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Author: E. Pemberton
Publisher:
ISBN:
Category : Dance
Languages : en
Pages :
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![An Essay for the Further Improvement of Dancing [by] E. Pemberton PDF](https://books.google.com/books/content/images/frontcover/ep5JcgAACAAJ?fife=w80-h100)
Author: E. Pemberton
Publisher:
ISBN:
Category : Dance
Languages : en
Pages :
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Author: E. Pemberton
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 114
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Book Description
This is a collection of dances with music in Feuillet notation by numerous eighteenth-century dancing masters including Thomas Caverley, Anthony l'Abbee, Louis-Guillaume Pecour, and Josiah Priest. Designed for the young ladies of a boarding school, the collection includes country dances, "Borě," "Jigge," and several group dances including country dances and figured minuets.
Author: E. Pemberton
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 10
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Author: E Pemberton
Publisher: Gale Ecco, Print Editions
ISBN: 9781385709467
Category :
Languages : en
Pages : 74
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T144369 With a list of subscribers. London: printed and sold by J. Walsh, J. Hare, and at the author's next the Fire-Office in St. Martin's-Lane, 1711. [10]p., plates: engr.music; 4°
Author: Joshua R. LeHuray
Publisher: McFarland
ISBN: 1476662843
Category : Music
Languages : en
Pages : 195
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Book Description
Music was everywhere in pre-Revolutionary Williamsburg, Virginia. In 1771, plantation owner Landon Carter noted in his diary that he could hear instruments through the windows of every house in town. In taverns and private homes, at formal performances and dances and casually around the campfire, music filled the daily lives of the people of Williamsburg. While the average citizen enjoyed music during public events, the city's elite, emulating their British counterparts, spent lavishly on instruments, sheet music and private lessons and held private concerts and dances. Williamsburg's theater, the first of its kind in America, provided a venue for all Virginians and brought numerous musical acts to the stage. Drawing on contemporary newspaper accounts, this book is the first to explore how some 18th-century Williamsburg citizens experienced the growing musical world around them.
Author: Berta Joncus
Publisher: Rutgers University Press
ISBN: 1644531259
Category : Biography & Autobiography
Languages : en
Pages : 723
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Book Description
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Susan Foster
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293
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"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
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Book Description
![A Catalogue of ... [books] ... PDF](https://books.google.com/books/content/images/frontcover/Bz01FqbyBawC?fife=w80-h100)
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
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Author: E. Pemberton
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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