Author: Andaluna Borcila
Publisher: Routledge
ISBN: 1317807111
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
With the televised events of 1989, territories of Eastern and Central Europe that had been marked as impenetrable and inaccessible to the Western gaze exploded into visibility. As the narratives of the Cold War crumbled, new narratives emerged and new geographies were produced on and by American television. Using an understudied archive of American news broadcasts, and tracing their flashes and echoes through travel guides and narratives of return written by Eastern European-Americans, this book explores American ways of seeing and mapping communism’s disintegration and the narratives articulated around post-communist sites and subjects.
American Representations of Post-Communism
Author: Andaluna Borcila
Publisher: Routledge
ISBN: 1317807111
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
With the televised events of 1989, territories of Eastern and Central Europe that had been marked as impenetrable and inaccessible to the Western gaze exploded into visibility. As the narratives of the Cold War crumbled, new narratives emerged and new geographies were produced on and by American television. Using an understudied archive of American news broadcasts, and tracing their flashes and echoes through travel guides and narratives of return written by Eastern European-Americans, this book explores American ways of seeing and mapping communism’s disintegration and the narratives articulated around post-communist sites and subjects.
Publisher: Routledge
ISBN: 1317807111
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
With the televised events of 1989, territories of Eastern and Central Europe that had been marked as impenetrable and inaccessible to the Western gaze exploded into visibility. As the narratives of the Cold War crumbled, new narratives emerged and new geographies were produced on and by American television. Using an understudied archive of American news broadcasts, and tracing their flashes and echoes through travel guides and narratives of return written by Eastern European-Americans, this book explores American ways of seeing and mapping communism’s disintegration and the narratives articulated around post-communist sites and subjects.
Postcommunist Film - Russia, Eastern Europe and World Culture
Author: Lars Kristensen
Publisher: Routledge
ISBN: 1136475559
Category : Performing Arts
Languages : en
Pages : 371
Book Description
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film. The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
Publisher: Routledge
ISBN: 1136475559
Category : Performing Arts
Languages : en
Pages : 371
Book Description
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film. The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
Communism's Shadow
Author: Grigore Pop-Eleches
Publisher: Princeton University Press
ISBN: 1400887828
Category : Political Science
Languages : en
Pages : 355
Book Description
It has long been assumed that the historical legacy of Soviet Communism would have an important effect on post-communist states. However, prior research has focused primarily on the institutional legacy of communism. Communism's Shadow instead turns the focus to the individuals who inhabit post-communist countries, presenting a rigorous assessment of the legacy of communism on political attitudes. Post-communist citizens hold political, economic, and social opinions that consistently differ from individuals in other countries. Grigore Pop-Eleches and Joshua Tucker introduce two distinct frameworks to explain these differences, the first of which focuses on the effects of living in a post-communist country, and the second on living through communism. Drawing on large-scale research encompassing post-communist states and other countries around the globe, the authors demonstrate that living through communism has a clear, consistent influence on why citizens in post-communist countries are, on average, less supportive of democracy and markets and more supportive of state-provided social welfare. The longer citizens have lived through communism, especially as adults, the greater their support for beliefs associated with communist ideology—the one exception being opinions regarding gender equality. A thorough and nuanced examination of communist legacies' lasting influence on public opinion, Communism's Shadow highlights the ways in which political beliefs can outlast institutional regimes.
Publisher: Princeton University Press
ISBN: 1400887828
Category : Political Science
Languages : en
Pages : 355
Book Description
It has long been assumed that the historical legacy of Soviet Communism would have an important effect on post-communist states. However, prior research has focused primarily on the institutional legacy of communism. Communism's Shadow instead turns the focus to the individuals who inhabit post-communist countries, presenting a rigorous assessment of the legacy of communism on political attitudes. Post-communist citizens hold political, economic, and social opinions that consistently differ from individuals in other countries. Grigore Pop-Eleches and Joshua Tucker introduce two distinct frameworks to explain these differences, the first of which focuses on the effects of living in a post-communist country, and the second on living through communism. Drawing on large-scale research encompassing post-communist states and other countries around the globe, the authors demonstrate that living through communism has a clear, consistent influence on why citizens in post-communist countries are, on average, less supportive of democracy and markets and more supportive of state-provided social welfare. The longer citizens have lived through communism, especially as adults, the greater their support for beliefs associated with communist ideology—the one exception being opinions regarding gender equality. A thorough and nuanced examination of communist legacies' lasting influence on public opinion, Communism's Shadow highlights the ways in which political beliefs can outlast institutional regimes.
Radical Representations
Author: Barbara Foley
Publisher: Duke University Press
ISBN: 9780822313946
Category : Literary Criticism
Languages : en
Pages : 488
Book Description
In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres. Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.
Publisher: Duke University Press
ISBN: 9780822313946
Category : Literary Criticism
Languages : en
Pages : 488
Book Description
In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres. Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.
Art and Democracy in Post-Communist Europe
Author: Piotr Piotrowski
Publisher: Reaktion Books
ISBN: 1861899319
Category : Art
Languages : en
Pages : 314
Book Description
When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers. Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.
Publisher: Reaktion Books
ISBN: 1861899319
Category : Art
Languages : en
Pages : 314
Book Description
When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers. Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.
