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Author: M. Simanga
Publisher: Springer
ISBN: 1137080655
Category : History
Languages : en
Pages : 196
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Book Description
This important look at CAP combines historical research and analysis with the author's first-hand experience with the organization, providing the first historical narrative of a consequential player in the Black Power Movement.
Author: M. Simanga
Publisher: Springer
ISBN: 1137080655
Category : History
Languages : en
Pages : 196
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Book Description
This important look at CAP combines historical research and analysis with the author's first-hand experience with the organization, providing the first historical narrative of a consequential player in the Black Power Movement.
Author: Komozi Woodard
Publisher: Univ of North Carolina Press
ISBN: 0807876178
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Poet and playwright Amiri Baraka is best known as one of the African American writers who helped ignite the Black Arts Movement. This book examines Baraka's cultural approach to Black Power politics and explores his role in the phenomenal spread of black nationalism in the urban centers of late-twentieth-century America, including his part in the election of black public officials, his leadership in the Modern Black Convention Movement, and his work in housing and community development. Komozi Woodard traces Baraka's transformation from poet to political activist, as the rise of the Black Arts Movement pulled him from political obscurity in the Beat circles of Greenwich Village, swept him into the center of the Black Power Movement, and ultimately propelled him into the ranks of black national political leadership. Moving outward from Baraka's personal story, Woodard illuminates the dynamics and remarkable rise of black cultural nationalism with an eye toward the movement's broader context, including the impact of black migrations on urban ethos, the importance of increasing population concentrations of African Americans in the cities, and the effect of the 1965 Voting Rights Act on the nature of black political mobilization.
Author: E. Hinton
Publisher: Springer
ISBN: 0230338046
Category : History
Languages : en
Pages : 322
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Book Description
The New Black History anthology presents cutting-edge scholarship on key issues that define African American politics, life, and culture, especially during the Civil Rights and Black Power eras. The volume includes articles by both established scholars and a rising generation of young scholars.
Author: James Smethurst
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
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Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Author: Russell John Rickford
Publisher: Oxford University Press
ISBN: 0199861471
Category : Education
Languages : en
Pages : 401
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Book Description
A history of black independent schools as the forge for black nationalism and a vanguard for black sovereignty in the 1960s and 70s.
Author: Amiri Baraka
Publisher: Open Road + Grove/Atlantic
ISBN: 0802191584
Category : Poetry
Languages : en
Pages : 448
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Book Description
“S O S provides readers with rich, vital views of the African American experience and of Baraka’s own evolution as a poet-activist” (The Washington Post). Fusing the personal and the political in high-voltage verse, Amiri Baraka whose long illumination of the black experience in America was called incandescent in some quarters and incendiary in others was one of the preeminent literary innovators of the past century (The New York Times). Selected by Paul Vangelisti, this volume comprises the fullest spectrum of Baraka’s rousing, revolutionary poems, from his first collection to previously unpublished pieces composed during his final years. Throughout Baraka’s career as a prolific writer (also published as LeRoi Jones), he was vehemently outspoken against oppression of African American citizens, and he radically altered the discourse surrounding racial inequality. The environments and social values that inspired his poetics changed during the course of his life, a trajectory that can be traced in this retrospective spanning more than five decades of profoundly evolving subjects and techniques. Praised for its lyricism and introspection, his early poetry emerged from the Beat generation, while his later writing is marked by intensely rebellious fervor and subversive ideology. All along, his primary focus was on how to live and love in the present moment despite the enduring difficulties of human history. A New York Times Editors’ Choice “A big handsome book of Amiri Baraka’s poetry [that gives] us word magic, wit, wild thoughts, discomfort, and pleasure.” —William J. Harris, Boston Review “The most complete representation of over a half-century of revolutionary and breathtaking work.” —Claudia Rankine, The New York Times Book Review
Author: Russell Rickford
Publisher: Oxford University Press
ISBN: 0190455624
Category : History
Languages : en
Pages : 401
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Book Description
During the height of the Black Power movement of the late 1960s and 1970s, dozens of Pan African nationalist private schools, from preschools to post-secondary ventures, appeared in urban settings across the United States. The small, independent enterprises were often accused of teaching hate and were routinely harassed by authorities. Yet these institutions served as critical mechanisms for transmitting black consciousness. Founded by activist-intellectuals and other radicalized veterans of the civil rights movement, the schools strove not simply to bolster the academic skills and self-esteem of inner-city African-American youth but also to decolonize minds and foster a vigorous and regenerative sense of African identity. In We Are An African People, historian Russell Rickford traces the intellectual lives of these autonomous black institutions, established dedicated to pursuing the self-determination that the integrationist civil rights movement had failed to provide. Influenced by Third World theorists and anticolonial campaigns, organizers of the schools saw formal education as a means of creating a vanguard of young activists devoted to the struggle for black political sovereignty throughout the world. Most of the institutions were short-lived, and they offered only modest numbers of children a genuine alternative to substandard, inner-city public schools. Yet their stories reveal much about Pan Africanism as a social and intellectual movement and as a key part of an indigenous black nationalism. Rickford uses this largely forgotten movement to explore a particularly fertile period of political, cultural, and social revitalization that strove to revolutionize African American life and envision an alternate society. Reframing the post-civil rights era as a period of innovative organizing, he depicts the prelude to the modern Afrocentric movement and contributes to the ongoing conversation about urban educational reform, race, and identity.
Author: David Featherstone
Publisher: Manchester University Press
ISBN: 1526144808
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
Author: Peniel E. Joseph
Publisher: Taylor & Francis
ISBN: 0415945968
Category : History
Languages : en
Pages : 410
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Book Description
The Black Power Movement is one of the most controversial phenomenas in post-war America. This book provides a historical interpretation of the period during the 1960s which started a movement that redefined black identity. It is meant for scholars and students looking for a historical meaning behind the Black Power Movement.
Author: Olga Barrios Herrero
Publisher: Universitat de València
ISBN: 8437083982
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d'aquests anys. Forma i contingut van sorgir a l'una del compromís polític i artístic adoptat per aquests artistes contra l'imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d'un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.
