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Author: Richard Barnhart
Publisher:
ISBN:
Category : Manuscripts, Chinese
Languages : en
Pages : 0
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Author: Richard Barnhart
Publisher:
ISBN:
Category : Manuscripts, Chinese
Languages : en
Pages : 0
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Book Description
Author: John James Audubon
Publisher:
ISBN:
Category : Mammals
Languages : en
Pages : 324
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Book Description
Author: Jeffrey F. Hamburger
Publisher: Giles
ISBN: 9781911282860
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
Author: Jordana Pomeroy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
The Extraordinary Selection of paintings reproduced in this stunning book -- all by western European women artists -- has been drawn from the unrivaled collection of the State Hermitage Museum in St. Petersburg, Russia, and is published here as part of the international celebrations to mark the city's 300th anniversary. An Imperial Collection explores how women as patrons, artists, and subjects contributed to the cultural history of Russia. Eminent families formed collections and created artistic commissions that brought women artists to Russia and extended the influence of western European art at the royal court of the tsars. Some women artists were allowed into the inner circles of the court, providing an "insider" view into the private, intimate side of imperial life. Artists whose work is explored in the book include Elisabeth Louise Vigee-Lebrun, who from 1795 to 1801 found refuge in St. Petersburg after the French Revolution forced her to flee her own country; French sculptor Marie-Anne Collot, whose numerous works for Catherine the Great included the monumental head for the sculpture of Peter the Great, now one of the great landmarks of St. Petersburg; and Angelica Kauffman, one of the few eighteenth-century women painters to tackle the challenging field of history painting, often with a heightened sensitivity to female roles. This book is essential reading for anyone interested in women artists, the history of Russian patronage of the arts, and Russian imperial history and culture. Book jacket.
Author: Sotheby's Hong Kong, Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
Author: Nicole T. C. Chiang
Publisher: Hong Kong University Press
ISBN: 988852805X
Category : Art
Languages : en
Pages : 167
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Book Description
In this stunning reassessment, Nicole T. C. Chiang argues that the famous Qianlong art collection is really ‘the collection of the imperial household in the Qianlong reign’. The distinction is significant because it strips away the modern, Eurocentric preconceptions that have led scholars to misconstrue the size of the collection, the role of nationalism in its formation, the distinction between art and artifact, and the actual involvement of the emperor in assembling the collection. No one interested in Chinese art will be able to ignore the ramifications of this important study. Emperor Qianlong’s Hidden Treasures: Reconsidering the Collection of the Qing Imperial Household argues that the size of the collection was actually smaller than previously stated. Moreover, the idea that the collection put the whole of the empire on display (and thereby promoted political unity) does not square with the reality that most of the collection was hidden away. Instead, the collection was primarily for the emperor’s gaze alone. Chiang further explains that the collection was largely the product of work done by many specialists working at the Qianlong court, noting that the emperor often assumed a more supervisory role. Preliminary drawings, patterns, models, and prototypes of the items made in the imperial workshops also formed an important part of the collection, as they served to establish standardized models used to run the imperial household. The collection was thus both broader and narrower than previously stated. ‘Chiang has identified many misguided assumptions about the Qing imperial collection. In their place, she proposes a new definition of an imperial collection that does not give primacy to art objects. This bold revisionist thesis may be controversial, but it is important and deserves to be read widely for this exact reason.’ —Dorothy Ko, Barnard College, Columbia University ‘Chiang makes a new argument which will contribute to the literature on Qing imperial art. She shows that a distinction should be made between the Qianlong emperor’s activities in commissioning objects from the palace workshop and his activities in accumulating, assessing, and cataloguing objects that went into what she calls the “imperial household collection.” This work will attract wide attention from scholars in art history.’ —Evelyn S. Rawski, University of Pittsburgh
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 133
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Book Description
Author: Jeannette Shambaugh Elliot
Publisher: University of Washington Press
ISBN: 0295801387
Category : Art
Languages : en
Pages : 178
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Book Description
The Odyssey of China's Imperial Art Treasures traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally. The narrative follows the gradual formation of the Peking Palace Museum in 1925, then its hasty fragmentation as large parts of the collection were moved perilously over long distances to escape wartime destruction, and finally its formal division into what are today two Palace Museums-one in Beijing, the other in Taipei. Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals- a saga that continues today. This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. Its tales of palace intrigue will fascinate a wide variety of readers.
Author: Thomas Lera
Publisher: Smithsonian Institution
ISBN: 1935623346
Category : Antiques & Collectibles
Languages : en
Pages : 600
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Book Description
A quiet philatelist, George H. Kaestlin joined the original Rossika Society in 1935 along with the better known Theo B. Lavroff and K. Szymanowski. Whereas Lavroff contributed significantly to Russian philately as an author and researcher and Szymanowski was an avid collector, Kaestlin collected privately. Born in Moscow, circa 1893, Kaestlin arrived in England in 1939. After World War II, When the original Rossika dissolved, he did not join the newly reconstituted Rossica Society of the United States. He never wrote for any philatelic magazine, never joined the London-based British Society of Russian Philately, and never showed his material at any exhibition. Thus he managed to elude notice in the literature of the times and receded into obscurity. Kaestlin’s exceedingly remarkable contribution, however, is found in the quality and scope of his collection and in the preservation of the treasures he acquired (many from the legendary Fabergé collection). Kaestlin’s attention to detail and fastidious collecting habits are evident in the layout and handwriting in his albums. His collection, donated to the Smithsonian Institution in 1984 by his niece Vera Madeleine Kaestlin-Bock, includes more than 1,250 album pages on which he organized more than 14,000 Imperial Russian and zemstvo stamps. The quality of the stamps is outstanding. With the publication of this book, Kaestlin can finally take his place among the greats of Russian philately. The G.H. Kaestlin Collection of Imperial Russian and Zemstvo Stamps is one of the greatest museum collections outside of Russia.
