An Introduction to the French Classical Drama

An Introduction to the French Classical Drama PDF Author: Eleanor Frances Jourdain
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 222

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Book Description

An Introduction to the French Classical Drama

An Introduction to the French Classical Drama PDF Author: Eleanor Frances Jourdain
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 222

Get Book Here

Book Description


An Introduction to the French Classical Drama

An Introduction to the French Classical Drama PDF Author: Eleanor Frances Jourdain
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 208

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Book Description


An Introduction to the French Classical Drama

An Introduction to the French Classical Drama PDF Author: Eleanor F 1863-1924 Jourdain
Publisher: Palala Press
ISBN: 9781346721828
Category :
Languages : en
Pages : 220

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An Introduction to the French Classical Drama

An Introduction to the French Classical Drama PDF Author: Eleanor F. Jourdain
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Contemporary Drama of France (Classic Reprint)

The Contemporary Drama of France (Classic Reprint) PDF Author: Frank Wadleigh Chandler
Publisher: Forgotten Books
ISBN: 9780666126238
Category : Drama
Languages : en
Pages : 426

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Book Description
Excerpt from The Contemporary Drama of France This volume Offers a survey and an interpretation of the French drama for three decades, fromothe opening of the theatre-libre Of Antoine to the conclusion Of the World War. It attempts the classification, analysis, and criti cism of a thousand plays by two hundred and thirty authors. Among these are included a few Belgians whose pieces, written in French, have been as familiar to Paris as to Brussels. Although the productions of the period be less striking than those of the Romantic era, and less likely than those of the Classic to endure, they are more numerous and more vitally interesting to the generation whose failures, foibles, and aspirations they depict. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Modern French Drama (Classic Reprint)

The Modern French Drama (Classic Reprint) PDF Author: Augustin Filon
Publisher: Forgotten Books
ISBN: 9780267156085
Category : Literary Collections
Languages : en
Pages : 322

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Excerpt from The Modern French Drama That modern England possessed a stage, supported by dramatic writers of ability, independence, and originality. When the papers on the English Stage first appeared in book form, I asked M. Filon to do something of the same kind of service for English readers as he had already done for his kinsmen across the Channel, and illustrate in the pages of the Fortnightly Review some of the main principles and tendencies underlying the contemporary drama in Paris. The conditions in the two cases. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Introduction to French Classical Tragedy

Introduction to French Classical Tragedy PDF Author: C.J. Gossip
Publisher: Springer
ISBN: 1349045187
Category : Literary Criticism
Languages : en
Pages : 201

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Great Plays French and German (Classic Reprint)

Great Plays French and German (Classic Reprint) PDF Author: Brander Matthews
Publisher: Forgotten Books
ISBN: 9780656157990
Category : Drama
Languages : en
Pages : 554

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Excerpt from Great Plays French and German Mtg - have but a single story, that it should take place and be completed within a single day, and that it should be shown in a single scene. These rules were the result of the speculative spirit of Italian scholarship, but they were adopted eagerly in France and applied rigorously. They were supposed to be contained in Aristotle's treatise on Poetry, but only one of them is to be found there. Aristotle did declare that every work of art should have a single subject, a unity 'of theme; but he did not prescribe any limitations of either time or place; and the great Greek dramatists (from a study of whose masterpieces the great Greek critic deduced his precepts) have left us plays in which there are violations of these alleged unities of time and of place. From Italy and from France the theory of the three unities spread to England, only to be rejected by the stalwart common sense of the English poets. It spread to Spain also, but the playwrights there were frankly trying to please the populace. Lope de Vega tells us that when he sat down to write a play he locked up Plautus and Terence out of sight. Why was it that the Rule of the Three Unities, rejected in Spain and England, was adopted in France? Partly can we account for this by the character of the French themselves, by their liking for law and order, by their willingness to have their actions regulated for them, by their inheritance of the Latin tradition. But there is another reason peculiar to France and calling for detailed consideration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Plays, Vol. 1

Plays, Vol. 1 PDF Author: Albert Ellery Bergh
Publisher: Forgotten Books
ISBN: 9780666613486
Category : Drama
Languages : en
Pages : 470

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Book Description
Excerpt from Plays, Vol. 1: By Greek, Spanish, French, German and English Dramatists; With a Special Introduction If we consider Moliere's object in all me numerous plays that emanated from his fertile genius we perceive a constant warfare against vice and folly. And no dramatic author, ancient or modern, launched the shafts of satire against such a variety of vanities and foibles. The Misanthrope is considered by most critics to be Moliere's masterpiece. It has even been character ized as the ideal of classic comedy, comprising, as it does, such immortal types as Alceste, the impatient but far from cynical hero; Célimene, the coquette; Oronte, the fop; Eliante. The rea sonable woman; and Arsinoe, the mischief maker. Moliere is, in the estimation of many critics, the most consummate comic dramatist of modern times. It is in the combination of char acter with intrigue that his genius and creative powers are seen to the greatest advantage. His plays scintillate with wit and abound in humor and frolicsome fun. They are also remarkable for their accurate character-drawing and their astonishing repro duction of humanity at large. Racine began to write when the classical fetters were riveted upon the French stage, and he never made the effort of strug gling with his chains. He was as much of a poet as the prev alcnt taste for artificial forms would permit. He excelled in re finement and harmony of versification, and in delineating the passion of love with truth, suavity, and charm. In Phedra he does not attempt the highest poetry, but the jealous frenzy of the heroine is acknowledged to be a great achievement in pure passion. The play, as a whole, is considered one of the most finished productions of the French drama. It is especially noted for excellence of construction, and artful beauty of verse. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Voltaire's Zaïre and Épîtres

Voltaire's Zaïre and Épîtres PDF Author: Voltaire Voltaire
Publisher: Forgotten Books
ISBN: 9780331856361
Category : Foreign Language Study
Languages : en
Pages : 186

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Book Description
Excerpt from Voltaire's Zaïre and Épîtres: Edited With Introduction and Notes Voltaire has been called the Euripides of the classical French drama. Whether this title is an appropriate one or not may be an open question, but there is no doubt that he was the most prominent dramatist of France during the eighteenth century and one of the most finished and influential writers in the entire range of literature. This edition of one of his most successful dramas, by many considered his best, Zaire, and of a number of his epistles and letters, herewith for the first time pre sented to the public of teachers and students, may therefore be reasonably expected to fill a lack in our courses of French. The tragedy of Zaire was writ ten in conscious imitation of Shakespeare's Othello, and while this circumstance may not add anything to the value of the piece, it is sufficiently interesting to justify the study of the work in all such schools and colleges as look upon a comparative study of litera ture as a valuable and necessary branch of higher education. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.