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Author: Alexandra Schwartz
Publisher: Museum of Arts & Design
ISBN: 9781646570072
Category : Art
Languages : en
Pages : 136
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Book Description
"Garmenting: Costume as Contemporary Art centers on contemporary artists' explorations of how dress both expresses and shapes who we are-our personal, cultural, and political identities-and it is my hope that their work will help stimulate discussion and foster understanding during these troubled times. As the quintessential "outside the box" thinkers, artists have always been on the front lines of driving and processing social change; there is a reason cutting-edge art has long been referred to by a military term, "avant-garde." As society rebuilds, artists' insights about our world and how we inhabit it are more necessary than ever"--
Author: Alexandra Schwartz
Publisher: Museum of Arts & Design
ISBN: 9781646570072
Category : Art
Languages : en
Pages : 136
Get Book Here
Book Description
"Garmenting: Costume as Contemporary Art centers on contemporary artists' explorations of how dress both expresses and shapes who we are-our personal, cultural, and political identities-and it is my hope that their work will help stimulate discussion and foster understanding during these troubled times. As the quintessential "outside the box" thinkers, artists have always been on the front lines of driving and processing social change; there is a reason cutting-edge art has long been referred to by a military term, "avant-garde." As society rebuilds, artists' insights about our world and how we inhabit it are more necessary than ever"--
Author: Susan Cummins
Publisher:
ISBN: 9783897905979
Category :
Languages : en
Pages : 200
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Book Description
In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewelers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewelers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewelry contributed to the raucous, contradictory, and enthusiastic clamor for a new kind of society that made the 1960s and 1970s so extraordinary.
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Author: Paola Antonelli
Publisher: The Museum of Modern Art
ISBN: 087070611X
Category :
Languages : en
Pages : 289
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Book Description
Author: Anna Katz
Publisher: Yale University Press
ISBN: 0300239947
Category : Art
Languages : en
Pages : 329
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Book Description
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Author: Joseph Cunningham
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
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Book Description
Charles Rohlfs (1853-1936) ranked among the most innovative furniture makers at the turn of the twentieth century. Praised by the international press and exhibited throughout the United States and Europe, his beautiful works grew out of an interesting mix of styles that included Arts and Crafts, Art Nouveau, and proto-modernism. This book presents the first major study of this important American designer and craftsman, drawing upon new photographs and fresh sources of information. Alongside traditional historical approaches, the book presents detailed formal, structural, and stylistic analyses of Rohlfs's well-known masterpieces from major museums, together with lesser-known objects in public and private collections. Topics include discovering the contribution of Rohlfs's wife--mystery novelist Anna Katharine Green--to his designs; the far-ranging sources of his idiosyncratic motifs; his influence on Gustav Stickley's designs; his commissioned interiors; his efforts at self-promotion and marketing; and his attempts to define a conceptual framework for his artistic endeavor. Handsomely designed and illustrated, the book also features a complete set of unpublished period illustrations of over seventy works.
Author:
Publisher: UNC Press Books
ISBN: 9780807827949
Category : Art
Languages : en
Pages : 274
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Book Description
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
Author: Daniëlle O. Kisluk-Grosheide
Publisher: Bard Center
ISBN: 9780300190243
Category : Decorative arts
Languages : en
Pages : 0
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Book Description
"This book explores the life, professional activities, artistic production and collecting practices of Georges Hoentschel through the objects he collected and created. Essays by the editors, joined by Amy F. Ogata, associate professor at Bard Graduate Center and Christine E. Brennan, senior research associate in Medieval Art as the Metropolitan Museum, address his biography, business contacts, and clients, as well as the arrival of the collection in New York, its lavish four-volume illustrated catalogue, and the medieval collections. Also discussed is Hoentschel's involvement with contemporary art, including his intriguing stoneware creations and designs for a pavilion and interiors at the 1900 Exposition Universelle in Paris. Fully illustrated catalogue entries explore the astonishing range of objects he collected. Throughout the book, new documentary material from archives and newspapers illuminates this little-explored chapter in the history of collecting decorative arts between France and America at the dawn of the twentieth century."--book jacket.
Author: Ann Marguerite Tartsinis
Publisher: Bard Graduate Center
ISBN: 9780300199437
Category : Art
Languages : en
Pages : 0
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Book Description
"This catalogue is published in conjunction with the exhibition An American Style: Global Sources for New York Textile and Fashion Design, 1915-1928 held at the Bard Graduate Center: Decorative Arts, Design History, Material Culture from September 27, 2013 through February 9, 2014."--Title page verso.
Author: Sumpter T. Priddy
Publisher: Chipstone Foundation/Milwaukee Art Museum
ISBN: 9780972435390
Category : Decorative arts
Languages : en
Pages : 0
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Book Description
Between 1790 and 1840, millions of middle-class Americans throughout the nation encountered "Fancy": they rode in a Fancy sleigh, dressed up in Fancy clothes, blew their noses in Fancy handkerchiefs, bought goods at Fancy shops, ate at Fancy tables on Fancy dishes, and slept under Fancy coverlets. Not just fancy but Fancy: an early nineteenth-century cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight, awe, surprise, whim, and caprice. Whether experienced in the form of painted surfaces, kaleidoscopic quilts, or imaginary landscapes, Fancy engaged the emotions and expanded the imagination, expressing the core of human fancy. "American Fancy" offers an appropriately fantastic experience of this uniquely American sensibility. Author Sumpter Priddy has assembled and produced an original oeuvre in the field of decorative arts, going beyond the traditional modes of furniture analysis, which concentrate on style, history, and construction, to consider the perceptual and emotional responses through which the original users and viewers would have interacted with these material things. To this end he employs the interpretive methods used in the fields of literature, fine arts, philosophy and even psychology. Rich, fully illustrated, wondrously researched, and bound in a cover that imitates a typical Fancy pattern, "American Fancy" does its marvelous subject true.
