An Essay to the Advancement of Musick, by Casting Away the Perplexity of Different Cliffs. And Uniting All Sorts of Musick ... in One Universal Character ... [With Preface by John Birchensha]. PDF Download
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Author: Thomas Salmon
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Languages : en
Pages :
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![An Essay to the Advancement of Musick, by Casting Away the Perplexity of Different Cliffs. And Uniting All Sorts of Musick ... in One Universal Character ... [With Preface by John Birchensha]. PDF](https://books.google.com/books/content/images/frontcover/V49-PAAACAAJ?fife=w80-h100)
Author: Thomas Salmon
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ISBN:
Category :
Languages : en
Pages :
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Author: Thomas 1648-1706 Salmon
Publisher: Legare Street Press
ISBN: 9781014828811
Category :
Languages : en
Pages : 140
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668442
Category : Music
Languages : en
Pages : 300
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Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Author: Benjamin Wardhaugh
Publisher: Routledge
ISBN: 1351561588
Category : Music
Languages : en
Pages : 342
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John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma musica detailed synopsis for Syntagma musichich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
Author: Thomas Salmon
Publisher:
ISBN:
Category : Musical notation
Languages : en
Pages : 92
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Author: Thomas Salmon (Kapitän, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
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Author: Jeffrey Pulver
Publisher: London : K. Paul, Trench, Trubner & Company, Limited, J. Curwen & sons, Limited ; New York : E. P. Dutton & Company
ISBN:
Category : Music
Languages : en
Pages : 566
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Author: Edmund S. J. van der Straeten
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 406
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Author: Rosamond Evelyn Mary Harding
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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