Author: Barrett Harper Clark
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 344
Book Description
America's Lost Plays: The white slave and other plays, by B. Campbell
Author: Barrett Harper Clark
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 344
Book Description
American Realism and American Drama, 1880-1940
Author: Brenda Murphy
Publisher: Cambridge University Press
ISBN: 9780521327114
Category : Drama
Languages : en
Pages : 252
Book Description
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
Publisher: Cambridge University Press
ISBN: 9780521327114
Category : Drama
Languages : en
Pages : 252
Book Description
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
The Cambridge History of American Theatre
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 626
Book Description
The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 626
Book Description
The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
American Drama From the Colonial Period Through World War I
Author: Gary A. Richardson
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 344
Book Description
Though previously ignored as the nation's literary stepchild, the country's early drama emerges in American Drama from the Colonial Period through World War I as a dynamic cultural institution in which the social, political, economic, and artistic issues of the moment found representation for diverse, often contentious audiences. Suggesting the need to reexamine these neglected works, Gary A. Richardson argues that a more contemporary critical perspective results in a greater understanding of these plays' impact upon their original audiences, a clearer sense of the achievements of their authors, and the recovery of a long-lost segment of America's heritage. The volume moves chronologically through the nation's dramatic history, balancing observations about formal, aesthetic, and theatrical concerns with an examination of the influence of broad cultural forces upon the direction of the drama. Beginning with theater and drama's emergence in the colonial period, Richardson explores drama's role in the American Revolution and, later, the nationalistic efforts of William Dunlap and James Nelson Barker to create a uniquely American drama. He continues by counterpointing the romantic configurations of William Howard Payne, Robert Montgomery Bird, and George Henry Boker with the work of writers such as James Kirke Paulding, John Augustus Stone, Joseph S. Jones, and George Aiken, who developed distinctly American character types and themes specifically designed to appeal to a popular audience. Richardson next highlights the complex cultural business of the melodramas of Dion Boucicault, Augustin Daly, David Belasco, Joaquin Miller, and Bronson Howard and the fitful emergence of a realistic dramain the plays of William Dean Howells, Steele MacKaye, James A. Herne, and William Gillette. He ends by examining the turn-of-the century works of Langdon Mitchell, Clyde Fitch, William Vaughn Moody, Edward Sheldon, Rachel Crothers, and Susan Glaspell, the writers who set the stage for the appearance of such modern masters as Eugene O'Neill. A concise history of the genre, American Drama from the Colonial Period through World War I is essential reading for students and scholars interested in the dramatic foundations of American culture. A selected bibliography, a detailed chronology of world events and major plays, and period illustrations of several productions are included.
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 344
Book Description
Though previously ignored as the nation's literary stepchild, the country's early drama emerges in American Drama from the Colonial Period through World War I as a dynamic cultural institution in which the social, political, economic, and artistic issues of the moment found representation for diverse, often contentious audiences. Suggesting the need to reexamine these neglected works, Gary A. Richardson argues that a more contemporary critical perspective results in a greater understanding of these plays' impact upon their original audiences, a clearer sense of the achievements of their authors, and the recovery of a long-lost segment of America's heritage. The volume moves chronologically through the nation's dramatic history, balancing observations about formal, aesthetic, and theatrical concerns with an examination of the influence of broad cultural forces upon the direction of the drama. Beginning with theater and drama's emergence in the colonial period, Richardson explores drama's role in the American Revolution and, later, the nationalistic efforts of William Dunlap and James Nelson Barker to create a uniquely American drama. He continues by counterpointing the romantic configurations of William Howard Payne, Robert Montgomery Bird, and George Henry Boker with the work of writers such as James Kirke Paulding, John Augustus Stone, Joseph S. Jones, and George Aiken, who developed distinctly American character types and themes specifically designed to appeal to a popular audience. Richardson next highlights the complex cultural business of the melodramas of Dion Boucicault, Augustin Daly, David Belasco, Joaquin Miller, and Bronson Howard and the fitful emergence of a realistic dramain the plays of William Dean Howells, Steele MacKaye, James A. Herne, and William Gillette. He ends by examining the turn-of-the century works of Langdon Mitchell, Clyde Fitch, William Vaughn Moody, Edward Sheldon, Rachel Crothers, and Susan Glaspell, the writers who set the stage for the appearance of such modern masters as Eugene O'Neill. A concise history of the genre, American Drama from the Colonial Period through World War I is essential reading for students and scholars interested in the dramatic foundations of American culture. A selected bibliography, a detailed chronology of world events and major plays, and period illustrations of several productions are included.
The White Slave & Other Plays
Author: Bartley Campbell
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 354
Book Description
American Drama to 1900
Author: Walter J. Meserve
Publisher: Detroit, Mich. : Gale Research Company
ISBN:
Category : Reference
Languages : en
Pages : 280
Book Description
Publisher: Detroit, Mich. : Gale Research Company
ISBN:
Category : Reference
Languages : en
Pages : 280
Book Description
Building the Theatre Library
Author: A & B Booksellers, New York
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 332
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 720
Book Description
Nineteenth-century American Drama
Author: Donald L. Hixon
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
American National Biography
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1010
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1010
Book Description