Author:
Publisher: Stanford University Press
ISBN: 0804779627
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
At the turn of the century, Japanese fiction pulsed with an urge to render good and evil in ways that evoked dramatic emotions. This book examines four popular novels from this period by interweaving two threads of argument.
An Age of Melodrama
South Korean Golden Age Melodrama
Author: Kathleen McHugh
Publisher: Wayne State University Press
ISBN: 9780814332535
Category : Drama
Languages : en
Pages : 276
Book Description
Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.
Publisher: Wayne State University Press
ISBN: 9780814332535
Category : Drama
Languages : en
Pages : 276
Book Description
Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.
Mexican Melodrama
Author: Elena Lahr-Vivaz
Publisher: University of Arizona Press
ISBN: 0816532516
Category : Art
Languages : en
Pages : 232
Book Description
Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.
Publisher: University of Arizona Press
ISBN: 0816532516
Category : Art
Languages : en
Pages : 232
Book Description
Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.
The Golden Age of Melodrama
Author: Michael Kilgarriff
Publisher:
ISBN: 9780723405146
Category : Drama
Languages : en
Pages : 504
Book Description
Publisher:
ISBN: 9780723405146
Category : Drama
Languages : en
Pages : 504
Book Description
The Cambridge Companion to English Melodrama
Author: Carolyn Williams
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Melodramatic Tactics
Author: Elaine Hadley
Publisher: Stanford University Press
ISBN: 9780804724036
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.
Publisher: Stanford University Press
ISBN: 9780804724036
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.
Refiguring Melodrama in Film and Television
Author: AgustÃn Zarzosa
Publisher: Rowman & Littlefield
ISBN: 0739172530
Category : Drama
Languages : en
Pages : 172
Book Description
The notion of mode is critical in the reevaluation of melodrama. As a mode, melodrama appears not only as a dramatic genre pervaded by sensationalism, exaggerations, and moral polarities, but also as a cultural imaginary that shapes the emotional experience of modernity, characterized by anxiety, moral confusion, and the dissolution of hierarchy. Despite its usefulness, the notion of mode remains mystifying: What exactly are modes and how do they differ from genres? Refiguring Melodrama in Film and Television: Captive Affects, Elastic Sufferings, Vicarious Objects argues that, whereas genres divide a universe in terms of similarities and differences, modes express or modify an indivisible whole. This study contends that the melodramatic mode is concerned with the expression of the social whole in terms of suffering. Zarzosa explains how melodrama is not a cultural imaginary that proclaims the existence of a defunct moral order in a post-sacred world, but an apparatus that shapes suffering and redistributes its visibility. The moral ideas we associate with melodrama are only a means to achieve this end. To develop this conception of melodrama, Refiguring Melodrama in Film and Television offers a novel conceptualization of the following aspects of melodrama theory: affect, interpretation, exchange, excess, sacrifice, and coincidence. These aspects of melodrama are coupled with the analysis of classic melodramas (Home from the Hill and The Story of Adele H.), contemporary films (The Piano, Safe], and Year of the Dog), and television series (Torchwood and Lost). Refiguring Melodrama in Film and Television provides an essential new look at melodrama and its function in popular culture and media.
Publisher: Rowman & Littlefield
ISBN: 0739172530
Category : Drama
Languages : en
Pages : 172
Book Description
The notion of mode is critical in the reevaluation of melodrama. As a mode, melodrama appears not only as a dramatic genre pervaded by sensationalism, exaggerations, and moral polarities, but also as a cultural imaginary that shapes the emotional experience of modernity, characterized by anxiety, moral confusion, and the dissolution of hierarchy. Despite its usefulness, the notion of mode remains mystifying: What exactly are modes and how do they differ from genres? Refiguring Melodrama in Film and Television: Captive Affects, Elastic Sufferings, Vicarious Objects argues that, whereas genres divide a universe in terms of similarities and differences, modes express or modify an indivisible whole. This study contends that the melodramatic mode is concerned with the expression of the social whole in terms of suffering. Zarzosa explains how melodrama is not a cultural imaginary that proclaims the existence of a defunct moral order in a post-sacred world, but an apparatus that shapes suffering and redistributes its visibility. The moral ideas we associate with melodrama are only a means to achieve this end. To develop this conception of melodrama, Refiguring Melodrama in Film and Television offers a novel conceptualization of the following aspects of melodrama theory: affect, interpretation, exchange, excess, sacrifice, and coincidence. These aspects of melodrama are coupled with the analysis of classic melodramas (Home from the Hill and The Story of Adele H.), contemporary films (The Piano, Safe], and Year of the Dog), and television series (Torchwood and Lost). Refiguring Melodrama in Film and Television provides an essential new look at melodrama and its function in popular culture and media.
No, No, a Million Times No!, Or, Only a Farmer's Daughter
Author: Bud Tomkins
Publisher: Samuel French, Inc.
ISBN: 9780573680359
Category : Melodrama
Languages : en
Pages : 84
Book Description
Publisher: Samuel French, Inc.
ISBN: 9780573680359
Category : Melodrama
Languages : en
Pages : 84
Book Description
The Age of Melodramatic Miniseries
Author: Scott Humphries
Publisher: McFarland
ISBN: 1476691622
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Glamour, power, champagne breakfasts in satin sheets--welcome to television's most dazzling and overlooked genre: women-centric melodrama miniseries of the 1980s and 1990s. Decades before Real Housewives, rags-to-riches fantasies depicting strong women overcoming tragedy to take charge of their destinies were a big hit with TV audiences. Reflecting the "greed is good" ethos of the day and encoded with feminist messaging, these glitzy, often camp stories depicted statuesque superwomen facing off with square-jawed men in boardrooms and bedrooms. This book explores the shows that epitomized the prime-time soap era and gave us such memorable scenes as Stefanie Powers trading lovers with her twin sister, Joan Collins fighting Nazis in haute couture and Phoebe Cates demanding, "Which one of you bitches is my mother?"
Publisher: McFarland
ISBN: 1476691622
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Glamour, power, champagne breakfasts in satin sheets--welcome to television's most dazzling and overlooked genre: women-centric melodrama miniseries of the 1980s and 1990s. Decades before Real Housewives, rags-to-riches fantasies depicting strong women overcoming tragedy to take charge of their destinies were a big hit with TV audiences. Reflecting the "greed is good" ethos of the day and encoded with feminist messaging, these glitzy, often camp stories depicted statuesque superwomen facing off with square-jawed men in boardrooms and bedrooms. This book explores the shows that epitomized the prime-time soap era and gave us such memorable scenes as Stefanie Powers trading lovers with her twin sister, Joan Collins fighting Nazis in haute couture and Phoebe Cates demanding, "Which one of you bitches is my mother?"
Melodrama
Author: Jonathan Goldberg
Publisher: Duke University Press
ISBN: 0822374048
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the "impossible situation" in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to normative forms of value and a powerful tool for creating new potentials.
Publisher: Duke University Press
ISBN: 0822374048
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the "impossible situation" in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to normative forms of value and a powerful tool for creating new potentials.