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Author: J. Paul Halferty
Publisher: Springer Nature
ISBN: 3030855740
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.
Author: J. Paul Halferty
Publisher: Springer Nature
ISBN: 3030855740
Category : Performing Arts
Languages : en
Pages : 323
Get Book Here
Book Description
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.
Author: Colin Counsell
Publisher: Routledge
ISBN: 1134592663
Category : Art
Languages : en
Pages : 265
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Book Description
Brings together texts in critical theory and shows how these texts can be used in the analysis of performance. Themed sections include decoding the sign; the politics of performance; the politics of gender and sexual identity; performing ethnicity; the performing body; the space of performance; audience and spectatorship; and the borders of performance--From publisher description.
Author: Patrick Campbell
Publisher: Manchester University Press
ISBN: 9780719042508
Category : Art
Languages : en
Pages : 324
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Book Description
A wide-ranging collection of specially commissioned essays by contributors of international standing about key aspects of the performing arts
Author: Candida March
Publisher: Oxfam
ISBN: 9780855984038
Category : Social Science
Languages : en
Pages : 148
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Book Description
This is a single-volume guide to all the main analytical frameworks for gender-sensitive research and planning. It draws on the experience of trainers and practitioners, and includes step-by-step instructions for using the frameworks.
Author: Judith Butler
Publisher: Routledge
ISBN: 1136783245
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
With intellectual reference points that include Foucault and Freud, Wittig, Kristeva and Irigaray, this is one of the most talked-about scholarly works of the past fifty years and is perhaps the essential work of contemporary feminist thought.
Author: Lizbeth Goodman
Publisher: Routledge
ISBN: 1134707606
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume: * reviews women's contributions to theatre history * includes contributions from many of the top academics in this discipline * examines how theatre has represented women over the centuries * introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing * offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.
Author: Julia Listengarten
Publisher: Cambridge University Press
ISBN: 1108570267
Category : Drama
Languages : en
Pages : 489
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Book Description
The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.
Author: Elaheh Nosratirad
Publisher: Cambridge Scholars Publishing
ISBN: 1527502031
Category : Language Arts & Disciplines
Languages : en
Pages : 365
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Book Description
This book is an original empirical study which contributes to the knowledge and scholarship in the fields of variational, interlanguage and cross-cultural pragmatics on a number of important levels. It highlights the potential influence of individual, regional and contextual variations, on the language use of native speakers and pragmatic performance of English as a Foreign Language learners, arguing that factors such as gender (operationalised via sex, e.g., female and male) and native culture should be considered in one single study. The book discusses the complexity of the influence of gender on language use, given that its influence may manifest in different ways in different cultures and contexts. Thus, researchers should focus on gender, culture and contextual variation when analysing language use conventions of native speakers and language learners with data highlighting the role of gender in learners’ first and second languages and cultures. The book also introduces findings which show the importance of cross-cultural comparison of Western Anglo-Saxon and Middle-Eastern Persian cultures in a single study and through a cross-culturally comparable data collection method.
Author: Penny Gay
Publisher: Routledge
ISBN: 1134862377
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.
Author: Laurence Senelick
Publisher: Routledge
ISBN: 113472201X
Category : Performing Arts
Languages : en
Pages : 566
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Book Description
The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines: * tribal rituals and shamanic practices in the Balkans and Chinese-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage of China, Japan and England * the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator * artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.
