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Author: Prahlad Keshav Atre
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447054485
Category : Art
Languages : en
Pages : 208
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Book Description
Molieres 'Tartuffe' gehort zu den popularsten Theaterstucken Europas - nicht ohne Grund, denn Heuchler, insbesondere religiose, enttarnt zu sehen ist ein Vergnugen der besonderen Art. Auch in Indien bestand zu keiner Zeit ein Mangel an entsprechenden Studienobjekten, so dass die Adaptation des Stucks durch P.K. Atre (einem der bekanntesten Autoren des indischen Bundesstaats Maharashtra) aus dem Jahr 1963 gut in das Bild kritischer Texte und volkstumlichen Witzes seit dem indischen Mittelalter passt. Die sudasiatische Tartuffe-Version ist fur westliche Leser aus verschiedenen Grunden reizvoll: Tartuffes indisches Gegenstuck ist ein Guru, d.h. er gehort einer Spezies an, die inzwischen auch hierzulande anzutreffen ist. Geschickt hat der Autor das franzosische Szenario des 17. Jh. in das Indien des 20. Jh. eingepasst, naturlich mit einigen charakteristischen Veranderungen. Diese betreffen teils die gesellschaftlichen Verhaltnisse, teils die ausseren Formen der Religiositat, von denen auch einige der altehrwurdigsten von Atres Witz nicht verschont bleiben. Um westlichen Lesern den Einstieg in die hinduistische Welt zu erleichtern, sind der Ubersetzung ausfuhrliche Noten und eine Einfuhrung beigegeben. Fur diejenigen, die ihre Kenntnisse des Mara - h - (der Sprache Maharashtras) aufbessern wollen, enthalt der Band zusatzlich das Original des Stucks.Molieres 'Tartuffe' is one of the most popular plays of Europe - not without reason, because it is a pleasure of the special kind to see unmasked hypocrites - religious in particular. As is the case in Europe, a lack of appropriate study objects also never existed in India. The adaptation of the piece by P.K. Atre (a well-known author of the Indian Federal State Maharashtra) from the year 1963 therefore fits well into the tradition of critical texts and popular jokes since the Indian Middle Ages. The South Asiatic version of Tartuffe is delightful for Western readers for different reasons: Tartuffe's Indian counterpart is a Guru, i.e. he belongs to a species, which can be found also in Europe in the meantime. With great skills the author has adapted the French scenario of the 17th Century into the India of the 20th Century naturally with some characteristic changes. These concern partly social and religious conditions, of which even some of the most patriarchal do not remain exempted from Atres jokes. In order to facilitate the entrance into the Hindu world for western readers, the translation is accompanied by detailed notes and an introduction. For those, who want to improve their knowledge of the Marahi (the language Maharashtras), the volume contains additionally the original of the piece.
Author: Prahlad Keshav Atre
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447054485
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
Molieres 'Tartuffe' gehort zu den popularsten Theaterstucken Europas - nicht ohne Grund, denn Heuchler, insbesondere religiose, enttarnt zu sehen ist ein Vergnugen der besonderen Art. Auch in Indien bestand zu keiner Zeit ein Mangel an entsprechenden Studienobjekten, so dass die Adaptation des Stucks durch P.K. Atre (einem der bekanntesten Autoren des indischen Bundesstaats Maharashtra) aus dem Jahr 1963 gut in das Bild kritischer Texte und volkstumlichen Witzes seit dem indischen Mittelalter passt. Die sudasiatische Tartuffe-Version ist fur westliche Leser aus verschiedenen Grunden reizvoll: Tartuffes indisches Gegenstuck ist ein Guru, d.h. er gehort einer Spezies an, die inzwischen auch hierzulande anzutreffen ist. Geschickt hat der Autor das franzosische Szenario des 17. Jh. in das Indien des 20. Jh. eingepasst, naturlich mit einigen charakteristischen Veranderungen. Diese betreffen teils die gesellschaftlichen Verhaltnisse, teils die ausseren Formen der Religiositat, von denen auch einige der altehrwurdigsten von Atres Witz nicht verschont bleiben. Um westlichen Lesern den Einstieg in die hinduistische Welt zu erleichtern, sind der Ubersetzung ausfuhrliche Noten und eine Einfuhrung beigegeben. Fur diejenigen, die ihre Kenntnisse des Mara - h - (der Sprache Maharashtras) aufbessern wollen, enthalt der Band zusatzlich das Original des Stucks.Molieres 'Tartuffe' is one of the most popular plays of Europe - not without reason, because it is a pleasure of the special kind to see unmasked hypocrites - religious in particular. As is the case in Europe, a lack of appropriate study objects also never existed in India. The adaptation of the piece by P.K. Atre (a well-known author of the Indian Federal State Maharashtra) from the year 1963 therefore fits well into the tradition of critical texts and popular jokes since the Indian Middle Ages. The South Asiatic version of Tartuffe is delightful for Western readers for different reasons: Tartuffe's Indian counterpart is a Guru, i.e. he belongs to a species, which can be found also in Europe in the meantime. With great skills the author has adapted the French scenario of the 17th Century into the India of the 20th Century naturally with some characteristic changes. These concern partly social and religious conditions, of which even some of the most patriarchal do not remain exempted from Atres jokes. In order to facilitate the entrance into the Hindu world for western readers, the translation is accompanied by detailed notes and an introduction. For those, who want to improve their knowledge of the Marahi (the language Maharashtras), the volume contains additionally the original of the piece.
