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Author: Derek Allan
Publisher: Rodopi
ISBN: 9042027509
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
Author: Derek Allan
Publisher: Rodopi
ISBN: 9042027509
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
Author: WALTER GRASSKAMP
Publisher: Getty Publications
ISBN: 1606065017
Category : Art
Languages : en
Pages : 244
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Book Description
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: Derek Allan
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN: 9781433180477
Category : Fiction
Languages : en
Pages : 0
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Book Description
This study provides a step by step explanation of André Malraux's theory of art. In short, the study unveils a way of understanding art that is nothing less than an intellectual revolution.
Author: André Malraux
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
"A museum without walls has been opened to us, and it will carry infinitely farther that limited revelation of the world of art which the real museums offer us within their walls: in answer to their appeal, the plastic arts have produced their printing press."--Introduction
Author: Derek Allan
Publisher: Rodopi
ISBN: 9042027495
Category : Art
Languages : en
Pages : 341
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Book Description
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
Author: Claude Tannery
Publisher: University of Chicago Press
ISBN: 9780226789620
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Moving beyond merely biographical or textual interpretation, Claude Tannery traces the philosophy of life and art developed by André Malraux. With both sensitivity and expert interpretation he defines the issues—personal and artistic as well as political—that underlie Malraux's writings—including early as well as late works, novels, speeches, and essays. The result is a new and subtle portrait of Malraux.
Author: André Malraux
Publisher: Da Capo Press
ISBN: 9780306806292
Category : Art
Languages : en
Pages : 288
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Book Description
Following Pablo Picasso's death in 1973, André Malraux was summoned by Jacqueline Picasso, the artist's widow, to her home at Mougins in the South of France. There, surrounded by Picasso's powerful last paintings "painted face to face with death," and his art collection destined for the Louvre, Malraux recollected Picasso's rebellious life and the metamorphosis of his art. In Picasso's Mask, Malraux's memories, at once personal and historical, evoke Picasso as a private man and as a legendary artistic genius. For over half a century, André Malraux (1901–1976) was intimately involved in French intellectual life, as philosopher, novelist, soldier, statesman, and secretary for cultural affairs. Malraux knew Picasso well, and here recollects a number of his conversations with the painter. In rich, evocative, and memory-filled prose, he has written an inspiring and moving reminiscence. Picasso's Mask is one of the most profound works in Malraux's remarkable oeuvre.
Author: Herman Lebovics
Publisher: Cornell University Press
ISBN: 9780801435652
Category : Art
Languages : en
Pages : 284
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Book Description
Traveling in a First-Class Cabin on the luxury liner France early in 1963, the Western world's most famous painting sailed across the Atlantic on its maiden voyage to the United States. The goodwill generated by the loan eased U.S.-French relations, which had soured over tensions stemming from the cold war. The mastermind behind the Mona Lisa's triumphant tour was France's newly appointed minister of cultural affairs, Andre Malraux. In this book, Herman Lebovics recounts how Malraux's brilliant foray into the realm of diplomacy was but one example of his efforts to employ France's cultural heritage in the service of a renewed national grandeur.
Author: André Malraux
Publisher:
ISBN: 9780691099415
Category : Art
Languages : en
Pages : 661
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Book Description
Annotation: This is a comprehensive and psychological history of art from a variety of cultures by one of the eminent thinkers of the twentieth century.
Author: Derek Allan
Publisher: Cambridge Scholars Publishing
ISBN: 1443867233
Category : Art
Languages : en
Pages : 195
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Book Description
A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.
