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Author: Amy M. Damico
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
In its exploration of some of the most influential, popular, or critically acclaimed television dramas since the year 2000, this book documents how modern television dramas reflect our society through their complex narratives about prevailing economic, political, security, and social issues. Television dramas have changed since the turn of the 21st century—for the good, many would say, as a result of changes in technology, the rise of cable networks, and increased creative freedom. This book approaches the new golden age of television dramas by examining the programs that define the first 15 years of the new century through their complex narratives, high production value, star power, popularity, and enthusiastic fan culture. After an introduction that sets the stage for the book's content, thematic sections present concise chapters that explore key connections between television dramas and elements of 21st-century culture. The authors explore Downton Abbey as a distraction from contemporary class struggles, patriarchy and the past in Game of Thrones and Mad Men, and portrayals of the "dark hero protagonist" in The Sopranos, Dexter, and Breaking Bad, as a few examples of the book's coverage. With its multidisciplinary perspectives on a variety of themes—terrorism, race/class/gender, family dynamics, and sociopolitical and socioeconomic topics— this book will be relevant across the social sciences and cultural and media studies courses.
Author: Amy M. Damico
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 198
Get Book Here
Book Description
In its exploration of some of the most influential, popular, or critically acclaimed television dramas since the year 2000, this book documents how modern television dramas reflect our society through their complex narratives about prevailing economic, political, security, and social issues. Television dramas have changed since the turn of the 21st century—for the good, many would say, as a result of changes in technology, the rise of cable networks, and increased creative freedom. This book approaches the new golden age of television dramas by examining the programs that define the first 15 years of the new century through their complex narratives, high production value, star power, popularity, and enthusiastic fan culture. After an introduction that sets the stage for the book's content, thematic sections present concise chapters that explore key connections between television dramas and elements of 21st-century culture. The authors explore Downton Abbey as a distraction from contemporary class struggles, patriarchy and the past in Game of Thrones and Mad Men, and portrayals of the "dark hero protagonist" in The Sopranos, Dexter, and Breaking Bad, as a few examples of the book's coverage. With its multidisciplinary perspectives on a variety of themes—terrorism, race/class/gender, family dynamics, and sociopolitical and socioeconomic topics— this book will be relevant across the social sciences and cultural and media studies courses.
Author: Kristina Høegh Andersen
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Amy M. Damico
Publisher: Bloomsbury Publishing USA
ISBN: 1440833451
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
In its exploration of some of the most influential, popular, or critically acclaimed television dramas since the year 2000, this book documents how modern television dramas reflect our society through their complex narratives about prevailing economic, political, security, and social issues. Television dramas have changed since the turn of the 21st century—for the good, many would say, as a result of changes in technology, the rise of cable networks, and increased creative freedom. This book approaches the new golden age of television dramas by examining the programs that define the first 15 years of the new century through their complex narratives, high production value, star power, popularity, and enthusiastic fan culture. After an introduction that sets the stage for the book's content, thematic sections present concise chapters that explore key connections between television dramas and elements of 21st-century culture. The authors explore Downton Abbey as a distraction from contemporary class struggles, patriarchy and the past in Game of Thrones and Mad Men, and portrayals of the "dark hero protagonist" in The Sopranos, Dexter, and Breaking Bad, as a few examples of the book's coverage. With its multidisciplinary perspectives on a variety of themes—terrorism, race/class/gender, family dynamics, and sociopolitical and socioeconomic topics— this book will be relevant across the social sciences and cultural and media studies courses.
Author: Birgit Däwes
Publisher: Universitatsverlag Winter
ISBN: 9783825365448
Category : Crime on television
Languages : en
Pages : 0
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Book Description
Since the turn of the 21st century, the landscape of television has decisively changed. Whereas seriality had been part and parcel of television entertainment since the 1940s, the past two decades have witnessed the rise of new technologies and increasingly 'complex and elaborate forms' (Jason Mittell), with HBO and Netflix playing leading roles. Particularly in its manifold transgressions of political, social, and ethical boundaries, the contemporary American TV serial serves as both a laboratory for and diagnostic platform of current epistemes and ideological codes. In fifteen interdisciplinary perspectives from the United States and Europe, this volume provides a critical diagnosis of the genre's politics of gender and ethnicity, difference, normativity and representational control. Contesting the popular term 'quality TV, ' 'Transgressive Television' provides original work on TV series as diverse as 'Twin Peaks', 'The Sopranos', 'Breaking Bad', 'The Wire', 'House of Cards', 'Homeland', and many others.
Author: Janet McCabe
Publisher: Bloomsbury Publishing
ISBN: 0857715992
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
In his seminal book "Television's Second Golden Age", Robert Thompson described quality TV as 'best defined by what it is not': 'it is not "regular" TV'. Audacious maybe, but his statement renewed debate on the meaning of this highly contentious term. Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we currently mean by quality TV. They go deep into contemporary American television fictions, from "The Sopranos" and "The West Wing", to "CSI" and "Lost" - innovative, sometimes controversial, always compelling dramas, which one scholar has described as 'now better than the movies!' But how do we understand the emergence of these kinds of fiction? Are they genuinely new? What does quality TV have to tell us about the state of today's television market? And is this a new Golden Age of quality TV? Original, often polemic, each chapter proposes new ways of thinking about and defining quality TV. There is a foreword from Robert Thompson, and heated dialogue between British and US television critics. Also included - and a great coup - are interviews with W. Snuffy Walden (scored "The West Wing" among others) and with David Chase ("The Sopranos" creator). "Quality TV" provides throughout groundbreaking and innovative theoretical and critical approaches to studying television and for understanding the current - and future - TV landscape.
Author: Michael Hammond
Publisher: Edinburgh University Press
ISBN: 0748679642
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
An engaging and provocative study of the contemporary prime-time 'quality' serial television format, this book gives a timely account of prominent programmes such as 24, Buffy the Vampire Slayer, ER, The Sopranos and The West Wing and explores their influential position within the television industry. Divided into the areas of history, aesthetics and reception, the text provides an illuminating overview of an increasingly hybrid television studies discipline. Chapters consider the formal and aesthetic elements in the contemporary television serial through approaches ranging from those concerned with issues of gender and sexuality, national identity, and reception to industry history and textual analysis. The book also includes British examples of 'quality' serial television emphasizing not only their cultural specificity but also the transnational context in which these programmes operate. Features*Section introductions provide student-friendly explanations of the various approaches and methodologies employed in the book*Chapters are written by an international team of experts in the field of television studies*Ideal for use as a textbook on courses in contemporary television taught at undergraduate level
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 110704393X
Category : Drama
Languages : en
Pages : 517
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Book Description
Christopher Bigsby explores the potential of television drama to offer a radical critique of American politics, myths and values.
Author: Seth Friedman
Publisher: Rutgers University Press
ISBN: 1978818289
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
Author: David Simon
Publisher: Holt Paperbacks
ISBN: 1429900954
Category : True Crime
Languages : en
Pages : 668
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Book Description
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
Author: Elisabeth Bronfen
Publisher: Manchester University Press
ISBN: 1526142333
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
