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Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN: 9781900565738
Category : Artists' books
Languages : en
Pages : 0
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Book Description
An Anecdoted Topography of Chance is now acknowledged as the most important, and most entertaining artists' book of the post-war period, and this edition is the definitive appearance of a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Realisme. From out of the banal detritus of the everyday a virtual autobiography emerges: of four perceptive, eloquent and engaging members of the human species.
Author: Daniel Spoerri
Publisher: Ultramarine Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Daniel Spoerri
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Author: Daniel Spoerri
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Author: Robert Filliou
Publisher:
ISBN:
Category :
Languages : de
Pages : 214
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Book Description
Author: Daniel Spoerri
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Book Description
Author: Edward Krasinski
Publisher: Jrp Ringier
ISBN: 9783037645321
Category :
Languages : en
Pages : 88
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Book Description
This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004)--a lively artistic and social space shared by multiple artists. Referencing Daniel Spoerri's landmark artist's book An Anecdoted Topography of Chance (1962), it interweaves a detailed photographic survey of the studio--still preserved today as it was after Krasinski's death in 2004--by Polish photographer Pawel Bownik with numerous short stories written by relatives, artists, critics, curators and friends of both artists in commemoration of the importance of this location in the definition and social life of the Polish avant-garde, and in the dialogue between Western and Eastern European contemporary art scenes. Contributors include Daniel Buren, Andrzej Przywara, Anka Ptaszkowska, Joann Mytleowska, Adam Szymczyk and many others.
Author: Leda Cempellin
Publisher: Vernon Press
ISBN: 1622736222
Category : Art
Languages : en
Pages : 256
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Book Description
The term “artistic animator” is inspired by the definition “Kunstanimator” given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others. His fluctuating memberships during late Modernism (Zero, Nouveau Réalisme, Fluxus, Mail Art) explain why some areas of this work have not yet received their due attention and their connection to the whole picture has often eluded scholarly inquiry. Beyond his tableaux-pièges, which gave him immediate notoriety through an early purchase by the MoMA, Spoerri discovered a new way to approach the multiples in sculpture (Edition MAT), he transformed his trap pictures into an experimental narrative form (Topographie Anécdotée du Hasard), he initiated the Eat Art movement, he tested an innovative curatorial approach (the Musée Sentimental and the Giardino). Despite constant interruptions due to his semi-nomadic lifestyle, this oeuvre presents an extraordinary coherence, where none of these ventures can be properly understood without considering all the others. This is the first monograph entirely devoted to Daniel Spoerri in the United States to date. With an introduction by Barbara Räderscheidt.
Author: Dick Higgins
Publisher:
ISBN: 9781938221200
Category : Art
Languages : en
Pages : 336
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Book Description
Dick Higgins and his Something Else Press epitomized the riotous art of the '60s There are few art-world figures as influential--and as little known--as Dick Higgins (1938-98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many--as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others--but it was Something Else Press (1963-74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
