Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300197470
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Artists Under Hitler
Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300197470
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Publisher: Yale University Press
ISBN: 0300197470
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
An Artist Against the Third Reich
Author: Peter Paret
Publisher: Cambridge University Press
ISBN: 9780521821384
Category : Art
Languages : en
Pages : 254
Book Description
The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.
Publisher: Cambridge University Press
ISBN: 9780521821384
Category : Art
Languages : en
Pages : 254
Book Description
The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.
Hitler's Last Hostages
Author: Mary M. Lane
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 231
Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 231
Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Max Liebermann and International Modernism
Author: Marion Deshmukh
Publisher: Berghahn Books
ISBN: 1845456629
Category : Art
Languages : en
Pages : 266
Book Description
Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.
Publisher: Berghahn Books
ISBN: 1845456629
Category : Art
Languages : en
Pages : 266
Book Description
Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.
The Cult of Art in Nazi Germany
Author: Eric Michaud
Publisher: Stanford University Press
ISBN: 9780804743273
Category : Art
Languages : en
Pages : 372
Book Description
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.
Publisher: Stanford University Press
ISBN: 9780804743273
Category : Art
Languages : en
Pages : 372
Book Description
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.
Degenerate Art
Author: Olaf Peters
Publisher: Prestel Publishing
ISBN: 9783791353678
Category : Art, Modern
Languages : en
Pages : 320
Book Description
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Publisher: Prestel Publishing
ISBN: 9783791353678
Category : Art, Modern
Languages : en
Pages : 320
Book Description
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Franz Radziwill and the Contradictions of German Art History, 1919-45
Author: James A. Van Dyke
Publisher: University of Michigan Press
ISBN: 0472116282
Category : Art
Languages : en
Pages : 342
Book Description
An exploration of the career of Franz Radziwill, investigating the question of art in a Nazi context
Publisher: University of Michigan Press
ISBN: 0472116282
Category : Art
Languages : en
Pages : 342
Book Description
An exploration of the career of Franz Radziwill, investigating the question of art in a Nazi context
Culture in Nazi Germany
Author: Michael H. Kater
Publisher: Yale University Press
ISBN: 0300245114
Category : History
Languages : en
Pages : 388
Book Description
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Publisher: Yale University Press
ISBN: 0300245114
Category : History
Languages : en
Pages : 388
Book Description
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
They'll Have to Catch Me First
Author: Irene Awret
Publisher: Univ of Wisconsin Press
ISBN: 0299188337
Category : History
Languages : en
Pages : 352
Book Description
Berlin 1939. A few months after Kristallnacht, eighteen-year old Irene Spicker tries to flee to Belgium but ends up in a Nazi prison. Freed after a few weeks, she tries again—this time, in the dark of night, she successfully crosses the frontier. The Germans invaded Belgium, and Irene was forced into hiding. Constantly on the move, she worked as a farmhand, at one point using false identity papers. Arrested by the Gestapo, she sat in a cellar prison cell destined for transport to Auschwitz. To calm her fears, she made a small detailed drawing of her hand which was to save her life. Incarcerated in the concentration camp in Mechlen, she was assigned to paint signs, posters and numbers for her co-prisoners to wear around their necks. This is Irene Awret’s story of her first twenty-five years, from coming of age in a middle-class Jewish family to Mechlen where she met the young sculptor Azriel Awret, to liberation and freedom once more. Copublished with Dryad Press.
Publisher: Univ of Wisconsin Press
ISBN: 0299188337
Category : History
Languages : en
Pages : 352
Book Description
Berlin 1939. A few months after Kristallnacht, eighteen-year old Irene Spicker tries to flee to Belgium but ends up in a Nazi prison. Freed after a few weeks, she tries again—this time, in the dark of night, she successfully crosses the frontier. The Germans invaded Belgium, and Irene was forced into hiding. Constantly on the move, she worked as a farmhand, at one point using false identity papers. Arrested by the Gestapo, she sat in a cellar prison cell destined for transport to Auschwitz. To calm her fears, she made a small detailed drawing of her hand which was to save her life. Incarcerated in the concentration camp in Mechlen, she was assigned to paint signs, posters and numbers for her co-prisoners to wear around their necks. This is Irene Awret’s story of her first twenty-five years, from coming of age in a middle-class Jewish family to Mechlen where she met the young sculptor Azriel Awret, to liberation and freedom once more. Copublished with Dryad Press.
Hitler and the Power of Aesthetics
Author: Frederic Spotts
Publisher: Harry N. Abrams
ISBN: 9781468316711
Category : History
Languages : en
Pages : 0
Book Description
Available again, the classic, unprecedented look at how the strategies and ideals of the Third Reich were informed by Adolf Hitler's artistic aspirations. "Grimly fascinating . . . A book that will rightly find its place among the central studies of Nazism. . . . Invaluable." --The New York Times
Publisher: Harry N. Abrams
ISBN: 9781468316711
Category : History
Languages : en
Pages : 0
Book Description
Available again, the classic, unprecedented look at how the strategies and ideals of the Third Reich were informed by Adolf Hitler's artistic aspirations. "Grimly fascinating . . . A book that will rightly find its place among the central studies of Nazism. . . . Invaluable." --The New York Times