An Annotated Bibliography of Chinese Painting Catalogues and Related Texts PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Annotated Bibliography of Chinese Painting Catalogues and Related Texts PDF full book. Access full book title An Annotated Bibliography of Chinese Painting Catalogues and Related Texts by Hin-cheung Lovell. Download full books in PDF and EPUB format.
Author: Hin-cheung Lovell
Publisher: University of Michigan Press
ISBN: 0472902210
Category : Reference
Languages : en
Pages : 159
Get Book Here
Book Description
The student of Chinese painting must from time to time consult John C. Ferguson’s Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on. An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form.
Author: Hin-cheung Lovell
Publisher: University of Michigan Press
ISBN: 0472902210
Category : Reference
Languages : en
Pages : 159
Get Book Here
Book Description
The student of Chinese painting must from time to time consult John C. Ferguson’s Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on. An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form.
Author: Hin-cheung Lovell
Publisher: U OF M CENTER FOR CHINESE STUDIES
ISBN: 9780892640164
Category : Reference
Languages : en
Pages : 0
Get Book Here
Book Description
The student of Chinese painting must from time to time consult John C. Ferguson’s Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on. An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form.
Author:
Publisher: Association of Research Libr
ISBN:
Category : Acquisition of foreign publications
Languages : en
Pages : 380
Get Book Here
Book Description
Author: Michael St. Clair
Publisher: Rowman & Littlefield
ISBN: 1611479118
Category : Art
Languages : en
Pages : 245
Get Book Here
Book Description
This book tells the story of how and why millions of Chinese works of art got exported to collectors and institutions in the West, in particular to the United States. As China’s last dynasty was weakening and collapsing from 1860 into the early years of the twentieth century, China’s internal chaos allowed imperial and private Chinese collections to be scattered, looted and sold. A remarkable and varied group of Westerners entered the country, had their eyes opened to centuries of Chinese creativity and gathered up paintings, bronzes and ceramics, as well as sculptures, jades and bronzes. The migration to America and Europe of China’s art is one of the greatest outflows of a culture’s artistic heritage in human history. A good deal of the art procured by collectors and dealers, some famous and others little known but all remarkable in individual ways, eventually wound up in American and European museums. Today some of the art still in private hands is returning to China via international auctions and aggressive purchases by Chinese millionaires.
Author: Harriet T. Zurndorfer
Publisher: BRILL
ISBN: 9004483950
Category : History
Languages : en
Pages : 396
Get Book Here
Book Description
This volume serves as a guide to all facets of China study: from advice on choosing an appropriate literary dictionary to finding the most recent yearbooks that offer statistical data about the contemporary economy. China Bibliography does not restrict itself to one particular 'discipline', but considers the development of Chinese civilization as a whole, from its imperial beginnings to the present, and therefore demonstrates how one would find information about Chinese history, literature, religion, linguistics, collectanea, as well as present day PRC economic and political policies. Because this book also explains how bibliographical data on China has accumulated over the last 300 years (including within China itself), it also may help the reader understand the significance of a particular type of reference work.
Author: William Watson
Publisher: Yale University Press
ISBN: 9780300082845
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
This book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artifacts from prehistoric times to the twentieth century. The Arts of China to A.D. 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around A.D. 900. William Watson discusses in lively detail a wide range of art forms and techniques: porcelain and pottery, lacquer, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. He explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts, and he describes the most important sites, the artifacts that were produced at each one, and the historical interactions between different areas. He discusses the iconography, the technique and the function of every art form. Written by one of the most distinguished scholars in the field of Chinese art and archaeology, this lavishly illustrated book will be a valuable resource for both experts and beginners in the field.
Author: Östasiatiska museet
Publisher:
ISBN:
Category : China
Languages : en
Pages : 624
Get Book Here
Book Description
Author: Craig Clunas
Publisher: Reaktion Books
ISBN: 1780231407
Category : Art
Languages : en
Pages : 250
Get Book Here
Book Description
Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy – relatives of the emperors – in Ming dynasty China (1368–1644). Through an analysis of their patronage of architecture, calligraphy, painting and other art forms, and through a study of the contents of their splendid and recently-excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s culture, from which they have been excluded until very recently. Screen of Kings challenges much of the received wisdom about Ming China. Craig Clunas sheds new light on many familiar artworks, as well as work that have never before been reproduced. New archaeological discoveries have furnished the author with evidence of the lavish and spectacular lifestyles of these provincial princes and demonstrate how central the imperial family was to the high culture of the Ming era. Written by the leading specialist in the art and culture of the Ming period, this book will illuminate a key aspect of China’s past, and will significantly alter our understanding of the Ming. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.
Author: Anne De Coursey Clapp
Publisher: University of Chicago Press
ISBN: 9780226106991
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
+This richly illustrated volume documents the art and fully examines the career of the sixteenth-century Chinese master T'ang Yin. One of the four great painters of the middle Ming period, the ambitious T'ang Yin rose above the merchant class into which he was born to become a member of the elite scholarly circle in the city of Suchou. Deprived by accident of his academic degrees and so forced to paint for a living, T'ang Yin became a social anomaly whose style of life cut across the conventions of his time. His experiences throw into sharp relief the realities faced by a Chinese painter who was both elite Confucian scholar and professional painter. Anne De Coursey Clapp's work also explores larger issues of Ming painting raised by the artist's turbulent career. She describes the social and intellectual values exalted in Ming Suchou, its system of patronage, the contrast between the professional and amateur artist, and the formative influence of twelfth-century Sung dynasty styles on Suchou painters. Clapp shows how T'ang Yin's artistic inventions were made in the course of leading the revival of Sung dynasty styles in Suchou: tracing T'ang Yin's early studies of ancient and contemporary masters, she describes how he reworked an antique style, converting it into a vehicle of expression that reached fruition in a long series of fresh and powerful paintings of landscapes and birds-and-flowers. In the process, she revises the distorted version of middle Ming painting written by later Chinese art theorists to justify their own social and artistic values, noting especially the role of art patrons and their effect on artistic production. Clapp analyzes the increasing currency of painting as a means of social exchange in ancient China. In particular, she identifies commemorative painting as a major genre of the later dynasties and explores the role it played in the oeuvres of professional masters with its humanistic implications for the Chinese view of the ideal scholarly man. Her broad view of T'ang Yin's career shows him divided between the professional and amateur camps of his time: in landscape and figural subjects he was aligned with the professionals; in flower subjects with the amateurs. Clap argues that the uneven distribution of styles and genres between this master who was subject to the market, and those who were independent of it, suggests that T'ang deliberately tried to expand the range of his paintings in order to appeal to buyers in the lower educational and social strata. Illustrated by some of T'ang Yin's most celebrated paintings and by some which are published for the first time, her work is of tremendous importance to art, literary, and cultural historians of Ming China. "In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes which have distorted our understanding of Chinese painting since the seventeenth century. Marked by analytical clarity and scrupulous scholarship, her work is a welcome addition to the few works in English on individual Chinese artists."—Louise Yuhas, Occidental College
Author: Craig Clunas
Publisher: Princeton University Press
ISBN: 0691253021
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
