi
ISBN: 1496822668
Category : Social Science
Languages : en
Pages : 382

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Book Description
Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.

The English Traditional Ballad

The English Traditional Ballad PDF Author: David Atkinson
Publisher: Routledge
ISBN: 1351544810
Category : Music
Languages : en
Pages : 327

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Book Description
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.

Scottish Ballads

Scottish Ballads PDF Author: Emily Lyle
Publisher: Canongate Books
ISBN: 184767593X
Category : Poetry
Languages : en
Pages : 293

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Book Description
This selection includes more than eighty of the finest ballads, together with an introduction, notes and glosses. The versions come from the last three centuries-from the time of Burns and Scott, who were among the earliest collectors, up to the present day. Although the ballads are anonymous in a way, the singers themselves determine the versions we have, by a process of selection, interpretation and refashioning. Wherever possible, this edition includes the names of the singers, many of whom were women. An internationally recognised ballad scholar, Emily Lyle is a research fellow at the School of Scottish Studies in the University of Edinburgh, and is general editor of The Grieg-Duncan Folk song Collection.

Sam Henry's Songs of the People

Sam Henry's Songs of the People PDF Author: Gale Huntington
Publisher: University of Georgia Press
ISBN: 0820336254
Category : Music
Languages : en
Pages : 674

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Book Description
The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.

Street Ballads in Nineteenth-Century Britain, Ireland, and North America

Street Ballads in Nineteenth-Century Britain, Ireland, and North America PDF Author: David Atkinson
Publisher: Routledge
ISBN: 1317049209
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.