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Author: April Lamm
Publisher: MIT Press
ISBN: 3956792882
Category : Art
Languages : en
Pages : 0
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Book Description
Essays and portraits on the career and influence of curator Hans Ulrich Obrist. Hans Ulrich Obrist is the Kim Kardashian of the art world. That sounds absurd to those of you who know him. But there are many who know just his name or just his initials, HUO. This book is here to tell you more. What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke (and the Kardashians). But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it. Contributors Etel Adnan, Manthia Diawara Sophia Al-Maria, Etel Adnan, Ed Atkins, Alan Pauls, Dominique Gonzalez-Foerster, D. T. Max, Jacques Herzog, Joseph Grigely, Yoko Ono, Ho Rui An, Michael Diers, Douglas Coupland, Bruce Altshuler, Agnès Varda, Andrew Durbin, Sophie Collins, Daniel Birnbaum, Boris Groys, Bruno Latour, Adam Thirlwell, Wong Hoy Cheong, Raqs Media Collective, Michael Bracewell, and Stefano Boeri. Portraits of HUO by Alex Katz, Jimmie Durham, Adrián Villar Rojas, Pascale Marthine Tayou, Cui Jie, Gerhard Richter, Giorgio Griffa, Sophia Al-Maria, Jamian Juliano Villani, Torbjørn Rødland, Simone Fattal, and Monir Shahroudy Farmanfarmaian
Author: April Lamm
Publisher: MIT Press
ISBN: 3956792882
Category : Art
Languages : en
Pages : 0
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Book Description
Essays and portraits on the career and influence of curator Hans Ulrich Obrist. Hans Ulrich Obrist is the Kim Kardashian of the art world. That sounds absurd to those of you who know him. But there are many who know just his name or just his initials, HUO. This book is here to tell you more. What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke (and the Kardashians). But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it. Contributors Etel Adnan, Manthia Diawara Sophia Al-Maria, Etel Adnan, Ed Atkins, Alan Pauls, Dominique Gonzalez-Foerster, D. T. Max, Jacques Herzog, Joseph Grigely, Yoko Ono, Ho Rui An, Michael Diers, Douglas Coupland, Bruce Altshuler, Agnès Varda, Andrew Durbin, Sophie Collins, Daniel Birnbaum, Boris Groys, Bruno Latour, Adam Thirlwell, Wong Hoy Cheong, Raqs Media Collective, Michael Bracewell, and Stefano Boeri. Portraits of HUO by Alex Katz, Jimmie Durham, Adrián Villar Rojas, Pascale Marthine Tayou, Cui Jie, Gerhard Richter, Giorgio Griffa, Sophia Al-Maria, Jamian Juliano Villani, Torbjørn Rødland, Simone Fattal, and Monir Shahroudy Farmanfarmaian
Author: Lucia Farinati
Publisher: Taylor & Francis
ISBN: 1040119476
Category : Art
Languages : en
Pages : 331
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Book Description
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
Author: Daniel Birnbaum
Publisher:
ISBN: 9781933128283
Category : Phenomenology
Languages : en
Pages : 0
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Book Description
Daniel Birnbaum¿s The Hospitality of Presence is a study of the concept of otherness in Edmund Husserl¿s phenomenology. In the late 1990s it gained international attention in academic circles. It was reviewed favorably in specialized philosophy journals such as Review of Metaphysics and quoted extensively, most notably by Paul Ricoeur in one of the legendary French thinker¿s last books. It has long been out of print. Birnbaum¿s study explores Husserl¿s theory of temporality and his conception of the Other. The reason for examining these two issues together is that they appear to be closely related and that they illuminate not only each other but also phenomenology¿s understanding of what it is to be a subject. In opposition to the commonly held view that the idea of a ¿decentered¿ and open subject has developed subsequently to and partly as a critique of Husserl¿s position, this study endeavors to show that his notion of subjectivity is based on a highly sophisticated notion of alterity. The book provides a theoretical framework to Birnbaum¿s more aphoristic essay Chronology (2005, new edition 2007). Daniel Birnbaum who has written extensively about contemporary art from a theoretical perspective has, since more than a decade, a close working relationship with Danish artist Olafur Eliasson who has produced a special project for this new edition. The book also contains a preface by Hans Ulrich Obrist, a ¿speculative note¿ on the limits of phenomenology by philosopher Sven-Olov Wallenstein and a new introduction by the author.