Author: David Bradby
Publisher: Cambridge University Press
ISBN: 1139827294
Category : Drama
Languages : en
Pages : 11
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Book Description
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
Author: Heidrun Brückner
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447059169
Category : History
Languages : en
Pages : 200
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Book Description
The book consists of a collection of essays on aspects of Tulu oral literature and its cultural and religious context. Taking sung poetic ritual texts from the west coast of South India (coastal Karnataka) as her starting point, the author addresses the relationship between text structure and the social and geographical distribution of particular local and subregional cults; questions of gender and genre, of the correlation between narrative and ritual dramatization especially with respect to death, and of success and failure of rituals in the local perception. One essay studies features of South Indian popular cults in a wider perspective. Two of the nine essays discuss historical material relating to Basel Mission activities in the area and compare texts collected in the 19th century with versions collected by the author in the 1980s. The last paper provides a short synopsis of the author's 1995 German monograph on the topic.
Author: Sukla Chatterjee
Publisher: Routledge
ISBN: 042994439X
Category : Social Science
Languages : en
Pages : 240
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Book Description
In the colonial context of South Asia, there is a glaring asymmetry in the written records of the interaction between the Bengali women and their European counterparts, which is indicative of the larger and the overall asymmetry of discursive power, including the flow and access to information between the colonizers and their subjects. This book explores the idea of gazing through literature in Colonial India. Based on literary and historical analysis, it focuses on four different genres of literary writing where nineteenth-century Bengali women writers look back at the British colonizers. In the process, the European culture becomes a static point of reference, and the chapters in the book show the ideological, social, cultural, political, and deeper, emotional interactions between the colonized and the colonizer. The book also addresses the lack of sufficient primary sources authored by Bengali women on their European counterparts by anthologizing different available genres. Taking into account literary narratives from the colonized and the less represented side of the divide, such as a travelogue, fantasy fiction, missionary text and journal articles, the book represents the varying opinions and perspectives vis-à-vis the European women. Using an interdisciplinary approach charting the fields of Indology, colonial studies, sociology, literature/literary historiography, South-Asian feminism, and cultural studies, this book makes an important contribution to the field of South Asian Studies, studies of empire, and to Indian women’s literary history.
Author: Kedar Arun Kulkarni
Publisher: Bloomsbury Publishing
ISBN: 9354351816
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
World Literature and the Question of Genre in Colonial India describes the way Marathi literary culture, entrenched in performative modes of production and reception, saw the germination of a robust, script-centric dramatic culture owing to colonial networks of literary exchange and the newfound, wide availability of print technology. The author demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers and translators. These people participated in global conversations that left their mark on theory in the early twentieth century. Reading through archives and ephemera, Kedar Arun Kulkarni illustrates how literary cultures in colonised locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.
Author: Jane Plastow
Publisher: Cambridge University Press
ISBN: 9780521634434
Category : Drama
Languages : en
Pages : 230
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Book Description
This book focuses on how theatre can make and has made positive political and social interventions.
Author: DK
Publisher: Penguin
ISBN: 0744034671
Category : History
Languages : en
Pages : 512
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Book Description
The entire course of history is revisited in this unique and unforgettable visual guide. The most memorable moments and significant events of each year are charted in a definitive timeline that runs throughout the book. From the ancient origins of our earliest African ancestors right up to our modern world today, Timelines of History includes a diverse range of people, cultures, and countries. Ideas, inventions, and innovations come together to provide a truly global view of history. Dramatic photography, eye-catching maps, and supporting graphics bring history to life as never before. The instantly accessible, multi-layered timeline enables you to move effortlessly through the ages. This essential reference strikes a balance between being completely comprehensive, but also ideal for browsing, thanks to the organized structure, chronological order, and bitesize information. This celebratory compendium makes an outstanding addition to any family library, enabling you to dip into the past any time you like.
Author: All India Radio (AIR), New Delhi
Publisher: PRASAR BHARATI CENTRAL ARCHIVES
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 70
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Book Description
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 07-12-1934 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 70 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 33-70 VOLUME NUMBER: Vol. VIII, No. 24 Document ID: IRT-1933-34 (J-J)Vol-I-24
Author: Catharina Kiehnle
Publisher:
ISBN:
Category : Bhakti
Languages : en
Pages : 368
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Book Description
Author: Robert Jones Burdette
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 510
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Book Description
