An exploration into the influence of Hesychasm on art in Byzantium and Russia, during the fourteenth century PDF Download
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Author: Lara Chadd
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 98
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Book Description
Author: Lara Chadd
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 98
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Book Description
Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
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Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Author: Anita Strezova
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 930
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Book Description
The aim of this research is to explore the possible relationship between the religious movement of hesychasm and the development of new artistic trends in Byzantine and Slavic lands during the Palaeologan period (1261-1453). This research also investigates the background currents, circumstances and persons which impelled the outbreak of the hesychast controversy. It further examines the doctrinal views of both hesychasts and humanists and considers the iconographical and stylistic changes in the Christian art of 14th and 15th centuries. Three compositions depicting three major feasts, the Transfiguration, the Anastasis and the Trinity, are selected as case studies to illustrate the transformations of art that occurred during the Palaeologan period. Combined methods of analysis are used in this thesis, including broader sociological and theological methods, with emphasis on several key issues, such as the cultural context, the thematic content, the aesthetic status and the theological role of images within theological discourse. However, formal and iconographical analyses are the principal means for study of the qualities, nature and history of the selected compositions.
Author: Anita Strezova
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
2Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.3 Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University.
Author: Andreas Andreapoulos
Publisher: Routledge
ISBN: 1134936699
Category : Religion
Languages : en
Pages : 185
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Book Description
Religion and spirituality are key aspects of the contemporary art scene. Following Ronald Barthes' 'death of the author' - which argued for the dissociation of work from creator - works of art have withdrawn as independent objects, giving way to a growing religious awareness or practice. 'Art and Theology' examines the connection between art and religion in ancient Jewish drama, Greek tragedy, the Renaissance, the Byzantine icon and the medieval cathedral. The book explores how art lost its sacred character in the late Middle Ages and how the current withdrawal or 'death' of art and the fusion of the limits of art and life are consistent with the medieval view of the religious icon.
Author: Jenifer M. Dye
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 90
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Book Description
Author: Stanford (Calif.). Committee for Art
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 40
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Book Description
Author: Gerol'd I. Vzdornov
Publisher: BRILL
ISBN: 9004305270
Category : Art
Languages : en
Pages : 446
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Book Description
The first study to trace the emergence of the art historical interest in icon painting in the nineteenth century with its evident impact on the course of Russian modernism in the twentieth century.
Author: Angeliki Lymberopoulou
Publisher: Cambridge University Press
ISBN: 1108850863
Category : History
Languages : en
Pages : 1095
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Book Description
The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean – Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.
Author: Charles Barber
Publisher: BRILL
ISBN: 9047431618
Category : Art
Languages : en
Pages : 224
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Book Description
Studies of the icon in Byzantium have tended to focus on the iconoclastic era of the eighth- and ninth-centuries. This study shows that discussion of the icon was far from settled by this lengthy dispute. While the theory of the icon in Byzantium was governed by a logical understanding that had limited painting to the visible alone, the four authors addressed in this book struggled with this constraint. Symeon the New Theologian, driven by a desire for divine vision, chose, effectively, to disregard the icon. Michael Psellos used a profound neoplatonism to examine the relationship between an icon and miracles. Eustratios of Nicaea followed the logic of painting to the point at which he could clarify a distinction between painting from theology. Leo of Chalcedon attempted to describe a formal presence in the divine portrait of Christ. All told, these authors open perspectives on the icon that enrich and expand our own modernist understanding of this crucial medium.