Author: Hans Ulrich Obrist
Publisher: Sternberg Press
ISBN:
Category : Art, Modern
Languages : en
Pages : 136
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Book Description
Writings from 1990-2006 by visionary curator Hans Ulrich Obrist.
Author: Patrick Gale
Publisher: Open Road Media
ISBN: 1504036557
Category : Fiction
Languages : en
Pages : 230
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Book Description
Four siblings discover truths about their late mother, a troubled artist—and themselves—in this “uplifting, immensely empathetic novel” (The Guardian). Gifted painter Rachel Kelly lived a life of manic highs and suicidal lows. Her husband, a gentle, devout Quaker, gave her a safe haven where she could create and be herself, but her mental illness still took its toll on her family. Now, after a fatal heart attack, a retrospective of Rachel’s work attracts art lovers who marvel at her skill, but her grown children are busy coping with the shattering effects of her death—and her life. Her eldest son has been bequeathed a letter that shakes him to his core. Another son reflects on the years he spent trying not to upset his mother’s delicate equilibrium while negotiating his own relationship with his lover. The youngest son was much beloved by Rachel, for reasons not everyone knows. And Rachel’s only daughter seems to have inherited her talent—but also her demons. Set against the wild and beautiful landscape of Cornwall, this novel by the acclaimed author of A Place Called Winter and A Perfectly Good Man shifts back and forth in time and place as it moves effortlessly between characters, offering a revealing window into the symbiotic relationship between genius and mental illness and the effects both have on maternal love and the creation of enduring art. In the words of Armistead Maupin, “few writers have grasped the twisted dynamics of family the way Gale has. There’s really no one he can’t inhabit, understand, and forgive.”
Author: Hans-Ulrich Obrist
Publisher: National Geographic Books
ISBN: 3943365956
Category : Art
Languages : en
Pages : 0
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Book Description
With an ode by Olafur Eliasson Following Everything You Always Wanted to Know About Curating* *But Were Afraid to Ask, this second volume in the series on international curator Hans Ulrich Obrist presents a selection of his key writings from the past two decades, which elaborate on the manifold thinkers, curators, and events that influence his interdisciplinary practice of exhibition making. The collected essays form the compartments of Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.
Author: Hans Ulrich Obrist
Publisher: Penguin UK
ISBN: 0718194217
Category : Art
Languages : en
Pages : 162
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Book Description
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
Author: Hans-Ulrich Obrist
Publisher: MIT Press
ISBN: 1915609356
Category : Art
Languages : en
Pages : 0
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Book Description
Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume. For over five decades, Simone Fattal (b. 1942, Damascus) has eschewed any singular form or subject in her wide-ranging practice. In this deeply personal volume, Fattal’s close friend and confidante Hans Ulrich Obrist delves into the artist’s past to explore the remarkable breadth of her body of work. After studying philosophy, first in Beirut and then Paris, Fattal returned to Beirut in 1969 and began life as a painter—creating sensuous abstract works that diverged from the predominantly figurative paintings commonly exhibited in Lebanon at the time. In 1980, after a decade spent in Lebanon as a painter, Fattal fled the civil war, abandoned her painting practice, and settled in Sausalito, California, where she founded the revolutionary publishing house Post-Apollo Press. In 1988, after studying sculpture in San Francisco, Fattal was consumed by another wave of creativity that led her to pursue ceramic sculptures—a medium in which she continues to work to this day from her studio in Paris. Alongside prose and interviews with Fattal by Obrist, a foreword by Dr. Omar Kholeif situates Fattal’s early practice in the broader schema of art to emerge in West Asia, while an afterword by Rasha Salti delves into the influence of European and Arabic mythology on Fattal’s artmaking. Published by Sternberg Press in collaboration with artPost21
Author: Liu Ye
Publisher: David Zwirner Books
ISBN: 9781644230367
Category : Art
Languages : en
Pages : 176
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Book Description
Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that feels both alien and familiar. Liu's Book Painting series, begun in 2013, depicts closeup views of books that are turned open to reveal empty pages, a strategy that emphasizes the object’s formal qualities over its content. Intimately scaled, these paintings indicate an appreciation of the book as an object, as well as a love of literature—Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu and an interview with the artist by Hans Ulrich Obrist.
Author:
Publisher:
ISBN:
Category : Automobiles
Languages : en
Pages : 862
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Book Description
