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Author: Adam Van Doren
Publisher: David R. Godine Publisher
ISBN: 1567924549
Category : Art
Languages : en
Pages : 130
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Book Description
"The city of Venice has always provided an almost irresistible lure for both writers and artists. Henry James loved it, as did Ruskin, Browning, Pound, and Brodsky. For artists, it has been a compulsory magnet since the time of Bellini and Canaletto. By the nineteenth century there was hardly an artist of note -- Whistler and Turner, Sargent and Prendergast, Sickert and Bonington -- who was not seduced by the city's charms, history, and aesthetic heritage. For the depiction of Venice by artists, it's a high bar that s been set, but Adam Van Doren, grandson of the Pulitzer-prize-winning poet Mark Van Doren, convincingly confronts the competition in this charming memoir, a verbal and visual account of his love affair with the city. His story is personal; like all other artists, he sees the city with and through his own eyes, but he is also well-informed historically. He laces his tour with information, opinion, and citation. With Van Doren as guide, the reader's tour of the city is rich and convincing, filled with the presence of illustrious predecessors. With an informed preface by the scholar Theodore Rabb and a charming foreword by Simon Winchester, with 21 full-color drawings by the author/artist, and even six pages of commendably lucid "Notes" on the personalities and structures discussed, this is a book that will proudly take its place alongside the many others that have celebrated this city for centuries."--Publisher description.
Author: Adam Van Doren
Publisher: David R. Godine Publisher
ISBN: 1567924549
Category : Art
Languages : en
Pages : 130
Get Book Here
Book Description
"The city of Venice has always provided an almost irresistible lure for both writers and artists. Henry James loved it, as did Ruskin, Browning, Pound, and Brodsky. For artists, it has been a compulsory magnet since the time of Bellini and Canaletto. By the nineteenth century there was hardly an artist of note -- Whistler and Turner, Sargent and Prendergast, Sickert and Bonington -- who was not seduced by the city's charms, history, and aesthetic heritage. For the depiction of Venice by artists, it's a high bar that s been set, but Adam Van Doren, grandson of the Pulitzer-prize-winning poet Mark Van Doren, convincingly confronts the competition in this charming memoir, a verbal and visual account of his love affair with the city. His story is personal; like all other artists, he sees the city with and through his own eyes, but he is also well-informed historically. He laces his tour with information, opinion, and citation. With Van Doren as guide, the reader's tour of the city is rich and convincing, filled with the presence of illustrious predecessors. With an informed preface by the scholar Theodore Rabb and a charming foreword by Simon Winchester, with 21 full-color drawings by the author/artist, and even six pages of commendably lucid "Notes" on the personalities and structures discussed, this is a book that will proudly take its place alongside the many others that have celebrated this city for centuries."--Publisher description.
Author: Rosie Razzall
Publisher: Royal Collection Editions
ISBN: 9781909741409
Category : Art
Languages : en
Pages : 0
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Book Description
The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.
Author: Augusto Gentili
Publisher:
ISBN: 9780821228135
Category : Art
Languages : en
Pages : 607
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Book Description
Featuring six-hundred captioned full-color reproductions, this critical study of the artwork of Venice features essays by four renowned art historians that capture a rich array of architectural monuments, paintings, and other artworks representing a broad spectrum of styles and periods. 10,000 first printing.
Author: Tom Nichols
Publisher: Laurence King Publishing
ISBN: 9781780678511
Category : Art
Languages : en
Pages : 0
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Book Description
Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture, and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian, and Tintoretto with a licence for artistic invention. This inventiveness however also needs to be understood in relation to the artists and artworks that still conformed to the more traditional, corporate, and public values of "Venetianness"' (Venezianità). By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid and easily navigable study of Venetian Renaissance art. Through close visual analyses of specific works from architecture to illuminated manuscripts, he puts the formative power of art back at the heart of this remarkable story.
Author: Loren Partridge
Publisher: Univ of California Press
ISBN: 0520281799
Category : Art
Languages : en
Pages : 372
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Book Description
"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.
Author: Sheldon Barr
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
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Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Author: Ettore Vio
Publisher:
ISBN: 9781878351586
Category : Architecture
Languages : en
Pages : 0
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Book Description
No church in the West quite compares to St. Mark's in Venice, with its distinctive merging of aspects Eastern and Western, of church and state, of symbolic form and liturgical function. This book introduces readers to an extraordinary building through a combination of authoritative text and spectacular photographs. Each of three general sections ("History and Society," "Architecture and Sculpture," "Mosaics and the Treasury") contains general essays augmented by brief focused discussion of specific objects or themes. More than 250 images provide a rare at details ranging from the tessellated floor through the tombs, marbles, altarpieces, mosaics, sculptures, and treasury objects.
Author: Ian Warrell
Publisher: Tate
ISBN: 9781854374806
Category : Art
Languages : en
Pages : 280
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Book Description
One of the world's most beautiful cities is pictured here through the eyes of one of the world's best-loved artists. J.M.W. Turner's translucent, atmospheric paintings and watercolors of Venice have long been celebrated as among the most extraordinary creations of this popular artist's later career. Few other artists have responded with such imaginative inventiveness to the magical combination of water, light, and architecture that is Venice. This beautifully produced book, which accompanies a traveling exhibition that comes to the Kimbell Art Museum this spring, features the largest selection of Turner's paintings and watercolors of Venice ever published, some reproduced for the first time. The texts include contributions by travel writer Jan Morris and historian David Laven, who bring their perspective to the city as it was when visited by Britain's greatest painter.
Author: Robert Echols
Publisher:
ISBN: 9780300230406
Category : Art
Languages : en
Pages : 0
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Book Description
Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture.--Provided by publisher.
Author: Alastair Ian Grieve
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300084498
Category : Art
Languages : en
Pages : 216
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Book Description
Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in 1879 and remained there for more than a year. He worked in all areas of the city, producing about fifty etchings, a few oils, and, most remarkably, one hundred pastels. This beautifully illustrated book is the first to follow Whistler's progress through Venice as he made his powerful and evocative portraits of the city. Alongside each of Whistler's etchings, pastels, and oils are photographs of the actual sites where he made them. Alastair Grieve's detailed comparisons of Whistler's works and their corresponding sites reveal much about the artist's methods and techniques, about the changing fabric of the city, and about Whistler's genius as a topographical artist. Grieve also compares Whistler's approach with that of other artists and photographers working in Venice at the same time. Whistler arrived in Venice bankrupt in the wake of a sensational libel trial against John Ruskin in London. Venice proved both restorative and transforming for Whistler -- it released a flood of creativity that enabled him to reestablish his finances, his reputation, and to a degree his personal life. His representations of well-known landmarks, including the church of Santa Maria della Salute and the Rialto Bridge, as well as many minor courts, alleys, and back canals, established a new and original iconography of the city. Upon his return to London, Whistler exhibited his Venice works and gradually reassumed a leading place in the Victorian art avant-garde.
