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Author: Elizabeth Isaacs
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 240
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Author: Elizabeth Isaacs
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 240
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Author: Yvor Winters
Publisher: Swallow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
The section of previously published letters and unpublished ones that were sealed by his will for 25 years after his death, are presented chronologically. The American poet Winters (1900-68) chronologically ensured his own voice posthumous dominance in any correspondence by burning all letters he received, including those from his wife. Annotation copyrighted by Book News Inc., Portland, OR
Author: Yvor Winters
Publisher: Swallow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Yvor Winters (1900-1968) was a friend, colleague, and teacher to poets of several generations from Hart Crane and Allen Tate to J. V. Cunningham, Turner Cassity, and Edgar Bowers to Robert Hass, Philip Levine, and Robert Pinsky. His impact on mid- to late-twentieth-century poetry is profound. This stems in large part from his own poetry, which was a reflection of his critical thinking about poetry, and which underwent substantive changes over his career as a poet. His collected poems won the Bollingen Prize in 1960. This retrospective of one hundred poems, edited by the poet and publisher R. L. Barth, is compiled from Winters's published and unpublished work and features an introductory overview of his life and career by Helen Pinkerton Trimpi, a former student of Winters's and a distinguished scholar of American literature.
Author: Yvor Winters
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Yvor Winters
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 252
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Author: Yvor Winters
Publisher: Manchester : Carcanet New Press
ISBN:
Category : Poetry
Languages : en
Pages : 256
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Author: Yvor Winters
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 224
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Author: Susan S. Smith
Publisher: State University of New York Press
ISBN: 1438420315
Category : Biography & Autobiography
Languages : en
Pages : 306
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This book presents the poetry and letters of the American writer Adelaide Crapsey (1878–1914). Her best poetry deserves to be enjoyed by a larger audience, and her letters and newly discovered biographical materials reveal new charm and meaning in an intriguingly elusive character. Crapsey did not live to see any of her mature poetry published: she received notice that her first poem had been accepted for publication only a week before she died. Posthumous editions of her Verse (in 1915, 1922, and 1934), however, brought her recognition and respect. Carl Sandburg paid her a poetic tribute. American critic Yvor Winters praised her as "a minor poet of great distinction" and felt that her poems remained "in their way honest and acutely perceptive." Her best work is compressed, terse, related in this respect to the work of another American poet who won posthumous recognition, Emily Dickinson. Crapsey is best known as the inventor of the cinquain, a poem of five short lines of unequal length: one-stress, two-stress, three-stress, four-stress, and one-stress. The cinquain is one of the few modern verse forms developed in English, and its brevity and characteristic thought pattern seem to have been influenced by Japanese forms. Crapsey's indebtedness to Japanese poetry and her relation to Imagism have long been subjects for debate. As Winters notes, the work of Crapsey "achieves more effectively than did almost any of the Imagists the aims of Imagism." The critical introduction by Professor Susan Sutton Smith examines these problems. Much of Crapsey's poetry is reticent, withdrawn, and private, and she believed strongly in the individual's right to privacy. Whatever new biographical materials reveal of her and of her relations with family and friends, however, shows a charming and courageous woman. Her courage and humor show especially well in her correspondence with her friend Esther Lowenthal and in the letters with her friend Jean Webster McKinney, author of Daddy Long-Legs, who died soon after Crapsey.
Author: Barbara Herrnstein Smith
Publisher: University of Chicago Press
ISBN: 0226763439
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Explores the question: How do poems end? This work examines numerous individual poems and examples of common poetic forms in order to reveal the relationship between closure and the overall structure and integrity of a poem.
Author: Yvor Winters
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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