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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 902
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 902
Get Book Here
Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1070
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Book Description
Author: John Caldwell
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 674
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Book Description
Author: Douglas Dreishpoon
Publisher: Hudson Hills
ISBN: 9781555952143
Category : Art
Languages : en
Pages : 300
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Book Description
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 802
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Book Description
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
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Book Description
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 792
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Book Description
Author: Ad Reinhardt
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
The paintings of the American artist, Ad Reinhardt were from the start defined by their clear geometrical forms. Reinhardt, who before his training as a painter had received a degree in art history, rejected any kind of fusion between art and life or any mystification of painting. Around 1953 he did his first black paintings in which every tendency to colour seemed to fade. From 1960 his paintings were all only black, which he himself described as the 'last paintings that anyone can paint. 'The encounter between Ad Reinhardt and Josef Albers in 1952 - 1953 and their ensuing dialogues on the meaning of colour within the painting process were For The young Reinhardt an important impulse on his path towards his black paintings. Presented in this book is his oeuvre from the end of the 1930s To The late works; their special relevance can be recognised in juxtaposition with the works of Josef Albers.
