An Illustrated Speculum Humanae Salvationis PDF Download
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Author: Melinda Nielsen
Publisher: BRILL
ISBN: 9004499075
Category : Religion
Languages : en
Pages : 501
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Book Description
Speculum Humanae Salvationis was one of the most popular works of medieval scriptural exegesis. It appears here for the first time in a full transcription and English translation, including an apparatus of biblical references and notes on the visual iconography.
Author: Melinda Nielsen
Publisher: BRILL
ISBN: 9004499075
Category : Religion
Languages : en
Pages : 501
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Book Description
Speculum Humanae Salvationis was one of the most popular works of medieval scriptural exegesis. It appears here for the first time in a full transcription and English translation, including an apparatus of biblical references and notes on the visual iconography.
Author: Adrian Wilson
Publisher:
ISBN: 9780520051942
Category : Architecture
Languages : en
Pages : 229
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Book Description
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
Author: Kimberly J. Vrudny
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
The Speculum humanae salvationis (Mirror of Human Salvation), a medieval book recounting in forty-five chapters the story of human redemption within the larger context of the Virgin Mary's life, was something of a best seller in the Middle Ages, surviving in over 400 copies. Because the author wrote anonymously, however, little about the book's initial context is known despite a century's-long effort to uncover the author's identity. Friars, Scribes, and Corpses investigates a Marian confraternal setting for the Speculum's emergence, and newly proposes consideration of Nicola da Milano as the poem's author. Its central chapters show how the scribes who copied the Speculum preserved the author's rhetorical considerations that served so well the purposes of Marian confraternal preaching, including elements that suit memory training techniques used in the Middle Ages, such as building an architectural structure in one's mind, tagging memories with emotion, and internalizing the transformative nature of spiritual lessons. The final chapter asserts that the poem's lessons would have been particularly desired in the context of plague, when the number of corpses threatened to destroy people's faith in a merciful God. Friars, Scribes, and Corpses challenges assumptions about the Speculum, as well as the dominantly held view that there was an overwhelming emphasis on death in the late medieval period. Rather, this book demonstrates that there was a competing emphasis on life as glimpsed in the glass of the Speculum.
Author: Elina Gertsman
Publisher: Cambridge University Press
ISBN: 1108340814
Category : History
Languages : en
Pages : 254
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Book Description
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.
Author: Susan L. Green
Publisher: Routledge
ISBN: 1351187619
Category : Art
Languages : en
Pages : 325
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Book Description
This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family’s heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.
Author: Bert Cardon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 504
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Book Description
(Peeters 1996)
Author: Shirley N. Blum
Publisher: Univ of California Press
ISBN: 0520337484
Category : Art
Languages : en
Pages : 357
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Author: Joseph Cundall
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 152
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Book Description
Author: Dagmar Eichberger
Publisher: Brepols Publishers
ISBN: 9782503545509
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
Visual Typology in early Modern Europe: Continuity and Expansion is the first study that examines the varied manifestations of typological thinking in diverse media of the visual arts from the Late Middle Ages through the seventeenth century in Germany, The Netherlands, Italy, and France. This study counteracts the underlying misconception that typology was in decline or even ceased to exist in the sixteenth century. The studies within this volume offer new interpretations that redefine what is meant by typological thinking in the early modern period. Typological thinking informs traditional pre-figurations, as well as more broadly associative interconnections between the Old Testament, classical texts, and even natural history, in relation to the New Testament. Typological thought permeates religious and secular visual culture during the period under consideration and this collection of essays reveals the continuing relevance and expansion of typological patterns for the visual arts, with particular emphasis on innovations in the sixteenth century. In the course of the sixteenth century typology became more complex and flexible, and came under the influence of the writings of Protestant and Catholic reformers, and also derived new secular and political analogies. Each essay offers a different interpretation of typological thinking. The typological manuals that were written in the course of the Late Middle Ages remain the basis for many artistic projects in illuminated manuscripts, stained glass windows, sculpture, and painting. By the sixteenth century, the notion of type and antitype was so well embedded in thought that artists such as Brueghel and Lucas van Leyden implicitly evoked typological relationships. Before the Council of Trent, more allusive interpretations led to unorthodox pairings of images from secular and religious contexts. In the first half of the sixteenth century new relationships were developed by Protestant commentators. After the Council of Trent the Catholic Church returned to more traditional typological forms and established new guidelines for reading devotional images. Nonetheless, artists continued to pursue unorthodox, innovative pairings.
Author: Hana Videen
Publisher: Princeton University Press
ISBN: 069123275X
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.
