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Author: Elizabeth Stephens
Publisher: Representations: Health, Disability, Culture and Society
ISBN: 9781846318740
Category : Anatomical museums
Languages : en
Pages : 0
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Book Description
From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable. This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.
Author: Elizabeth Stephens
Publisher: Representations: Health, Disability, Culture and Society
ISBN: 9781846318740
Category : Anatomical museums
Languages : en
Pages : 0
Get Book Here
Book Description
From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable. This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.
Author: Hillary M. Nunn
Publisher: Routledge
ISBN: 1351898302
Category : Literary Criticism
Languages : en
Pages : 517
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Book Description
Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.
Author: Christine Quigley
Publisher: McFarland
ISBN: 9780786444298
Category : Social Science
Languages : en
Pages : 0
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Book Description
Since Herophilus, the "father of anatomy," performed the first public human dissection in the third century B.C.E., audiences have been spellbound by the cutting apart of cadavers. This volume traces the past and present of public dissection, from Herophilus's first cuts to the revival of anatomy as entertainment through spectacles like Gunther von Hagens' Body Worlds, including the attacks on anatomy in the Middle Ages, the influence of Renaissance anatomist Andreas Vesalius, the procurement of bodies through execution and body snatchers, and the withdrawal of dissectors behind medical school doors in the early 20th century. It reveals that the anatomical spectacle is not new, but has remained in the gray area between education and entertainment for centuries.
Author: Estella Antoaneta Ciobanu
Publisher: Editura Lumen
ISBN: 9731663150
Category : Art, Medieval
Languages : en
Pages : 402
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Book Description
The volume The Spectacle of the Body in Late Medieval England represents a study on the human body representation in medieval England by approaching the concept of the spectacle as a space of manifestation. The author clarifies the ways of understanding the body as a physical and metaphorical reality, but also the medieval conceptualization of violence. On top of that, the author is making an investigation on the violent character of spectacles' representation in pursuit of picturing this subject more clearly and more relevant. The approach of the volume is dominantly Christian reviewing the representations of the body through outstanding figures of Christianity (crucifixion of Jesus Christ, body of Virgin Mary).
Author: Carl STELLWAG VON CARION
Publisher:
ISBN:
Category :
Languages : en
Pages : 808
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Book Description
Author: Henry HOWARD (Surgeon to the Montreal Eye and Ear Institution.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
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Book Description
Author: Cynthia Klestinec
Publisher: JHU Press
ISBN: 1421429152
Category : Medical
Languages : en
Pages : 280
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Book Description
Of enduring historical and contemporary interest, the anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their importance. Taking a new look at the history of anatomy, Cynthia Klestinec places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning, which contributed to a deeper scientific analysis of the body, and a place where students learned to behave, not with ghoulish curiosity, but rather in a civil manner toward their teachers, their peers, and the corpse. Klestinec argues that the drama of public dissection in the Renaissance (which on occasion included musical accompaniment) served as a ploy to attract students to anatomical study by way of anatomy’s philosophical dimensions rather than its empirical offerings. While these venues have been the focus of much scholarship, the private traditions of anatomy comprise a neglected and crucial element of anatomical inquiry. Klestinec shows that in public anatomies, amid an increasingly diverse audience—including students and professors, fishmongers and shoemakers—anatomists emphasized the conceptual framework of natural philosophy, whereas private lessons afforded novel visual experiences where students learned about dissection, observed anatomical particulars, considered surgical interventions, and eventually speculated on the mechanical properties of physiological functions. Theaters of Anatomy focuses on the post-Vesalian era, the often-overlooked period in the history of anatomy after the famed Andreas Vesalius left the University of Padua. Drawing on the letters and testimony of Padua's medical students, Klestinec charts a new history of anatomy in the Renaissance, one that characterizes the role of the anatomy theater and reconsiders the pedagogical debates and educational structure behind human dissection.
Author: Rebecca Messbarger
Publisher: University of Chicago Press
ISBN: 0226520846
Category : Science
Languages : en
Pages : 250
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Book Description
Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
Author: Eugenia Pacitti
Publisher: Bloomsbury Publishing
ISBN: 1350373745
Category : History
Languages : en
Pages : 286
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Book Description
Offering insight into nineteenth- and early twentieth-century medical school dissecting rooms and anatomy museums, this book explores how collected human remains have shaped Western biomedical knowledge and attitudes towards the body. To explore the role Australia played in the narrative of Western medical development, Pacitti focuses on how and why Australian anatomists and medical students obtained human body parts. As medical knowledge circulated between Australia and Britain, the colony's physicians conformed to established specimen collecting practices and diverged from them to form a distinct medical identity. Interrogating how these literal and figurative bones of contention have left an indelible mark on the nation's medical profession, collecting institutions, and communities, Pacitti sheds new light on our understanding of Western medical networks and reveals the opportunities and challenges historic specimen collections pose in the present day. The Body Collected in Australia is a cultural history of collectors and collections that deepens our understanding of the ways the living have used the dead to comprehend the intricacies of the human body in illness and good health.
Author: Maaike Bleeker
Publisher: Amsterdam University Press
ISBN: 9053565167
Category : Medical
Languages : en
Pages : 271
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Book Description
Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
