An Analytical Study of the First Movement of Beethoven's Piano Sonata, Opus 78 PDF Download
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Author: Robert Emil Buchsbaum
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Author: Robert Emil Buchsbaum
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Author: Howard Waltz
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 98
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Book Description
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 0313033390
Category : Music
Languages : en
Pages : 196
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Book Description
Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excerpts, complete compositions, and movements contained in the anthologies, providing information concerning the type of score (full, piano reduction, etc.) employed, source of the excerpt, and specific theoretical topics. This is the only book that details anthologies in a manner that makes a search quick and easy.
Author:
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Category :
Languages : ko
Pages :
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Author: Pieter Bergé
Publisher: Peeters
ISBN: 9789042926394
Category : Piano music
Languages : en
Pages : 0
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Book Description
This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived for an academic readership, the present volume, by contrast, is intended primarily for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein). This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived primarily for an academic readership, the present volume is also intended for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein).
Author:
Publisher:
ISBN:
Category :
Languages : ko
Pages :
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Author: Glenn Spring
Publisher: Waveland Press
ISBN: 1478611731
Category : Music
Languages : en
Pages : 416
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Book Description
Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.
Author: Xiao Wang (Pianist)
Publisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 42
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Book Description
The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14 Erste and Zweite Ausgabe edited by Clara Schumann of Robert Schumann's No.3 Op.14, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as notes, rhythms, metronome marking and expression signs is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Suggested solutions are followed by each example.
Author: Gloria Noemi Ruiz
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Author: Mei Vian Yip
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659134265
Category :
Languages : en
Pages : 128
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Book Description
Ludwig van Beethoven was born in Bonn, Germany on 16th December, 1770 and he died in Vienna, Austria on 26th March 1827. He was a great composer, as well a distinguished pianist who composed 32 piano sonatas. One of the piano sonatas is this research topic. This research paper is written and designed for Piano Sonata No.8 in C minor, Op.13 "Pathetique" on today's Grand Piano. The objectives of this research paper are to examine the performance practice of Beethoven's early sonata on today's grand piano, to analyze the movements, to analyze the recording of pianists who played his piano sonata and whether they have interpreted it according to the score, as well to analyze which version or edition of the score is best used on today's grand piano. After completing all the objectives of this research, it can be seen which pianists manage to interpret the piano sonata according to the score and which edition of the score is best used on today's grand piano."