Social Theory and Postcommunism
Author: William Outhwaite
Publisher: John Wiley & Sons
ISBN: 1405137843
Category : Social Science
Languages : en
Pages : 264
Book Description
Social Theory and Postcommunism undertakes a thorough studyof the implications of post-communism for sociological theory.Written by two leading social theorists, the book discusses thethesis that the fall of communism has decimated alternativeconceptions of social organizations other than capitalism. Analyzes the implications of the fall of communism on socialtheory Discusses alternative ideas of social organizations other thancapitalism, in the wake of the collapse of communism Covers state/civil society, globalization, the future of“modernity,” and post-socialism
Publisher: John Wiley & Sons
ISBN: 1405137843
Category : Social Science
Languages : en
Pages : 264
Book Description
Social Theory and Postcommunism undertakes a thorough studyof the implications of post-communism for sociological theory.Written by two leading social theorists, the book discusses thethesis that the fall of communism has decimated alternativeconceptions of social organizations other than capitalism. Analyzes the implications of the fall of communism on socialtheory Discusses alternative ideas of social organizations other thancapitalism, in the wake of the collapse of communism Covers state/civil society, globalization, the future of“modernity,” and post-socialism
Post-Communist Aesthetics
Author: Anca M. Pusca
Publisher: Routledge
ISBN: 1317360656
Category : Political Science
Languages : en
Pages : 160
Book Description
In this book, Anca Pusca seeks to extend the aesthetic and cultural turn in international relations to an analysis of post-communist transitions in Central and Eastern Europe. Building on the philosophy of Walter Benjamin and Jacques Ranciere, the work investigates how post-communist film, photography, theatre, art, museumization and architecture have creatively re-engaged with ideas of revolution, communism, capitalism and ethnic violence, and how this in turn has helped people survive and reinvent themselves amongst the material and ideological ruins of communism. The work illustrates how popular culture has effectively targeted and re-interpreted the classical representations of the transition in order to question: • The origin – focusing on practices of re-staging, memorializing and questioning the 1989 revolutions. • The unfolding – focusing on the human and material consequences of significant changes in processes of production and consumption. • The potential end – focusing on the illusions and disillusions surrounding the 'transition' process. A unique take on the influence that popular culture has had and continues to have on how we understand the post-communist transitions, this work will be of great interest to students and scholars of cultural and visual studies, eastern European politics and international relations.
Publisher: Routledge
ISBN: 1317360656
Category : Political Science
Languages : en
Pages : 160
Book Description
In this book, Anca Pusca seeks to extend the aesthetic and cultural turn in international relations to an analysis of post-communist transitions in Central and Eastern Europe. Building on the philosophy of Walter Benjamin and Jacques Ranciere, the work investigates how post-communist film, photography, theatre, art, museumization and architecture have creatively re-engaged with ideas of revolution, communism, capitalism and ethnic violence, and how this in turn has helped people survive and reinvent themselves amongst the material and ideological ruins of communism. The work illustrates how popular culture has effectively targeted and re-interpreted the classical representations of the transition in order to question: • The origin – focusing on practices of re-staging, memorializing and questioning the 1989 revolutions. • The unfolding – focusing on the human and material consequences of significant changes in processes of production and consumption. • The potential end – focusing on the illusions and disillusions surrounding the 'transition' process. A unique take on the influence that popular culture has had and continues to have on how we understand the post-communist transitions, this work will be of great interest to students and scholars of cultural and visual studies, eastern European politics and international relations.
Embodied Metaphors in Film, Television, and Video Games
Author: Kathrin Fahlenbrach
Publisher: Routledge
ISBN: 1317531213
Category : Social Science
Languages : en
Pages : 214
Book Description
In cognitive research, metaphors have been shown to help us imagine complex, abstract, or invisible ideas, concepts, or emotions. Contributors to this book argue that metaphors occur not only in language, but in audio visual media well. This is all the more evident in entertainment media, which strategically "sell" their products by addressing their viewers’ immediate, reflexive understanding through pictures, sounds, and language. This volume applies cognitive metaphor theory (CMT) to film, television, and video games in order to analyze the embodied aesthetics and meanings of those moving images.
Publisher: Routledge
ISBN: 1317531213
Category : Social Science
Languages : en
Pages : 214
Book Description
In cognitive research, metaphors have been shown to help us imagine complex, abstract, or invisible ideas, concepts, or emotions. Contributors to this book argue that metaphors occur not only in language, but in audio visual media well. This is all the more evident in entertainment media, which strategically "sell" their products by addressing their viewers’ immediate, reflexive understanding through pictures, sounds, and language. This volume applies cognitive metaphor theory (CMT) to film, television, and video games in order to analyze the embodied aesthetics and meanings of those moving images.
The Emotional Life of Postmodern Film
Author: Pansy Duncan
Publisher: Routledge
ISBN: 1317355644
Category : Performing Arts
Languages : en
Pages : 255
Book Description
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.
Publisher: Routledge
ISBN: 1317355644
Category : Performing Arts
Languages : en
Pages : 255
Book Description
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.
International Perspectives on Shojo and Shojo Manga
Author: Masami Toku
Publisher: Routledge
ISBN: 1317610768
Category : Social Science
Languages : en
Pages : 268
Book Description
This collaborative book explores the artistic and aesthetic development of shojo, or girl, manga and discusses the significance of both shojo manga and the concept of shojo, or girl culture. It features contributions from manga critics, educators, and researchers from both manga’s home country of Japan and abroad, looking at shojo and shojo manga’s influence both locally and globally. Finally, it presents original interviews of shojo manga-ka, or artists, who discuss their work and their views on this distinct type of popular visual culture.
Publisher: Routledge
ISBN: 1317610768
Category : Social Science
Languages : en
Pages : 268
Book Description
This collaborative book explores the artistic and aesthetic development of shojo, or girl, manga and discusses the significance of both shojo manga and the concept of shojo, or girl culture. It features contributions from manga critics, educators, and researchers from both manga’s home country of Japan and abroad, looking at shojo and shojo manga’s influence both locally and globally. Finally, it presents original interviews of shojo manga-ka, or artists, who discuss their work and their views on this distinct type of popular visual culture.