An Annotated and Illustrated Version of Giorgio Vasari's History of Italian and Northern Prints from His Lives of the Artists, 1550 & 1568: Illustrations PDF Download
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Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
Giorgio Vasari, friend of Michelangelo and the art historian, in the second edition of his Lives of the Artists mentioned almost 500 different prints from the 15th and 16th centuries, from both Italy and the North. Even with a number of editions of Vasari's Lives now in print, this section of his text on prints is not readily available.
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
Giorgio Vasari, friend of Michelangelo and the art historian, in the second edition of his Lives of the Artists mentioned almost 500 different prints from the 15th and 16th centuries, from both Italy and the North. Even with a number of editions of Vasari's Lives now in print, this section of his text on prints is not readily available.
Author: Sharon Gregory
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409429265
Category : Art
Languages : en
Pages : 464
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Book Description
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
Giorgio Vasari, friend of Michelangelo and the art historian, in the second edition of his Lives of the Artists mentioned almost 500 different prints from the 15th and 16th centuries, from both Italy and the North. Even with a number of editions of Vasari's Lives now in print, this section of his text on prints is not readily available.
Author: Bernadine Barnes
Publisher: Routledge
ISBN: 1351558285
Category : Art
Languages : en
Pages : 243
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Book Description
In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
Author: Paul Joannides
Publisher: Thames & Hudson
ISBN: 0500776857
Category : Art
Languages : en
Pages : 479
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Book Description
More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphaels work and discusses all aspects of his artistic output. He traces Raphaels career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphaels employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Romes artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphaels versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
Author: Walter S. Gibson
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
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Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Author: Alexandra Onuf
Publisher: Routledge
ISBN: 135125152X
Category : Art
Languages : en
Pages : 331
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Book Description
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
Author: Pari Riahi
Publisher: Routledge
ISBN: 1317755987
Category : Architecture
Languages : en
Pages : 230
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Book Description
When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini’s ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect’s imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco’s written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco’s work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.
Author: Helen Foresman Spencer Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
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Book Description
Author: William W. Robinson
Publisher: Yale University Press
ISBN: 0300208049
Category : Art
Languages : en
Pages : 414
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Book Description
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
