Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
An Anecdoted Topography of Chance
Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Sweethearts
Author: Emmett Williams
Publisher: Walther Konig Verlag
ISBN: 9783865608109
Category : Concrete poetry
Languages : en
Pages : 0
Book Description
'Emmett William's Sweethearts is a breakthrough. It is to concrete poetry as Wuthering Heights is to the English novel; as Guernica is to modern art. Sweethearts is the first large scale lyric masterpiece among the concrete texts, compelling in its emotional scope, readable, a sweetly heartfelt, jokey, crying, laughing, tender expression of love. It moves. Miraculously, the formal limitations of Sweethearts enabled Emmett to prove that, with both hands tied behind his back, gagged, just nudging letters out of a regular grid with his nose (look, no mirrors), a real artist can write the Book of Life all over again.' - (Richard Hamilton)
Publisher: Walther Konig Verlag
ISBN: 9783865608109
Category : Concrete poetry
Languages : en
Pages : 0
Book Description
'Emmett William's Sweethearts is a breakthrough. It is to concrete poetry as Wuthering Heights is to the English novel; as Guernica is to modern art. Sweethearts is the first large scale lyric masterpiece among the concrete texts, compelling in its emotional scope, readable, a sweetly heartfelt, jokey, crying, laughing, tender expression of love. It moves. Miraculously, the formal limitations of Sweethearts enabled Emmett to prove that, with both hands tied behind his back, gagged, just nudging letters out of a regular grid with his nose (look, no mirrors), a real artist can write the Book of Life all over again.' - (Richard Hamilton)
The Ideas, Identity and Art of Daniel Spoerri
Author: Leda Cempellin
Publisher: Vernon Press
ISBN: 1622736222
Category : Art
Languages : en
Pages : 253
Book Description
The term “artistic animator” is inspired by the definition “Kunstanimator” given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others. His fluctuating memberships during late Modernism (Zero, Nouveau Réalisme, Fluxus, Mail Art) explain why some areas of this work have not yet received their due attention and their connection to the whole picture has often eluded scholarly inquiry. Beyond his tableaux-pièges, which gave him immediate notoriety through an early purchase by the MoMA, Spoerri discovered a new way to approach the multiples in sculpture (Edition MAT), he transformed his trap pictures into an experimental narrative form (Topographie Anécdotée du Hasard), he initiated the Eat Art movement, he tested an innovative curatorial approach (the Musée Sentimental and the Giardino). Despite constant interruptions due to his semi-nomadic lifestyle, this oeuvre presents an extraordinary coherence, where none of these ventures can be properly understood without considering all the others. This is the first monograph entirely devoted to Daniel Spoerri in the United States to date. With an introduction by Barbara Räderscheidt.
Publisher: Vernon Press
ISBN: 1622736222
Category : Art
Languages : en
Pages : 253
Book Description
The term “artistic animator” is inspired by the definition “Kunstanimator” given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others. His fluctuating memberships during late Modernism (Zero, Nouveau Réalisme, Fluxus, Mail Art) explain why some areas of this work have not yet received their due attention and their connection to the whole picture has often eluded scholarly inquiry. Beyond his tableaux-pièges, which gave him immediate notoriety through an early purchase by the MoMA, Spoerri discovered a new way to approach the multiples in sculpture (Edition MAT), he transformed his trap pictures into an experimental narrative form (Topographie Anécdotée du Hasard), he initiated the Eat Art movement, he tested an innovative curatorial approach (the Musée Sentimental and the Giardino). Despite constant interruptions due to his semi-nomadic lifestyle, this oeuvre presents an extraordinary coherence, where none of these ventures can be properly understood without considering all the others. This is the first monograph entirely devoted to Daniel Spoerri in the United States to date. With an introduction by Barbara Räderscheidt.
Mapping Krasinski's Studio
Author: Edward Krasinski
Publisher: Jrp Ringier
ISBN: 9783037645321
Category :
Languages : en
Pages : 88
Book Description
This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004)--a lively artistic and social space shared by multiple artists. Referencing Daniel Spoerri's landmark artist's book An Anecdoted Topography of Chance (1962), it interweaves a detailed photographic survey of the studio--still preserved today as it was after Krasinski's death in 2004--by Polish photographer Pawel Bownik with numerous short stories written by relatives, artists, critics, curators and friends of both artists in commemoration of the importance of this location in the definition and social life of the Polish avant-garde, and in the dialogue between Western and Eastern European contemporary art scenes. Contributors include Daniel Buren, Andrzej Przywara, Anka Ptaszkowska, Joann Mytleowska, Adam Szymczyk and many others.
Publisher: Jrp Ringier
ISBN: 9783037645321
Category :
Languages : en
Pages : 88
Book Description
This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004)--a lively artistic and social space shared by multiple artists. Referencing Daniel Spoerri's landmark artist's book An Anecdoted Topography of Chance (1962), it interweaves a detailed photographic survey of the studio--still preserved today as it was after Krasinski's death in 2004--by Polish photographer Pawel Bownik with numerous short stories written by relatives, artists, critics, curators and friends of both artists in commemoration of the importance of this location in the definition and social life of the Polish avant-garde, and in the dialogue between Western and Eastern European contemporary art scenes. Contributors include Daniel Buren, Andrzej Przywara, Anka Ptaszkowska, Joann Mytleowska, Adam Szymczyk and many others.
