Author: Barrett Harper Clark
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 270

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Author: Julian Mates
Publisher: Bloomsbury Publishing USA
ISBN: 0313389705
Category : Music
Languages : en
Pages : 286

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"[This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the various types of musical performers." Variety Mates shows the musical stage in all its guises--from burlesque to musical comedy to grand opera--from its beginnings in pre-Revolutionary America to the present day. He deals sensitively with the recurrent aesthetic question of popular versus highbrow art and also looks at critical reactions to popular theatrical forms of musical entertainment. He introduces the reader to various types of theatrical companies, the changing repertory, and the many kinds of musical performers who have animated the stage. Mates focuses on the creative relationships between the different forms of opera, the minstrel show and circus, melodrama and dance, burlesque, revue, vaudeville, and musical comedy.

Author: Douglas Lucas Hunt
Publisher:
ISBN:
Category :
Languages : en
Pages : 48

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Author: John W. Frick
Publisher: Cambridge University Press
ISBN: 0521817781
Category : Drama
Languages : en
Pages : 284

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Book Description
This book examines the role of temperance drama in American theatre and compares the American genre to its British counterpart.

Author: Louise Pound
Publisher:
ISBN:
Category : Americanisms
Languages : en
Pages : 372

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Author: Peter X. Feng
Publisher: Rutgers University Press
ISBN: 9780813530253
Category : Business & Economics
Languages : en
Pages : 324

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Book Description
A Choice Outstanding Academic Title "Cover to cover, Screening Asian Americans, a collection of 15 essays, is fabulous."--AsianWeek.com "This scholarly book uses 15 contributors to explore the various images of Asians, many of which have been negative."-Burlington County Times This innovative essay collection explores Asian American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character. The history of Asian Americans on movie screens, as outlined in Peter X Feng's introduction, provides a context for the individual readings that follow. Asian American cinema is charted in its diversity, ranging across activist, documentary, experimental, and fictional modes, and encompassing a wide range of ethnicities (Filipino, Vietnamese, Indian, Japanese, Korean, Chinese, and Taiwanese). Covered in the discussion are filmmakers--Theresa Hak Kyung Cha, Ang Lee, Trinh T. Minh-ha, and Wayne Wang--and films such as The Wedding Banquet, Surname Viet Given Name Nam, and Chan is Missing. Throughout the volume, as Feng explains, the term screening has a twofold meaning-referring to the projection of Asian Americans as cinematic bodies and the screening out of elements connected with these images. In this doubling, film representation can function to define what is American and what is foreign. Asian American filmmaking is one of the fastest growing areas of independent and studio production. This volume is key to understanding the vitality of this new cinema. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons Peter X Feng teaches English and women's studies at the University of Delaware.

Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 934

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Author: Walter J. Meserve
Publisher: Detroit, Mich. : Gale Research Company
ISBN:
Category : Reference
Languages : en
Pages : 280

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Author: Max Shulman
Publisher: University of Iowa Press
ISBN: 1609386477
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
The American Progressive Era, which spanned from the 1880s to the 1920s, is generally regarded as a dynamic period of political reform and social activism. In Performing the Progressive Era, editors Max Shulman and Chris Westgate bring together top scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life. Contributors analyze performances in urban centers (New York, Chicago, Cleveland) in comedy shows, melodramas, Broadway shows, operas, and others. They pay special attention to performances by and for those outside mainstream society: immigrants, the working-class, and bohemians, to name a few. Showcasing both lesser-known and famous productions, the essayists argue that the explosion of performance helped bring the Progressive Era into being, and defined its legacy in terms of gender, ethnicity, immigration, and even medical ethics.

Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 264

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