An Auteurist History of Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Auteurist History of Film PDF full book. Access full book title An Auteurist History of Film by Charles Silver. Download full books in PDF and EPUB format.
Author: Charles Silver
Publisher: Museum of Modern Art, New York
ISBN: 9780870709777
Category : Auteur theory (Motion pictures)
Languages : en
Pages : 256
Get Book Here
Book Description
From 2009 to 2014, The Museum of Modern Art presented a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris's seminal book The American Cinema, which elaborated on the "auteur theory" first developed by the critics of Cahiers du Cinéma in the 1950s, the series presented works from MoMA's expansive film collection, with a particular focus on the role of the director as artistic author. Film curator Charles Silver wrote a blog post to accompany each screening, describing the place of each film in the oeuvre of is director as well as the work's significance in cinema history. Following the end of the series' five-year run, the Museum collected these texts for publication, and is now bringing together Silver's insightful and often humorous readings in a single volume. This publication is an invaluable guide to key directors and movies as well as an excellent introduction to auteur theory. -- from back cover.
Author: Charles Silver
Publisher: Museum of Modern Art, New York
ISBN: 9780870709777
Category : Auteur theory (Motion pictures)
Languages : en
Pages : 256
Get Book Here
Book Description
From 2009 to 2014, The Museum of Modern Art presented a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris's seminal book The American Cinema, which elaborated on the "auteur theory" first developed by the critics of Cahiers du Cinéma in the 1950s, the series presented works from MoMA's expansive film collection, with a particular focus on the role of the director as artistic author. Film curator Charles Silver wrote a blog post to accompany each screening, describing the place of each film in the oeuvre of is director as well as the work's significance in cinema history. Following the end of the series' five-year run, the Museum collected these texts for publication, and is now bringing together Silver's insightful and often humorous readings in a single volume. This publication is an invaluable guide to key directors and movies as well as an excellent introduction to auteur theory. -- from back cover.
Author: John C. Stubbs
Publisher: SIU Press
ISBN: 0809334658
Category : Biography & Autobiography
Languages : en
Pages : 317
Get Book Here
Book Description
Federico Fellini as Auteur: Seven Aspects of His Films offers a comprehensive auteurist study of the renowned Italian director. Film scholar John C. Stubbs dispenses with a traditional film-career review of the man, focusing instead on the key elements of the filmmaker’s style, the influence of Carl Jung and dreams, the autobiographical depiction of childhood and adolescence, the portrait of the artist, the filmmaker’s working relationship with his wife, Fellini’s comic strategies, and his adaptation of works by others. Each of the aspects is fully contextualized. This examination of the critical elements in Fellini films offers a better understanding of the artistry that is uniquely Fellini.
Author: Christopher Beach
Publisher: Univ of California Press
ISBN: 0520284356
Category : Performing Arts
Languages : en
Pages : 246
Get Book Here
Book Description
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century—such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks—this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
Author: John Sanders
Publisher: Oxford University Press, USA
ISBN: 9781903663905
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
A comprehensive introduction to film history, The Film Genre Book allows the reader to create their own narrative of film through history by focusing on seven genres, highlighting a key film from each genre over a ninety-year period--sixty-three films discussed in detail. The reader can trace the developments in a particular genre over time or compare films in a particular decade from the different genres. Each case-study considers issues of historical context, representation and the close textual analysis of significant scenes. Analysing films as diverse as Bambi and Pan's Labyrinth, the book immerses its reader into the full range of film experience. Its breadth of study, and the way in which it bridges the gap between commercial film guides and academic studies, makes it invaluable to teacher, student, and cineaste alike.
Author: Mary Lea Bandy
Publisher: Univ of California Press
ISBN: 0520258665
Category : History
Languages : en
Pages : 344
Get Book Here
Book Description
"This book is a survey of the movie Western that covers its history from the early silent era to recent spins on the genre in films such as No Country for Old Men, There Will Be Blood, True Grit, and Cowboys & Aliens. The authors provide fresh perspectives on landmark films such Stagecoach, Red River, The Searchers, The Man Who Shot Liberty Valance, and The Wild Bunch, and they also pay tribute to many underappreciated Westerns including 3 Bad Men, The Wind, The Big Trail, Ruggles of Red Gap, Northwest Passage, The Westerner, The Furies, Jubal, and Comanche Station. The book explores major phases of the Western's development--silent era oaters, A-production classics of the 1930s and early 1940s, and the more psychologically complex presentations of the Westerner that emerged in the post-World War II period.. They examine various forms of genre-revival and genre-revisionism that have recurred over the past half-century, culminating especially in the masterworks of Clint Eastwood. Central themes of the book include the inner life of the Western hero, the importance of the natural landscape, the tension between myth and history, the depiction of the Native American, and the juxtaposing of comedy and tragedy"--Provided by publisher.
Author: David Thomson
Publisher: Knopf
ISBN: 0593318153
Category : Performing Arts
Languages : en
Pages : 304
Get Book Here
Book Description
From the celebrated film critic and author of The Biographical Dictionary of Film--an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film. Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions on-screen that it is easy to forget the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.
Author: James Morrison
Publisher: Bloomsbury Publishing USA
ISBN: 1501311727
Category : Performing Arts
Languages : en
Pages : 209
Get Book Here
Book Description
The newest volume in the Film Theory in Practice Series, Auteur Theory and My Son John offers a concise introduction to authorship and auteur theory in jargon-free language. The book goes on to show this theory can be deployed to interpret Leo McCarey's notorious but undervalued film My Son John, which critics deemed a clear-cut failure, and the auteurists declared a masterpiece. James Morrison traces the development of auteur theory through its emergence in the pages of the French film journal Cahiers du cinéma and the complex permutations it undergoes subsequently. This history will help students and scholars who are eager to learn more about this important area of film theory. The analysis of My Son John shows how auteur theory enables modes of interpretation and discovers levels of meaning otherwise unavailable.
Author: Andrew Sarris
Publisher: Plume Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 394
Get Book Here
Book Description
Author: Codruţa Morari
Publisher: Berghahn Books
ISBN: 1785335723
Category : Performing Arts
Languages : en
Pages : 204
Get Book Here
Book Description
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Author: Barrett Hodsdon
Publisher: McFarland
ISBN: 1476627886
Category : Performing Arts
Languages : en
Pages : 338
Get Book Here
Book Description
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.