Bataille's Eye & ICI Field Notes 4
Author: Deborah Cullen
Publisher: Institute Cultural Inquiry
ISBN: 9781889917009
Category : Art
Languages : en
Pages : 132
Book Description
Publisher: Institute Cultural Inquiry
ISBN: 9781889917009
Category : Art
Languages : en
Pages : 132
Book Description
Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins
Author: Dick Higgins
Publisher:
ISBN: 9781938221200
Category : Art
Languages : en
Pages : 336
Book Description
Dick Higgins and his Something Else Press epitomized the riotous art of the '60s There are few art-world figures as influential--and as little known--as Dick Higgins (1938-98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many--as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others--but it was Something Else Press (1963-74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
Publisher:
ISBN: 9781938221200
Category : Art
Languages : en
Pages : 336
Book Description
Dick Higgins and his Something Else Press epitomized the riotous art of the '60s There are few art-world figures as influential--and as little known--as Dick Higgins (1938-98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many--as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others--but it was Something Else Press (1963-74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
Art Into Theatre
Author: Nick Kaye
Publisher: Routledge
ISBN: 1134370539
Category : Performing Arts
Languages : en
Pages : 304
Book Description
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.
Publisher: Routledge
ISBN: 1134370539
Category : Performing Arts
Languages : en
Pages : 304
Book Description
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.
Payne Hollow Journal
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 0813147646
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Harlan Hubbard was Kentucky's Thoreau, and his journals are intimate records of a life lived in harmony with nature. For more than fifty years the artist, writer, and homesteader described daily activities and recorded keen observations as he sought to live simply and authentically. The third and climactic volume of his journals, Payne Hollow Journal, contains entries from the years he and his wife, Anna, lived at their Payne Hollow home along the Ohio River's Kentucky shore. There they mastered the arts of country life, building their own stone and timber house in 1952 and raising their own food. To live with nature was not a novel experience for the couple; earlier they had floated down the Ohio and Mississippi rivers to New Orleans on their homemade shantyboat. Hubbard described this journey in Shantyboat Journal, the basis for his Shantyboat and Shantyboat on the Bayous. By turns poetic and practical, Payne Hollow Journal celebrates nature's intense beauty and sometimes harsh realities as perhaps only an artist can see them. Here Hubbard reveals how dedication to work that provides sustenance—gardening, wood chopping, fishing, foraging, and raising goats-can also be fulfilling. Don Wallis's arrangement of the Payne Hollow entries reflects the seasonal changes in Hubbard and his life as well as in the natural world around him. At the beginning of this volume Hubbard writes, "When we are away from Payne Hollow, that place does not seem real or possible.... It is hard to explain our situation, to give reasons for our living this way to people who have no understanding or sympathy." A visit to the Hubbards' home through Payne Hollow Journal is ample explanation for anyone who has yearned to lead a life of simplicity and purpose.
Publisher: University Press of Kentucky
ISBN: 0813147646
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Harlan Hubbard was Kentucky's Thoreau, and his journals are intimate records of a life lived in harmony with nature. For more than fifty years the artist, writer, and homesteader described daily activities and recorded keen observations as he sought to live simply and authentically. The third and climactic volume of his journals, Payne Hollow Journal, contains entries from the years he and his wife, Anna, lived at their Payne Hollow home along the Ohio River's Kentucky shore. There they mastered the arts of country life, building their own stone and timber house in 1952 and raising their own food. To live with nature was not a novel experience for the couple; earlier they had floated down the Ohio and Mississippi rivers to New Orleans on their homemade shantyboat. Hubbard described this journey in Shantyboat Journal, the basis for his Shantyboat and Shantyboat on the Bayous. By turns poetic and practical, Payne Hollow Journal celebrates nature's intense beauty and sometimes harsh realities as perhaps only an artist can see them. Here Hubbard reveals how dedication to work that provides sustenance—gardening, wood chopping, fishing, foraging, and raising goats-can also be fulfilling. Don Wallis's arrangement of the Payne Hollow entries reflects the seasonal changes in Hubbard and his life as well as in the natural world around him. At the beginning of this volume Hubbard writes, "When we are away from Payne Hollow, that place does not seem real or possible.... It is hard to explain our situation, to give reasons for our living this way to people who have no understanding or sympathy." A visit to the Hubbards' home through Payne Hollow Journal is ample explanation for anyone who has yearned to lead a life of simplicity and purpose.
The Law of Averages
Author: Frederick Barthelme
Publisher: Counterpoint LLC
ISBN:
Category : Fiction
Languages : en
Pages : 392
Book Description
From one of America's premier fiction authors--a writer ahead of his time--comes a sampling of the intimate, funny, and odd stories he has written over two decades about the frailties of relationships and the ways we look at each other when we mean things we cannot bring ourselves to say.
Publisher: Counterpoint LLC
ISBN:
Category : Fiction
Languages : en
Pages : 392
Book Description
From one of America's premier fiction authors--a writer ahead of his time--comes a sampling of the intimate, funny, and odd stories he has written over two decades about the frailties of relationships and the ways we look at each other when we mean things we cannot bring ourselves to say.
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Author: Dick Higgins
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 328
Book Description